Archive for the ‘Video Technology’ Category

Weekly News Roundup (26 August 2012)

Sunday, August 26th, 2012

Welcome to another edition of the weekly news roundup. Been out and about on this Sunday, went to the local store to by a copy of The Hunger Games and Battleship on Blu-ray (feeling quite ashamed about buying both, to be honest, but both are for my niece – The Hunger Games for obvious reasons, and Battleship because Rihanna is in it – although Battleship, I’ll admit, is a guilty pleasure for me too).

As for the WNR, a few bits and pieces to get through, so let’s get started.

Copyright

Following up on last week’s story regarding Google’s new anti-piracy policy, in which they will start demoting websites that receive too many DMCA notices, the two sites that will be most affected by these changes, The Pirate Bay and isoHunt, have both responded to this latest “setback”.

The Pirate Bay reiterated their earlier view that this kind of censorship will not only not affect their popularity, but may in fact drive even more direct traffic to the world’s most famous torrent indexer. It is their fame, or in marketing speak, their “brand”, that allows them to not rely on search engines at all. And if people searching Google for torrents find that results aren’t what they’re expected, they’ll soon teach themselves to go to The Pirate Bay directly. The losers in this likely scenario would be the smaller, niche torrent sites, although if they’re small enough to avoid DMCA notices, then they’ll also benefit from these changes.

The Pirate Bay

The Google DMCA demotions won’t sink The Pirate Bay – it might even help the website become even more popular, the site says

Gary Fung over at isoHunt similar expressed his meh-ness at these changes, citing that while they have a greater share of visitors coming from Google than TPB (21%, vs at most 10% for TPB), the fact that “isohunt” and “isohunt.com” are the most common incoming search terms (would be surprised if this wasn’t also the case with TPB), means that people are not using Google as a discovery tool for piracy at all (ie. they already knew about about sites like isoHunt and TPB, but were just too lazy to bookmark or type the full domain names, or weren’t sure about the spelling and just wanted to make sure).

But just because neither websites are likely to be severely affected by these changes, it doesn’t mean that they’re not fully against these changes. TPB, via their blog, says it is disturbing that one private industry is able to dictate what another industry, some might say an even more successful industry (but with a less powerful lobby), can and cannot do. Fung raises the good point that a valid DMCA notice, by Google’ definition, only means that the formatting of the submission is correct, and that no counter notification had been filed – it does not mean that the claim is genuine (Google cannot possibly check all 5.7 million+ takedown requests). Webmasters will also only be notified of any incoming DMCA notices if they have a Google webmasters account. So it is more than possible to file a false DMCA notice about a perfectly innocent web page, and if the website’s owner does not have a Google webmasters account, then he or she will never even know about this notice, which, in Google’s eyes, is still perfectly valid.

Shortly after Google’s announcement, Hollywood (via their copyright lobbying group, the MPAA) welcomed Google’s latest initiative, but still said that Google can still do more. But according to award winning tech journalist David Pogue, Hollywood should care less about what others are doing to “promote” piracy, and worry more about what the industry is doing right now to equally promote piracy. Writing an opinion piece in Scientific American, Pogue lambasts Hollywood for reacting to the imminent death of DVD rentals by retreating further away from its successor, online digital rentals. Instead of embracing the Internet, Pogue says for whatever reason (in my opinion, most likely fear), Hollywood has started putting up all sorts of barriers online to prevent people from paying for legal content. Barriers that includes unfair release windows, shortened rental times, and the reduced availability of content compared to a traditional brick & mortar store (and this totally goes against common sense, because digital is supposed to allow for a greater selection due to lack of need for physical space).

Pogue interestingly points out that out of the top 10 most pirated films of 2011, none of them are actually available for rental online at this very moment (although a couple is available as part of Netflix’s streaming offering). And if Hollywood thinks that the modern day consumer’s appetite for content can be controlled by limiting what’s available, then that’s a sadly outdated notion, because the Internet does offers people alternative. True, many of them are illegal, but the reality is that people don’t care. Through legislation and technical measures, Hollywood is hoping they can put the genie back into the bottle, but as Pogue concludes, perhaps the simpler solution is to simply embrace the Internet and “keep making money”.

But it doesn’t help when you not only *don’t* give your own customers what they want, you also label them as “scumbags” and “bandits” for simply wanting more than what you offer them. Both of these terms were used by the CEO News Limited, the Australian wing of Rupert Murdoch’s media empire. Uncle Rupert is not a huge fan of this Interweb thingy, and an even lesser fan of web piracy (once calling Google a piracy leader on Twitter), and it seems this has rubbed off on News Limited’s CEO, Kim Williams.

Controversially, Williams said that the web piracy problem makes the English riots of 2011 “look like children stealing [candy] from a shop”. A tasteless comparison if only for the fact that the same riot caused the death of five people. While I admit that a lot of content is downloaded illegally these days, as far as I can tell, places like Amazon, Steam, Netflix, and even offline ones like Walmart, are still doing pretty well, certainly better than the smashed, burnt down and robbed stores that bore the brunt of the London riots. And that’s the key difference between traditional theft, and the theft of intellectual property – one has a real economic cost attached, the other merely has a theoretical “lost sale” cost. One is taking, the other is copying, like photocopying a text book at the library, versus shoplifting the same book from a book store.

But one area in which a comparison to the English riots may have merit is that things like riots, and large scale unauthorised downloading, don’t simply happen in a vacuum. As much as those in positions of power want to write it all off as criminals committing crimes, the root of the problem is always much more complicated. The disenfranchisement and injustice that people were feeling, whether a legitimate gripe or just the sense of it (both equally real in people’s minds) is what was behind the riots. And the sense of unfairness in pricing, availability that people are feeling towards the provision of video entertainment, while a much less severe and a much more “first world” problem, may also be the root of this “piracy scourge”. Basically the same thing Pogue alluded to in his article.

The Oatmeal: Game of Thrones

Games of Thrones is pirated a lot in Australia because legal ways to watch the show in a timely manner hasn’t been provided by the only cable TV player in town, partially owned by News Limited, whose CEO calls pirates “scumbags” and “bandits”

So I guess it won’t surprise you that News Limited, the company that part-owns Australia’s *only* cable TV network (Foxtel, who recently absorbed the regional based Austar), is notorious for the putting up the very same barriers that Pogue talks about. Australia has the highest piracy rate for Game of Thrones, mainly because exclusive broadcasters Foxtel, in their infinite wisdom (or trying to save a buck on the distribution deal), not only decided to move Game of Thrones to a premium cable package (fair enough), but also decided to not show any of the episodes until the US season had ended, thus ensuring everybody, and I mean everybody (that I know of at least), pirated the show. The situation has improved recently with the delay decreased to a single week, but a week long delay in this day and age of Twitter spoilers and whatnot might as well be a year. The nature and popularity of the show also meant that none of the free-to-air networks dared to show the uncensored version, nor can they afford the buy the show in all honesty, and so “scumbags” and “bandits” were created en masse as a result.

This is also the same Foxtel that allows so many ads on their basic channels, that one wonders what they’re paying for exactly (I pay for an equivalent of USD $100+ per month for a package that doesn’t even include movies), other than the mostly old repeats of repeats that you can get on Netflix for $7.95 (but we don’t have a Netflix equivalent here with the same amount of content, so VPNs and proxies are very popular here, which I’m guessing News Limited’s Kim Williams thinks we’re total d*cks for using).

——

The “sue for settlement” industry haven’t been making the headlines much recently, what with our beloved Righthaven dying a not so pretty death and all. Leave it to the Germans though to do what no other has dared, or wanted, to do – to publicly humiliate up to 150,000 names of individuals and organisations that are alleged to have downloaded infringing content, including hardcore porn  titles that include delightful numbers such as “Amili Learns to Swallow” and “Alone Among Brutal F***ers”. And I guess if you were to do it properly (the public humiliation, not the porn, although I’m sure the list also contains those that downloaded from the popular public humiliation porn category), you’d have to humiliate those that will be most embarrassed by these mere allegations, which is why the law firm, Urmann, plans to focus on naming and shaming churches, police stations and embassies of Middle Eastern countries.

Privacy and defamation issues (although German law is on the side of Urmann on this one too, which allows law firms to publish the names of those accused by its clients), and also ignoring the slightly racial tones that comes from picking on foreigners, the fact that it seems somewhat public places are being named suggests there might be quite a few IP addresses associated with public/shared Wi-Fi. Not that “sue-for-settlement” firms in the past have cared this issue in the past.

The German Pirate Party is said to be “shocked” at this latest development, and net vigilante group Anonymous is already sharpening their knives with the ominous statement that they will “take care of it”. I still fail to see what the whole point of the exercise is (again, the public humiliation, not the porn) – after all, the *threat* of public humiliation is the main business model behind these kind of “lawsuits”, but if you carry out with the threat, you also remove any incentive for people to pay.

But I’m sure they know what they’re doing. Right?

And that’s pretty much it for the week. See you next week!

Weekly News Roundup (19 August 2012)

Sunday, August 19th, 2012

Welcome to another edition of the WNR. NPD “released” its July 2012 sales stats for US video game sales, but unfortunately, only Microsoft again chose to divulge its hardware sales stats. So no July NPD analysis, which is a shame, but there wasn’t any real surprises anyway. I’ll talk a bit about it in the gaming section below.

Another pretty full news week, so let’s get started …

Copyright

So much for “do no evil”. Google gave in to the demands of the MPAA and the RIAA this week by signalling it is ready to start self-censoring its own results to reduce the visibility of alleged piracy websites. Without going as far as removing suspected websites, Google will start demoting any website that receives an unspecified number of DMCA notices.

Google DMCA Demote

Google has started demoting websites that receive too many DMCA notices, the image on the left shows the demoted rankings, while the image on the right (for the yet unchanged Greek version of Google) shows the previous rankings

It’s own YouTube website, and “major brands” will apparently be exempt from this new rule (webmasters have long suspected there’s one rule for the web top 100, and another rule for the rest), but the rest will now have to live in fear of the system, which is already being massive abused by those seeking an unfair advantage (57% of all filed notices, according to a Google report from 2006), and made even more attractive as a “black hat” weapon of choice now that the entire domains of competitors can be demoted. Since Google started releasing DMCA stats, the number of DMCA notifications has risen from about a million per month, to now over 4!

Except none of this will work to stop piracy, because people aren’t turning into pirates just because they see some links to The Pirate Bay on Google. I don’t know if it’s naivety, a head in sand attitude, or a deliberate attempt to muddy the waters, but the idea that good, people are being fooled and misled into downloading pirated content online is, to put it simply, hogwash. People pirate and they do it willingly, and knowingly. And they spent a lot of effort learning and honing their piracy skills. They will most likely alredy have go-to places to get their piracy fix, or custom search engines that does more work separating the wheat from the chaff, so the idea that they’re all relying on Google to find the S01E08 of The Newsroom is simply a fantasy.

But despite Google’s proactive steps in reducing piracy, the MPAA/RIAA still wants more. In a joint submission to the US Copyright Czar, the MPAA and the RIAA have called on the government to do even more in the CRusade Against Piracy (CRAP™), including going all “Megaupload” on websites like The Pirate Bay. Basically a wish-list and a preview of what the copyright landscape could be like if the MPAA/RIAA get their way, the submission also talks about increasing criminal sentences for copyright offences, including making the unauthorised streaming of videos a felony.

Showing that they’ve not quite given up on SOPA/PIPA, the submission also calls for tighter control of domain names, including those outside of the jurisdiction of the US government. The groups also say that the government needs to go out and threaten private businesses like domain name registrars, search engines, and advertising agencies and get them to fall in line with the MPAA/RIAA’s vision of copyright enforcement. So it’s simply not good enough for Google to only demote websites that have yet to be proven, in a court of law at least, of doing anything wrong – no, the MPAA/RIAA says search engines like Google must “delist rogue sites”. Note the use of the term “rogue”, the same type of language that’s also being used to describes countries like North Korea and Iran, and I don’t think this is a coincidence either.

Feeding into the paranoia and hysterics that aims to paint college kids downloading movies as something much more serious, the MPAA/RIAA also strategically brings “organized crime” and “gangs” into the equation in this submission. But as far as I know, Tony Soprano purchased his copy of The Godfather, and it may be just me, but I just can’t imagine the Crips and the Bloods getting into the torrent search engine business.

High Definition

The wait is finally over. The kind people at Fox studios have finally allowed their customers to buy Avatar on Blu-ray 3D, for a price that isn’t a ridiculous 3 figure number.

Fox’s deal with Panasonic, where the electronic giant has exclusive rights to distribute the Blu-ray 3D version of Avatar with the 3D electronics, was one of the more controversial movie deals in recent times. Coming just at a time when Blu-ray 3D needed a launch title that could only come from the most acclaimed and most financially successful 3D movie of all time, the exclusivity deal meant that the format lacked a killer title available in stores that would have helped the format’s early adoption. As such, Blu-ray 3D hasn’t taken off in the way that electronic manufacturers and movie studios had hoped.

Avatar 3D Blu-ray Panasonic Exclusive

The Panasonic exclusive version of Avatar on Blu-ray 3D is still fetching 3 figures on eBay and Amazon, but the retail version will be available in October

With that said though, while people aren’t using 3D as much as studios would have liked, they’re still buying them because the price premium of 3D over 2D ranges between inconsequential and non-existent. Try and find a top of the range 2D TV that isn’t also 3D, and you’ll struggle. And when there’s only a $20 difference between a 2D Blu-ray player and its 3D equivalent, consumers don’t really have to make any hard choices.

Still, the retail release of Avatar on Blu-ray 3D should help the format break all kinds of records when the disc is released in October. The price is a bit higher than your average Blu-ray movie, $28 at Amazon, but it’s definitely better than paying $128 for it on eBay, right?

But don’t bet on this Blu-ray 3D Limited Collector’s edition to be the most definitive 3D version of the film to arrive on disc. The fact that this release might not even feature the extended cut means that Fox is already planning a quadruple dip of the film sometime in the near future.

Even for the 2D version, it’s only a matter of time before we see the 4K or whatever version of the film on possibly a new disc format, or if bandwidth issues are resolved, via streaming or download. Projects like Australia’s NBN and Google Fiber will aim to fix for the bandwidth issue once and for all with the move to fibre optics, which has almost an unlimited capacity to carry TB/s and beyond, but another solution is to increase the efficiency of the delivery codec. Which is why it was interesting to read about the news of a new format being officially approved by the Moving Picture Experts Group (MPEG), which promises to provide the same visual quality as H.264 with only half of the bandwidth needed.

H.264 is already super efficient, so it’s hard to believe that something could come along and double that efficiency, but HEVC, or H.265, aims to do just that through more computational intensive algorithms. Mobile applications would probably benefit the most from H.265/HEVC, due to their inherent bandwidth limitations, although faster (and more power hungry) devices may be needed to decode the video.

The other main beneficiary from a more efficient codec would be the web streaming industry, finally allowing the likes of Netflix to do true Blu-ray quality streams on connections less than 20 Mbps.

For other applications, 4K is an obvious candidate, but 4K only really benefits super large screens (say 80″ or above), and it’s an overkill for anything smaller. And if staying at 2K or 1080p resolution, the increased efficiency of H.265/HEVC may allow for same bitrate, but higher quality encodes, although you’ll get diminishing returns on any quality improvement for Blu-ray encodes, many of which are already visually flawless to the average viewer.

Gaming

Blizzard’s Battle.net has become, perhaps, one of the most tempting targets for hackers in recent times. Not only does the company hold a heck of a lot of data for a heck of a lot of people, Blizzard also holds tons of financial information for all those subscribers to WoW, and all those buyers/sellers on Diablo III’s Auction House. And the company’s stance towards “always-on” DRM for D3 meant that anyone who pokes holes in their security will instantly receive a lot of “web cred” for their efforts.

Blizzard Security Notice

Blizzard was hacked last week, with a ton of user information stolen in the process.

So unsurprisingly, Battle.net was hacked this week, with a heck of a lot of data being stolen in the process, including emails, (encrypted) passwords, security questions/answers, and even data related to the mobile authenticator that’s supposed to prevent hackers from getting into your account. The scale of the breach is actually quite spectacular, with the email addresses of every Battle.net account (except for those in China – probably on different servers) being leaked, and pretty much all accounts on the North American servers being compromised further.

Just the other week, Blizzard was boasting about how effective “always-on” DRM has been in preventing piracy, which has meant the company has made record amounts of money selling the hit game. It’s a shame that they didn’t invest enough of their loot (using it in the Diablo III sense) in protecting their users, but when you treat your customers as criminals by forcing draconian DRM on them, their rights were never that important to start with.

And as mentioned in the intro, the July NPD report was released, with the Xbox 360 once again riding high among the home based consoles, selling 203,000 units. But it was still 26.7% down compared to the same month last year, although the other home based consoles probably didn’t fare much better (the Wii in particular). The holiday sales period is coming up soon, and with the Wii U out around that time, it will be interesting to see if the Xbox 360 and PS3 will make a comeback, or take a further hit, when sales ramp up for this period.

But a price discount could do wonders for the two ageing consoles, especially when up against the compartively pricey Wii U.

That’s that for the week. See you in seven!

Weekly News Roundup (5 August 2012)

Sunday, August 5th, 2012

Hope you’ve been enjoying the Olympics. Hasn’t been such a great one for those watching here in down under though, don’t know what’s wrong, but you know *something* is definitely wrong when New Zealand manages to get more gold than you do. I haven’t really been watching though, not really my thing as I’ve mentioned before. Too much commitment given the time differences, and I’ve got to get my body ready for a grueling season of English football watching once the Olympics are finished.

Without further ado, whatever this “ado” substance is, let’s get started with the weekly news roundup.

Copyright

Much is made of the impact the Internet piracy has had on the music industry, the creative industry that is perhaps suffering the most from the “piracy scourge”, but it appears the music industry has been keeping a big secret from everyone: that online downloads do not appear to be the major source of pirated music!

NPD Digital Music Study

Online piracy is not the main source of illegal music files, according to research referenced by the RIAA

In fact, 70% of all pirated music are sourced from offline methods, according to newly leaked data from NPD courtesy of an RIAA report. And despite all the hoopla surrounding the closure of Megaupload, all digital lockers combined only contributed to 6% of illegal music sources. Instead, traditional CD ripping/burning and hard-drive trading still rule the roost when it comes to illegal music sharing. Of course, music found in traded hard-drives may have come from online source in the first place, but it appears most people’s first port of call for pirated music is their friends and families, not the Internet.

This set of data was marked confidential, and probably for good reason. If the public were made aware the actual contributions online piracy made to the pirated music scene, they might label the industry’s efforts against online music piracy as disproportional and inappropriate, and far from the rise of the Internet piracy being the downfall of the industry, there might be other factors that are in play. It’s almost as if the industry is using Internet piracy as a catch-all excuse for all of their woes, but I’m sure those in the music business have more class and honor than that.

One of the most disproportional responses to the online piracy problem has been the introduction of “graduated response”, or more commonly known as “three-strikes”, regimes – the most notorious one being the French “Hadopi” regime. Hadopi was a pet project for former President Sarkozy, but the newly elected socialist government of France appears to be less keen to continue on with the program. New cultural minister Aurelie Filipetti says Hadopi is too expensive (12 million euros per year) for the results it has obtained so far (still awaiting the first actual disconnection I believe, with 340 out of the millions of monitored users awaiting “sentencing” after being caught out for 3 times), and that it has failed in its goal to help promote legal alternatives.

And even if Hadopi had produced bannings, Filipetti says that this kind of punishment appears to be “disproportionate” compared to the seriousness of the crime.

I firmly believe the success of programs like Hadopi should to be judged not on how many people it bans or even how many people have stopped pirating because of it – it should only be judged on the basis of whether it has helped to increase revenue for the creative industries. If revenue has not increased as a result of three-strikes and other anti-piracy measures, then these measures have no real value other than being an affront to personal privacy. The failure of these programs to produce the required financial gains will also poke serious holes in the industry’s figures regarding losses due to piracy, and it would prove that not all acts of piracy would have otherwise generated a sale had piracy been prevented.

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Uplay 2.0.4 Update

Users are advised to updated Uplay to version 2.0.4 or newer, to prevent Ubisoft’s infamous DRM and online platform from acting like a rootkit

Another week, another Ubi DRM controversy. Following the Steam Summer Sale disaster a few weeks ago where Ubisoft’s Uplay online and DRM service failed to accommodate the surge in game buyers, this week, Uplay is caught up in its own Sony style rootkit scandal.

The Uplay installer comes with a browser plug-in that’s automatically installed. But when curious Google engineer and Ubisoft game buyer Tavis Ormandy examined the plug-in further, he found that the plug-in not only allowed Uplay games to be launched, it allowed *everything* to be launched from a browser window. This is bad news because this could allow, for example, malicious websites to use the plug-in to launch anything and effectively take control of your computer. Unintentionally, Uplay had become the very definition of a rootkit.

Ubisoft was quick to release an update that fixed this vulnerability, so if you have Uplay on your system, then you’re advised to update Uplay as soon as possible, and do it with your browser closed as to allow the update to occur For now, there have been no reports of actual damages of unauthorised access by hackers via the Uplay plug-in, but if there are, I’m sure lawsuits will be launched promptly.

——

A few weeks ago, I wrote about a new study which alleges a music industry led anti-innovation crusade against Internet start-ups following the legal victory against Napster. In the study, it is alleged that most of the money earned from successful lawsuits went on to fund other lawsuits, in a sort of Ponzi Scheme that ran and ran until the money expectedly ran out. Artists and rightsholders, those the music industry points to as the real victims of piracy, apparently saw little of the “loot”. It seems nothing much has changed when it comes to the modus operandi of the industry, as it’s been revealed this week that even in the event record labels manage to recover the damages they won from The Pirate Bay lawsuit (some half a million euros worth), they will again refuse to share it with the “real victims”.

Not that there’s anything to share yet or perhaps ever, as new legal documents state pretty clearly that authorities have had little success and little hope of ever recovering the full amount of damages, as unsurprisingly enough, the individuals named in the lawsuits had little asset to seize (so much for the financial gain angle that Big Content says is behind most piracy operations).

If any money is recovered, the legal document says seized funds will be put to use to sue others, just like in the post Napster days. The difference being that, thanks to the industry’s efforts, piracy has become much more resilient than in the days of Napster or even LimeWire. The good news for the industry (sort of) is that legal downloads are also more prevalent. Although due to the industry’s obsession with piracy and their anti-innovation crusade, the lack of investment in innovation and forward thinking has allowed an opening for tech companies like Apple and Amazon to come in and take a huge chunk of the distribution cash cow.

High Definition

And it seems to very same trend is being repeated with the movie industry (I guess no lessons were learnt).

The major studio’s beloved Blu-ray format continues to grow solidly, even with the holiday release season, which traditionally provides a big jolt to spur growth in market share, still yet to arrive. Even with Blu-ray movie prices continuing to drop, revenue has also been increasing, suggesting unit sales are up significantly. Some of Blu-ray’s growth has come at the expense of DVDs, as expected, but it appears that digital distribution is the main reason why DVD revenue continues to fall, and digital has been the real success story of the last couple of years.

Amazon Prime Instant Video - New Additions

With more and more titles being added every couple of weeks, Amazon Prime Instant Video is fast becoming a major player in the subscription streaming scene currently dominated by Netflix – both there’s plenty for everyone it seems – revenue are up 430% in a year!

New figures released by DEG, The Digital Entertainment Group, shows remarkable growth for all things digital. While revenue from transactional VOD services (where each request for a video is a separate payment/transaction – basically services like Vudu and the non Prime version of Amazon Instant Video) was only up modestly, some 11.6% (comparable to the rise in Blu-ray spending of 13.3%), the real growth has been in subscription VOD services like Netflix (and the Prime version of Amazon Instant Video).

An amazing 430% growth was recorded, made more amazing by the fact that this isn’t just some paper growth, but actual revenue exceeded $1.1 billion just for the first 6 month of 2012. Subscription VOD now accounts for 13% of all home video spending!

Actual Blu-ray revenue wasn’t made available by DEG (only that total physical disc spending was $3.7 billion), but data from other sources such as Home Media Research puts Blu-ray spending at just under $892 million for the first 25 weeks of the year. This means that in all likelihood, spending on subscription VOD services have now overtaken Blu-ray spending for the first time ever (this time last year, subscription VOD spending was only $208 million).

Not that I want to make this somewhat apples and oranges comparison – both delivery platforms are aimed at quite different demographics, and at the moment (due to lack of high quality HD content on streaming services), neither are really competing with each other. But once ultra speed broadband services, such as the recently priced Google Fiber are more prevalent, this could change again. For me, VOD streaming is a game changer, much more so than Blu-ray. It seems subscription VOD has the ability to not only cannibalize DVDs, but possibly rental too, and if the bandwidth issue can be solved, it can take on Blu-ray as well.

Here in Australia, the government is investing in the next-generation fibre broadband for 93% of all premises, providing up to 100 Mbps residential services at first with the capability of supporting Google Fibre like 1 Gbps speeds in the near future. It’s a fantastic and visionary project, but unfortunately, political games will most likely see the project scrapped before it’s completely finished. But in the off chance that it is completed, the ability for most homes in Australia to stream one or more Blu-ray quality streams without saturating the entire connection would most likely see the convenience of streaming win over the humble optical disc. One can dream, at least.

Speaking of dreaming, it’s fast approaching midnight and it’s probably time to call it a day on this edition of the WNR. Hope you enjoyed reading it. See you next week.

Weekly News Roundup (8 July 2012)

Monday, July 9th, 2012

I know I’ve been late with the WNR before, but never a whole day (maybe not strictly true). Sometimes life gets into the way of work, and for the few times when it’s actually good things interfering, then a little interruption to work here and there can be well worth it. This was one of those times, so I hope you’ll forgive me. Besides, by the time you get this, it might still very well be Sunday wherever you are, so hopefully it will still be the right day, even if it is the wrong time. Not a lot of news to actually go through this week to be honest, but we’ll make do as usual.

CopyrightIn copyright news, we have a couple (and using the more stricter definition of the term ‘couple’) of follow-ups to recent major stories I’ve been covering in this very section.

The Dutch ban on The Pirate Bay, while starting in February, has gained more recent attention due to a similar ban coming into effect in the UK, as well as the attention from the “IP switching” game TPB have been playing recently with the Dutch anti-piracy group, BREIN. But this week, one of the major ISPs participating in the ban has released data that questions the effectiveness of the block. Instead of making BitTorrent traffic decrease after the ban of The Pirate Bay in February, BitTorrent traffic has actually increased!

BitTorrent traffic graph from ISP XS4All

BitTorrent traffic since the Pirate Bay ban in the Netherlands (red line) does not seem to have decreased, despite 90% of the population now blocked from accessing the world’s largest BitTorrent indexer

ISP XS4All theorizes that the extra publicity the ban received may have actually help drive more traffic to The Pirate Bay and to other BitTorrent websites. For people that had relied on The Pirate Bay, it’s likely they’ve simply started using one of the hundreds of other BitTorrent indexers instead. And with the increasing use of magnet links, there’s a lesser need these days to have well run indexers that always have working .torrent downloads, which then allows more “competing” websites to be set up with lower technical requirements. All of this, and the numerous web proxies that still allow people easy access to the TPB, means the ban has little, if any, effect on torrent downloads. Of course, without looking at past trends, it’s hard to come to any firm conclusions about the data (for example, while BitTorrent downloads are still growing, perhaps it has slowed down thank to the ban – without looking at historical data, one cannot rule out this conclusion).

XS4All suggests that, instead of focusing on preventing people from downloading via technical means, the better solution is to offer them legitimate services that are just as enticing. You won’t get an argument from me about this, um, argument, but this is already kind of happening naturally via services like Netflix (more on that later).

Joe Biden Official Portrait

Did Vice President Biden order the shutdown of Megaupload as claimed by Kim DotCom – current evidence suggest that’s not the case

The Megaupload affair took a strange turn this week when owner of the defunct file hosting website Kim DotCom claimed that Vice President Joe Biden was the key man behind the Megaupload shutdown. The allegations surrounds a meeting which took place between the vice president and members of the MPAA, at which DotCom alleges (citing a “credible source”) that the Megaupload shutdown was one a topic of discussion – a suggestion that has since been shot down by the MPAA. So far, no evidence has been released by DotCom which backs up his claim, so based on what we know currently, it’s unlikely Biden was so deeply involved with the whole affair. This isn’t to say that Biden would not have been a big supporter of the takedown had the matter been discussed – Biden has always been known for his support for the copyright lobby.

There were also some grumblings about the timing of the Megaupload raid, happening just days after the defeat of SOPA/PIPA by the Interwebs. Some suggest that this was revenge for the failure of the legislations, or that it was a way for the administration to appear to be still strong on copyright, despite the White House’s wavering support for SOPA/PIPA towards the end. But this fails to take into account the time between petitioning for a warrant (even if it turned out to be invalid later on), and executing the search – the indictments against Megaupload were actually filed weeks before the planned Internet-wide protest against SOPA/PIPA. And an investigation like this would most likely have taken years, not weeks, so any direct links between SOPA/PIPA and the Megaupload raid would be tenuous at most.

High Definition

Going back to the earlier mentioned idea that legitimate services can compete effectively with piracy, we have the news this week that over 1 billion hours of content had been viewed by subscribers of Netflix’s net based streaming service in just one month.

This statistic comes from the usage stats for June, and means that each Netflix subscriber watched around 40 hours of streamed content for that month, or 80 minutes per day. That may not sound like a lot compared to normal TV, disc and cable viewing habits, but when you compare that to say your typical movie or TV pirate, then 80 minutes per day (which would be 2 “hour long” episodes with the ads removed) does seem quite significant. And this matches the fact that Netflix’s bandwidth usage, in the US at least, has grown to become much much greater than that of say BitTorrent, based on recent statistics. But due to the lack of unique and really new content, right now, I think Netflix is more of a complementary service to piracy, and a really competing one, if I had to be totally honest.

But with Netflix trying to bring more exclusive content to their network, including the highly anticipated return of Arrested Development, this particular viewing record could be easily broken again. It seems that, once again, the tech industry has stepped up to the challenge of giving people what they want, while the content industry lags behind and will ultimately be the losers (again) as they obsess over things like piracy and DRM.

Gaming

The next story is probably better located in the Copyright section, but it also holds great significance to me from a gaming (and nostalgia) point of view, so this is where it goes.

The Leisure Suit Larry games series’s protagonist, Larry Laffer, is coming back to a PC or a mobile device near you. The leisure suit wearing, socially awkward, sex obsessed and hair challenged Larry brings back great memories for me during my teenage years, when the Larry games were a great time occupier. The news that a remake in on the way is awesome, even more so because it’s being done via crowd funding with a series of hilarious rewards, but even more awesomer because the creator of the games, the legendary Al Lowe, also hates DRM with a passion.

Leisure Suit Larry in the Land of the Lounge Lizards - Original

The original Larry game in all its EGA glory

Going one step further than even myself, Lowe refuses to buy anything with DRM (so not a fan of Diablo 3 then), and has been trying to avoid DRM ever since his first involvement with it in 1982. Not that Lowe condones piracy – his Larry games were so pirated that more more hint books for the games were sold than the actual games themselves – but from a pragmatic point of view, he just doesn’t think DRM does anything other than “hassle people who paid for the product”. DRM is about as useful as pocket lint is in an adventure game.

I for one can’t wait for pay for the remake, especially knowing I won’t be hassled for doing the right thing. Plus free pocket lint!

And on that note, we reach the end of another, and very very late, WNR. See you next week.

Weekly News Roundup (24 June 2012)

Sunday, June 24th, 2012

Welcome to another edition of the WNR. Whether you had a busy and productive week, or a slow and unfruitful one (or combinations of the aforementioned), I hope that you at least had a good week. I’ve long since believed that being productive does not equal good, and sometimes an unfruitful week can have its own rewards too (like levelling up 6 levels in Diablo 3). News wise, same old same old, really – not much, but still a few interesting ones to poke a stick at. Running kind of late, and far too tired to be doing any sort of writing in be fully honest (didn’t sleep well last night), so let’s get started and let’s get it ended as soon as possible!

Copyright

Could the MPAA and RIAA start suing individuals again? Well, if you refer to the details of the “graduated response” deal they made with US ISPs, then yes, it could happen again.

Of course, just because they could, it doesn’t mean they will. The negative publicity from these lawsuits far outweigh any perceived benefit from going after your single mothers and college students, that is for these cases to become deterrents for others (hasn’t really worked, has it?), and both groups have signalled they’re no longer going in this direction. The language will be there in the agreement because nobody wants any doors to be closed for future potential actions, however remote the chances of these actions occurring are. Still, the agreement does say that ISPs will be providing an awful lot of information about repeat offenders to the likes of the MPAA and RIAA, but when you’re already playing the copyright police and spying on your own paying customers, passing on their personal details to the lawyers of some of the world’s biggest corporations does seem to fit the trend.

Megabox

Could Megabox still be set for a 2012 launch? Megaupload’s Kim DotCom seems to think so!

Megaupload’s Kim DotCom (he really does need to change his name if he wants people to take him serious again, in my opinion) got himself on Twitter this week, and the charismatic (former?) billionaire didn’t disappoint. Revealing that he was visited by none other than Apple’s co-founder Steve Wozniak, the more interesting reveal was that Megabox, the new music sales and sharing platform that’s supposed to end the major recording label’s monopoly on music distribution, is not as dead as everyone had thought it was. While providing little detail except for a blurry screenshot, DotCom did post that “It is coming and it will unchain you”. I talked about Megabox back in January after Megaupload was shuttered, but sensibly, everyone had just assumed that the site was dead in the water –  a real coup for the RIAA, intentionally or otherwise. The idea behind Megabox seems solid – artists sell directly to fans without having to go through labels, and as a result, artists get to keep up to 90% of the revenue. The Internet being the best self-publishing platform to have ever been invented, it’s no surprise that traditional publishing will be hurt as people cleverer than me come up new ways for creative people and their work to get noticed without having to hand over most of the revenue. So even if Megabox is dead, something like it will emerge, eventually.

High Definition

Last week, Roku’s CEO said Blu-ray was dead. This week, research released by the NPD shows that Blu-ray players are not dead at all – they’re just not being always used as Blu-ray players!

NPD’s latest research shows that 80% of those who have Blu-ray players connected to the Internet have used their players to download or stream video content. With the number of connected Blu-ray players growing (considering how many of these now come with Wi-Fi built-in, as opposed to being dependent on a well placed Ethernet cable), it appears at first that Net savvy consumers are voting with their remotes and telling content distributors how they want their content. Of course, without detailed stats on how frequently people use streaming service, all we can see is a possible trend (if that), but it’s clear that this Internet streaming thing isn’t just another fad.

The study also found that “only” 64% of connected game consoles were used to access services like Netflix and Hulu, but since it’s probably more likely that a game console is connected to the Internet than a Blu-ray player, this kind of makes sense. What I did find surprising was that only 15% of tablet and smartphone users were viewing movies via the Internet, but I think this figure will rise dramatically once you remove smartphones from the figure (and I suspect none of these figures include YouTube).

Gaming

And finally, in gaming news, a leaked Microsoft document from a couple of years ago could provide some clues as to what the Redmond giant’s next game console could look like.

The leaked document, which has since been removed, supposedly provide details of a presentation made in 2010 about the future of the Xbox gaming system. I’ll leave you to read the full news story to get the gist of it, but suffice to say, Kinect 2 plays a big part, and augmented reality, head/eye controllable glasses are also being considered.

OnLive

Microsoft was considering either acquiring OnLive, or launching their own similar “microconsole” concept

What I found most interesting was the concept of a “dumb console”, with a similar meaning to the more common use of this term, but applied perhaps even more appropriately to game “consoles”. Using a similar technology to OnLive (which apparently Microsoft had wanted to acquire at that time), games are processed “in the cloud” with the A/V being streamed to “microconsoles” that do very little other than process input and output. This way, the console itself does not need to be upgraded, but the content will continue to improve in quality, with all of the heavy lifting done in the cloud. Of course, things like latency, so important for gaming, could be an issue – but OnLive seems to make it work okay, as long as you have a good broadband connection. But the appeal is definitely there – not only are publishers satisfied by forcing gamers to be “always online”, and thus reduce piracy issues, the ability to get next-gen graphics without buying new hardware does seem like a good deal for gamers too (and for gaming companies like Microsoft and Sony, who make most of their money from games, when they’re not losing tons of it on the actual consoles themselves).

Of course, the leaked document might not be real, and even if it is real, it’s quite dated, As we get closer to the actual release date sometime in 2013, the real information will be artfully leaked, and completely accidentally, I’m sure.

Even with this WNR barely getting over the 1000 word mark, it’s still time to call it a day (or night) as we’ve run out of news. See you next week.