Archive for the ‘Gaming’ Category

Weekly News Roundup (26 October 2014)

Sunday, October 26th, 2014

Another really quiet week until the last couple of days … might have to rethink when to write this WNR in the future. It seems I’m not the only one that slacks off and wait until the end of the week to get everything done.

Let’s get started!


The Simpsons: Tapped Out

Freemium isn’t just for stupid EA games that make you have the urge to spend real money on fake stuff … piracy is also a form of premium

Freemium is becoming annoyingly popular these days. From office applications to greedy EA games that makes you want to spend your hard earned dollars buying useless virtual things like donuts and squeaky voiced teens. But did you know that freemium has existed years before it was known as freemium, and that piracy is actually a form of it? I didn’t know or think of it that way either until Microsoft’s CEO, of all people, explained why piracy may be the oldest form of freemium yet.

You see, just because people don’t pay for Windows or Office, it doesn’t mean that they may not eventually pay, for new versions or upgrades. If they do pay, then piracy becomes a form of promotion, seducing the user with its zero initial outlay and then eventually encouraging users to want to pay for future versions because they’ve already invested so much time and energy into learning the software.

With competition in every software sector becoming more and more fierce, piracy may just be another form of advertising, where paper losses due to piracy is turned into promotional spending to help increase the user base and maintain a dominant market position. Change the word “piracy” in the previous sentence to “the freemium model”, and isn’t this exactly how freemium works?


The Pirate Bay

Sites like The Pirate Bay cannot really be harmed by search engine ranking drops

An update to last week’s news story regarding the new Google anti-piracy ranking changes. TorrentFreak has looked into the results of the new downgrading scheme and this new one is apparently much more potent than previous efforts by Google. Looking at the “search engine visibility” of top US and UK torrent sites (that is, how easy is it to find results from these sites in the search engines), the new algorithm change coincides with a visibility drop of more than half for sites like

Of course, big search engine sites don’t really depend much on search engine traffic at all. Most of their traffic are direct traffic, which is simply people entering the site’s URL directly into the browser (or via bookmarks). Even if Google completely removes sites like The Pirate Bay from the search results, traffic to TPB will still be strong (and if the same kind of demotion happens equally to other competing torrent sites, then the theory is that traffic to TPB might even increase as more people, frustrated with the search results, will simply change their behaviour and directly visit the big torrent sites. The current changes actually benefit smaller torrent sites, those that have not been the target of a sustained DMCA take-down effort, and will naturally rise in the search ranks to become the top results.

But whatever makes the rightsholders happy I suppose.


I want to cover this in more detail next week, but the Court of Justice of the European Union has just handed down a landmark decision in which it was declared that you cannot commit copyright infringement by simply embedding videos onto your website, even if the video contained unauthorised content. As usual with these kind of landmark decision, the case upon which it was decided was a distinctly eccentric one, one that on first glance has almost nothing to do with copyright – that one of the plaintiffs was a water filtering company, and not a Hollywood studio, says everything really. But the Court of Justice of the European Union’s job is to interpret law, and their interpretation is that embedding is not a new act of communication, but rather, just the same communication, in a slightly different form, of the original upload. A common sense decision that finally puts a limit on just how far the “trickle down” effects goes when it comes to who you can sue for an upload (if an embed is liable, then how about a link to the page that contains the embed, and so on and so on). Anyway, more on this and the reaction in next week’s WNR.


Everyone knows that the PS4 is doing pretty well, and doing better than the Xbox One. But how much better, no one really knows. Ars Technica tried to answer the unanswerable, and they’ve come up with a pretty good answer, considering – worldwide PS4 sales are at least 40% more than that of the Xbox One.

I’ll leave you to read the whole article on how Ars Technica came up with these numbers, but there is no doubt that the PS4 is ahead of the Xbox One and by a considerable margin at this time. If I had to make a bet right now, it has to be on the PS4 being the winner of this generation. It has already won the battle of perception, with most believing it is a better value console than the Xbox One (not just in pure price terms, but in terms of features and performance too), and this is the most important battle to win!


Alright, that’s enough for this week. See you again in 168 hours (plus or minus a few hours).

Weekly News Roundup (19 October 2014)

Sunday, October 19th, 2014

I’ve recently become obsessed with a TV show called If You Are The One, a show that apparently has become a cult favourite here in Australia despite it being a Chinese dating show. It started airing on Saturday and Sunday nights here in 2013 (with subtitles), for the lonely hearts out there wanting to have fun at the expense of other lonely hearts (in China), and maybe learn a thing or two in the process too. Here’s hoping the show makes it to other English speaking markets, because it’s a real gem.


Google is getting tougher on “piracy sites”, sites that have received too many DMCA takedown notices. In a whitepaper released this week, Google outlined changes to its algorithm and search features that will make pirated results less obvious, and also do better to promote legal alternatives at the same time. Sites that have been targeted by the likes of the MPAA and RIAA with DMCA notices will drop down further in the search rankings thanks to new tweaks introduced this month, and for certain search terms that are likely to lead to pirated content, Google will either include ads to legal platforms for the said content, or will more links to free listening/watching options (such Spotify) to make going to pirated sites less of a necessity.

The whitepaper also explains in detail Google’s anti-piracy policies with its non search products, such as AdSense, Blogger and YouTube, with Google pointing out that the latter’s Content ID “piracy monetization” program has paid out over a billion dollars already to content holders in the seven years it has been running.

All of this is to avoid actually having to remove entire sites at the behest of content holders (as opposed to individual URLs), something that content holders ultimately wants Google to do (Google’s reason for not doing it: that takedown URLs for even the biggest piracy sites are only a small fraction of the total URLs indexed for these sites – so it’s unfair to remove these sites entirely).

The Walking Dead: Season 5

Hordes of The Walking Dead pirates come out during the show’s season 5 premier

What Google may not be able to do much about is the increasing popularity of The Walking Dead among downloaders. The corker of a season 5 premier has attracted record ratings, but has also broken records when it comes to pirated downloads, according to piracy tracking firm Excipio.

While all of this may only prove that “popular TV show downloaded more”, what I found interesting is that Australia, for once, was not the piracy leader for this “let’s not say the Z word” series. It could be that Game of Thrones is more popular with Aussies than The Walking Dead (because if there’s one things us Australians are known for, its our love of dragons and medieval themed political intrigue), but one look at the legal options for both shows and it may become clear why one is downloaded a lot more than the other. One show is available on iTunes (albeit on a 2 day delayed release schedule compared to the US airing time) and available on a cheaper non premium cable channel. The other is only available on premium cable packages, with no standalone digital options like iTunes. Guess which is which, and which show is pirated more!

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A standalone HBO streaming service is coming in 2015

The Game of Thrones piracy, or more precisely, the HBO TV show piracy problem in Australia may be reduced dramatically next year, but not for a reason that will make content holders and distributors here happy at all. HBO will be offering a standalone streaming product in 2015, possibly at the price point of $15 per month. With the right geo-unblocker (assuming HBO takes the same laissez faire attitude towards geo-unblockers as Netflix, which might be a big assumption at this time), Australians could get access to the latest HBO shows for a price that’s quite affordable.

So while all the talk is about Netflix being the loser in this new deal, and its stock prices has reflected this sentiment in the wake of this announcement, I think the real losers are the traditional cable and satellite providers, in the US and overseas. HBO and their shows has been the jewel, the only jewel sometimes, in their crown, and the only reason why many still hold on to their subscriptions. A standalone HBO product will remove this reason. Hulu Plus and Netflix aren’t real competitors because they’re trying to do different things, even though they offer some of the same content – both service complement each other, especially for us overseas watchers who don’t have timely access to the latest TV episodes. For this same reason, HBO and Netflix shouldn’t be considered competitors, especially when the two services are unlikely to have any overlap in content – they complement each other, and complement each other quite well. All we need now is a movie streaming service that streams the latest movies at the same time as the film’s Blu-ray and DVD releases, and all three services could co-exist and prosper (at the expense of cable/satellite, discs and other outdated forms of distribution).

Early 4K adopters without Netflix is set to lose out as the company moves its 4K offering to its most expensive $12 “family plan”. The extra costs involved with distributing 4K content may account for this move, but the change only affects new members. Existing members will get to keep access to Netflix’s limited 4K library without having to move up to the family plan.


Despite Michael Pachter predicting the Xbox One will outsell the PS4 in September, the well known gaming industry analyst was proved wrong once again with the NPD figures for September showing PS4 sales still topped that for the Xbox One despite Microsoft’s free games offer. The only glimmer of good news for Microsoft was that the hit game Destiny was more popular on the Xbox One than on the PS4, at least for standalone non digital copies of the game. The holiday period is just around the corner and sales will and Microsoft will hope that the recent discounting of the console plus game offers help to things turn around in time. If the PS4 wins these holidays, and right now it looks like the most likely outcome, then that’s this generation decided I think.

As for the Wii U, its sales grew by 50% compared to August sales, but with Microsoft and even Sony reluctant to release actual sales figures, we have no idea how far behind the Wii U is compared to the big two (and I assume it’s behind the Xbox One, since otherwise I’m sure Nintendo would have made a note of it in their PR releases).


And on that note, we come to the end of another WNR. Hope you’ve enjoyed this one, see you next week.

Weekly News Roundup (5 October 2014)

Sunday, October 5th, 2014

Welcome to another WNR. Another fairly short one this week, as the news was thinner than the too-thin aluminium that Apple used for the iPhone 6 Plus, apparently. This WNR doesn’t bend though (might fold, break, snap, but definitely doesn’t bend).

Let’s get going!


The developers behind DRM-free gaming platform GoG and The Witcher series have once again reiterated their hatred of all things DRM related. If this wasn’t the 28th time they’ve mentioned this, and if I hadn’t already written the same news story eight times, it might have been an interesting news story to write. But at this point I think it’s almost a lie to call this “news” (“olds”?). Slightly less repetitive was the developer’s views on downloadable content. They’re not 100% against it per se, but they do believe that gamers shouldn’t be forced to pay for a DLC that is only “one-thousandth of the whole game”. Take note EA!

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Blu-ray Player

Blu-ray players are not as popular as game consoles for streaming Netflix. Not as responsive or as easy to use?

New research shows that nearly half of U.S. broadband households are using their game console as their main connected CE device, with many consuming more than 10 hours of non-gaming content each week on these devices. I guess I would fall into the more atypical household where I *only* use my game console for non gaming related tasks (more than 20 hours per week), since after a hard day’s work, I just don’t have the energy to even think about playing games (watching Netflix in a semi-vegetative state, however …).

Interestingly (or not), the survey of 10,000 U.S. households found that the Xbox platform was still more popular than PlayStation – 35% compared to 27%. The Wii was up there too with 35%. Blu-ray players, on the other hand, are not being used as much as game consoles, with only 9% of households using these as their primary device. Smart TV lags behind game consoles as well. I think the poor responsiveness, lack of app updates on Smart TVs and Blu-ray player for app such as Netflix is why these devices aren’t being used more – a missed opportunity by the CE manufacturers, if there ever was one. Smart TVs, in particular, have been largely a disappointment, considering how much easier it should be to just turn on the TV, press a button to access Netflix, as opposed to using a game console that often doesn’t even have a dedicated remote control. A lack of a common app platform on TVs and Blu-ray players, which makes making/updating apps for each and every device a time consuming exercise, is probably why the equivalent apps on these devices are so poor in quality, performance and features compared to say the PS3’s Netflix app (that and the low capability processors found in these devices, compared to the powerhouse that is a game console).

Coincidentally, another study was released this week suggesting that game console Netflix usage is actually down, compared to standalone media players and smart TVs. The survey says that 28% of users now use devices like the Roku and Chromecast for their Netflix streaming needs in the living room, which is double what is was in 2013. Smart TVs usage is at 28% as well (up from 20%), leaving video console usage, while still top, at the reduced usage of 43%.

Crouching Tiger, Hidden Dragon: The Green Legend

The ‘Crouching Tiger’ sequel will be available on Netflix and in the cinemas at the same time … cinema chains are not pleased

No matter which device you watch it on, one movie that many of these households will definitely be watching via Netflix next year will be the sequel to the Oscar winning ‘Crouching Tiger, Hidden Dragon’, which will air exclusively on Netflix at the same time as the movie’s theatrical/IMAX debut. The reason for the Netflix exclusivity is because Netflix are one of the producers of the film – a Netflix original movie, if you will. This might just be the highest profile movie to have SVOD release window coincide with its theatrical run, and it hasn’t gone unnoticed by U.S. cinema chains, most of which (Regal, Cinemark and AMC) have vowed to not screen the film in their theaters.

The chains have simply dismissed the movie as a “made for video” one, and they have cited this as the main reason why they won’t air it. But based on history, we know cinemas are notoriously sensitive to their exclusivity window, and are willing to do everything to protect it, including boycotting a potentially popular film. Even when all powerful Hollywood studios attempted to shorten the exclusivity window by a couple of weeks in order to bring forward the digital/disc release window and to fight piracy, the chains retaliated quite swiftly (even though the last few week bring in very few cinema patrons) and Hollywood eventually backed down. So Netflix’s recent move, which also includes signing up Adam Sandler on a four film deal, is sure to keep theater execs up at night, even if they don’t want to admit it.

Personally, I’m looking forward to Crouching Tiger Part II. Not so much the Adam Sandler films. Let’s hope they’re more ‘The Wedding Singer’ and ‘Punch-Drunk Love’ than almost every other film (although I liked ‘Click’ and ’50 First Dates’).

Chances are, the films that Netflix will be producing will also be made available in 4K to help Netflix promotes its nascent 4K service. So it’s good news that the licensing terms for Netflix’s choice of 4K codec, HEVC, has been announced and it’s actually better than the one for the current industry standard H.264. The MPEG LA has decided against charging any fees for the codec’s use on videos streamed over the Internet or sold on Blu-ray disc, which will surely help HEVC gain further industry acceptance. Products that can encode or decode HEVC will be charged at a rate of 20 cents per product, with the first 100,000 units per year free of charge. Yeah, you know it’s a slow news week when licensing terms and fees become a subject of discourse.


Windows Product Family

One Windows, many devices

Not that much happening in gaming (or anything else, really), except the somewhat surprising announcement of Windows 10 (skipping Windows 9 entirely … perhaps it was considered too confusing due to existence of Windows 95/98 (hopefully not on any actual in-use computers) and what it will mean for gaming on the Xbox platform. The unified approach, which didn’t really work with Windows 8 (okay for tablets, horrible for desktops), will be kicked up a notch by trying to unify not only desktops and laptops with smartphones and tablets, but also the Xbox One game console as well. Games made for Windows 10 could be made to be compatible across every Windows device, from 4″ phones all the way to 80″ TVs connected to the Xbox One.

I seriously doubt we’ll see “proper” Xbox One games also being playable on Windows PCs, due to the huge differences in architecture and differences in optimisation techniques between Xbox One and Windows games. So it will be more things like apps or perhaps even MMOs, that will have universal Windows support. At the very least, it’s something Microsoft can say they have that Sony cannot really compete, since Sony don’t make their own smartphone/tablet and computing OS. Sony can adopt Android as their own though, and port support for certain Android apps to the PS4.


And that’s all we have this week. See you next time!

Weekly News Roundup (21 September 2014)

Sunday, September 21st, 2014

If you’re sick of the iPhone 6 overload this week, then you’ve come to the right place. There’s only one paragraph in this WNR about Apple’s new phone, and it has to do with perhaps the most boring aspect of the phone. There’s also a rant in there about print media. Fun times!


Downloading Communism

Time to bring out this classic poster again …

Piracy losses are translating to higher prices for consumers and is having a negative effect on the economy. This has been one of the major argument for a crackdown on piracy, but according to leading economists in Australia, the reverse might be true. This week we again turn our focus to Australia and the heated debate there over what to do about the piracy problem. A submission this week to the government from leading economist Henry Ergas and the former head of Australia’s peak consumer body Allan Fels argues that the government’s plan to make ISPs monitor user downloads is actually bad for the economy, and bad for consumers.

Their argument is that the high cost of running such a program, nearly $150 million a year, will not translate to anything close to this in terms of increased revenue and benefits to the economy, based on current evidence. And any increased revenue to rights holders are unlikely to be passed on to consumers. In the most optimistic scenario under the government’s proposals, where piracy is substantially reduced, the removal of the need for rights holders to “compete” with pirated downloads may actually bring about higher prices for consumers, and actually end up “incentivizing” piracy, the submission also warns.

If this “incentivizing” happens, then piracy rates will back up again and the only options left for rights holders would be to improve the value of their offerings, greatly improve the availability of legal content on services that consumers want to use, and also ensure things like release window delays are as short as possible. Basically all of the things that they should be doing right now to fight piracy instead of asking the government to intervene, argues the economists.

The most worrying thing about the Australian debate right now is that all of these same arguments have been heard before, and the practical actions suggested have already been tried, tested and shown to be largely ineffective. And yet, we still have rights holders asking for legislative action. It’s interesting that rights holders in the US have stopped asking for the same, at least not publicly, all because they fear the same kind of consumer backlash that occurred when SOPA/PIPA was being debated. Which is why the MPAA this week again re-iterated their lack of desire for legislative action. The MPAA’s Chris Dodd was saying all the right things too, about not “finger pointing at everyone” and “arresting 14 year-olds”, but instead to focus on “accessibility” and releasing content at “price points [consumers] can afford”. At the very least, it seems rights holders there have lost their appetite for new laws (publicly at least), just like how rights holders here in Australia have lost their appetite for legal action (having lost a major case a couple of years back). Well, at least they’re learning (in terms of what they say publicly, at least).


I was going to write a full length news article on this story based on the attention grabbing headline of “NewsCorp: Google is a ‘platform for piracy'”. Ohh, I though, Murdoch is on one of his piracy rants against Google again, oh goodie. But then I read the article and it wasn’t really focusing on the piracy problem, or the kind of piracy that I usually talk about here. Rather, it was mainly about the dispute between NewsCorp and Google, and goes much deeper than who is downloading what via the search engine. In case you don’t know, newspapers have a love/hate relationship with search engines like Google. Mostly hate these days. They don’t like the fact that Google “aggressively aggregates” content (some of us webmasters don’t like it either), in which Google takes content from sites and sticks it in the search results (with credit and links, but done in a way that makes visiting the site unnecessary – do a search for “aggregation definition” on Google, and you’ll know what I mean). Which is why drastic measures such as blocking Google crawling have been employed in the past to try and stop Google’s content “stealing”, which unfortunately has the side effect of greatly reducing your visibility to users. Pay walls were then introduced to try and make news profitable again, but in my opinion, it only made aggregated content more valuable (as sometimes a headline and summary is enough, especially compared to the cost of paying for the full thing). Google’s argument is that it’s good for the end users, which it is, but it’s also easy to see why some content creators are not happy with what Google (and to be fair, the other search engine too) is doing.

Google News

Google’s news aggregation – good for users, bad for content creators?

While there are legitimate arguments to be made about the content aggregation issue; the lack of genuine competition in the search sector; and issues of anti-competitive behaviour with Google’s perceived favourable treatment of its own products over those from other companies (Google is both a partner, and a competitor, to content creators, in my opinion); on the flip side of the coin you could argue this is just another case of old media not being able to adapt quickly enough. In NewsCorp’s accusations against Google, this interesting passage caught my eye: “For example access to 75% of the Wall Street Journal demographic at 25% of the price, thus undermining the business model of the content creator”. Undermining, or just doing business in a more efficient way? Google could label the same accusation against more successful social media platform, which are offering even better targeting at even lower prices (with Google+ having failed to be as successful in doing the same). But isn’t this just progress and innovation?

As for the woes of the newspaper industry, I don’t know if it’s fair to blame Google, or even the Internet in general for their troubles. To me, if a product is worth paying for, people will pay for it. If people’s expectations of what something is worth has changed, and you can’t re-engage with people again to convince them that paying for news is worthwhile, then perhaps it’s time to re-think the whole business of news. Maybe it shouldn’t be a business at all, but a publicly funded, truly independent institution who’s goal is not profit, but the actual betterment of society and democracy. Then maybe we’ll get back true journalism that protects, not undermines, democracy (via the dumbification of news and the serving of vile populist garbage in the name of profit – the click-baiters of their time – tactics that NewsCorp should be very familar with).

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iPhone 6 Comparison

Obligatory iPhone 6 pic

I suppose I should mention the iPhone 6. Not that it has much to do with what I cover in the WNR, except for this slightly related story about the choice of codec being used for FaceTime over cellular 3G/4G. The use of HEVC/H.265 makes a lot of sense when combined with the iPhone 6’s more powerful processor (which is needed for realtime HEVC encoding/decoding) and the need to reduce bandwidth requirements, while increasing the quality of video calls. Would this be the first mass consumer product to feature built-in HEVC/H.265 support? Possibly, and it won’t hurt the format’s chances to become the next de facto standard for web video.

Which is why things are not looking great for Google’s VPx, their open source, royalty free alternative to HEVC/H.265. I’m sure Google’s Android will be pushing VP10 if/when it is released sometime next year, but apart from the lack of industry support for the format, technically, it just doesn’t seem to be quite there compared to the more polished and efficient HEVC. As one industry analyst said recently, “The industry has already selected HEVC,” and that, I’m afraid, is that for Google’s VPx.

Tests have shown that VP9, while perhaps better than H.264, cannot really compete at the moment with HEVC. Surprisingly, VP9 is in practical use to a much larger degree than HEVC at the moment, thanks to Google pushing the use of the codec for YouTube, and also superior native browser support due to the codec’s open-sourcedness. But with Netflix 4K choosing HEVC, Blu-ray 4K also choosing HEVC, and now Apple also going down the HEVC route, there’s not much room for VP9/VP10 to grow into. Nobody wants another format war, especially one as tame as this one, so the industry will choose one format and just go ahead with it – and right now, the choice is definitely HEVC.


As promised last week, more on August’s NPD results right here. The PS4 was again the most popular console, 8 month in a row, but it appears that its lead has shrunk somewhat. Unconfirmed information suggests that the PS4’s 175,000 units sold was just ahead of Xbox One’s 150,000. Nothing official from either Microsoft or Nintendo though, so the difference could actually be much greater than that (especially for the Wii, as Mario Kart fell out of the top 10 games chart in August).

White Xbox One

Xbox One needs to be cheaper than the PS4

More worrying for Microsoft is that traditional Xbox 360 favourites like the Madden series are being won by Sony, with the PS4 version of Madden NFL 15 outselling the Xbox One and Xbox 360 version. In fact, the same trend is true for all of the top selling multiplatform games right now except for Call of Duty: Ghosts. The next Call of Duty game will be interesting, not only is it one of the biggest franchises around, this time, we may actually see the PlayStation become the top performing platform for the series’ next chapter. If this were to happen, it could have serious implications, in that developers will most likely make the PS4 their lead platform (if they haven’t done so already) and the Xbox One version of the same game will suffer, thus causing the sales/quality/value gap to grow even larger.

I bet Microsoft wishes now more than ever that they can have a do-over, so that they would have never bothered with all that DRM crap, and released the Xbox One without Kinect for cheaper than the PS4. It would have made the Xbox One a sure winner, but I guess they grew overconfident and felt they had room to experiment. The same kind of “arrogance” maybe that was responsible for the PS3’s relative failure. The good news for Microsoft is that their backflips have been fast and decisive, and so there’s still time to pull one out of the hat. But the Xbox One needs to be cheaper than the PS4 to have a real chance, and I’m not sure if Microsoft can afford to do it at the moment.


A longer than expected WNR this week, and sorry for the incoherent ranting. See you in a week (for more incoherent ranting, no doubt)!

Weekly News Roundup (14 September 2014)

Sunday, September 14th, 2014

It’s going to be a short one this week, as I’ve got somewhere I need to be at shortly after pressing the “submit” button on this WNR. You might then question why, considering I’ve had an entire week to prepare and write this WNR, didn’t I just do it earlier? Because news waits for no man. Or rather, man has to wait for news to happen, and it again happened pretty late during this very quiet week. So quiet that, again, we only have to Australian oriented stories for you this week, although stories that do have global implications. Enjoy!


Spotify Logo

Spotify has released research showing piracy rates dropping rapidly in Australia since Spotify’s introduction

After being challenged by those in Australian that believe tougher laws and technological solutions like DRM and censorship are the way forwards for the fight against piracy, Spotify has released data from its own research showing that introducing more affordable legal options is the way to go. According to Spotify’s data, music piracy download rates in Australia (based on calculating BitTorrent downloads) dropped by more than 20% only a year after Spotify’s introduction here in Australia.

The piracy rate has continued to steadily decline since then, proving that if you provide a service people are willing to pay for, they will. Of course, some people will simply never pay for music and will continue to download – but you can’t lose money from people that were never willing to spend it in the first place (the argument is that if the only options were legal options, then some of these people might eventually pay up – but this argument is not valid because it would require piracy to be completely prevented, which even the most optimistic industry person will agree is impossible).

There is this huge amount of resistance to change in the industry, and for them, it’s so much easier to simply blame everyone else for their problems. Piracy has become a convenient excuse, but it’s only just a symptom of a much larger problem the creative industries seems unwilling, or unable to address. It’s all good news for the IT industry though, since (without a sense of entitlement that people in the creative industries, particularly the movie and music industries, seem to have) they’re the ones that are coming up with the solutions at the moment, and bit by bit, they’re the ones inserting themselves into critical junctures of the creative industries.

Despite not wanting to admit the obvious, piracy is also providing competitive pressure for companies that have had it too easy for too long. This is particularly evident in Australia, where many of the major global players, like Netflix, have not been been able to, or willing to influence the market conditions here – very likely because our market is so small that it’s mostly an afterthought for many companies. This lack of competition, the “taking it for granted” nature of the companies that operate here, and our relatively high average salary has meant prices are exorbitant (up to 431% more for TV shows online) compared to almost any other place in the world. But with Netflix predicted to make its debut locally in 2015, and with 200,000 already signing up via various geo-unblocking methods (which is legal here in Australia, thanks to a court case in the 90’s that basically said region control is not acceptable), the pressure is finally on, and some companies have started to respond.

New Netflix UI

Australian companies sh*t scared about Netflix and actual competition

As mentioned last week, one such company, our only cable operator Foxtel, has decided to drop prices to prepare for the Netflix onslaught next year. This is despite the company raising prices annually for the past decade, including at the start of this year (just before rumours started circulating that Netflix was coming). The current debate over the poor value Australians get in terms of what they pay for, and Foxtel’s virtual monopolistic position, has also added to the price cut pressure.

In fact, the general trend recently has seen various companies scramble in full panic mode to try and deal with the arrival of Netflix. We’ve seen indirect competitors, like Foxtel, finally starting to be more competitive price wise, even if at the same time, they’re locking up content so Netflix can’t get their hands on it. It’s very likely that our local Netflix offering will be very much limited compared to overseas equivalents, which may mean that VPNs and geo-unblockers will still have their use. This is why there is still pressure from local companies, and also direct competitors to Netflix, on the government to ban the use of geo-unblockers (again, despite legal precedent ruling that busting geo-restrictions is perfectly legal here in Australia).

While all of this “discussion” is happening under the guise of a “debate” on solving the piracy issue, you can’t help but feel it’s more about local companies trying to protecting their privileged positions in our noncompetitive market – basically to get the government to bail them out now that some real competition is about the arrive. And that, perhaps, is what the piracy debate is all about, not just in Australia – industries that have grown too comfortable with the way they do business and will do everything in their lobbying power to keep the status quo, and prevent new forms of competition from succeeding, whether it’s piracy or Netflix.


The early NPD stats for August 2014 are out, and no big surprise here. The PS4 outsold the Xbox One to claim the throne as the best selling console eight month in a row. It’s a still a bit early, and so I’m still waiting for other stuff to filter through. I’ll cover the NPD results in more detail next month.


That’s it for this edition of the WNR. Not the most interesting, I know, but hopefully stuff will happen (and happen sooner than  Friday afternoon, thank-you very much) next week. Until then, have a great one!