Archive for the ‘Video Technology’ Category

Weekly News Roundup (26 January 2014)

Sunday, January 26th, 2014

I’m nearly through with my annual The Wire re-up, so I haven’t been watching much Netflix recently (as my bandwidth usage graphs will attest to). If you haven’t watched the show, I highly recommend it (just don’t give up until you’ve finished the first season, but I suspect you’ll be hooked around episode 6 or so, or it’s not the show for you). I don’t want to be one of those people that annoy others by evangelizing The Wire, but the show is so good that you feel others are missing out (and most that have been told about it have been “converted”, after the obligatory “nothing happens” statement after watching the first couple of episodes).

Oh yes, the WNR. Here we go.

Copyright

For those lucky enough to get a pair of Google Glasses, here’s a tip: don’t wear them to the cinema unless you want to get interrogated by Homeland Security. What started out like one of those Internet tales that eventually gets disproved on Snopes has been confirmed to be totally true (by the theater chain, the MPAA and ICE), a story in which an Ohio man (and his wife) were pulled midway out of a viewing session, detained and questioned for more than an hour on the suspicion that his (turned off) Google Glasses were being used to record the movie.

This is despite the man explaining from the offset that the device had been turned off, and gave permission (or rather, pleaded) with the federal agent to check the contents on the Google Glass device and confirm that nothing had been recorded. The ICE Homeland Security agent was apparently asked to intervene in the matter by a MPAA rep present that day to monitor the screening of the popular (and popular piracy target) ‘Jack Ryan: Shadow Recruit’.

Google Glass

Wearers beware: Don’t wear your Google Glasses to the movie cinema

Instead, the man was interrogated for an hour and asked who he worked for, and funnily (although probably not to the man at the time), whether Google was employing him to record the movie. I know the MPAA (and by extension, ICE Homeland Security) has no love for Google , but this was a bit of a stretch.

For his troubles, the man and his wife were offered two free movie tickets by the MPAA rep by the MPAA rep so the couple could finally finish watching Shadow Recruit. Amazingly, The MPAA rep’s name was Bob Hope, a distant relative of the more famous Bob Hope (again, just to reiterate, this story is true). When the frustrated cinema patron, who only wanted an genuine apology instead of an explanation as to why he was targeted (due to the movie’s popularity, and the theater’s recent problems with piracy), did not seem placated by the two free tickets, two more free tickets were offered. The man was now infuriated.

You can read the entire description of the ordeal on The Gadgeteer website, where the story was first published. Scroll down to read the updates too, which includes confirmations from ICE Homeland Security of the incident.

Incidentally, a cam’d copy of Shadow Recruit made its way onto the usual places roughly around the same time. Presumably one now recorded on a Google Glass device. So the record for Shadow Recruit goes Pirates 1, MPAA 0, Poor Google Glass Guy (and his wife) -999.

High Definition

The BDA, that’s the Blu-ray Disc Association, has approved plans to expand the Blu-ray specifications to include support for 4K UltaHD content. A task force consisting of 17 members, including Technicolor, Dolby, Fox, Disney and Sony, has been asked to come up with the final specifications for Blu-ray 4K. The changes could include more than just a larger capacity disc and a new video codec, and other improvements such as support for higher framerates could be introduced (finally allowing The Hobbit films to be shown in HFR 3D at home).

One of the proposed changes could see the introduction of 10, 12 and 16-bit deep color encodings. One company working on this claims to have developed an algorithm that allows for deep color encodings without an increase in bandwidth, and the finished output would also be backwards compatible. Studios would need to update their encoding technology, and Blu-ray players will also need to be updated to take advantage, but with the 4K specifications meaning changes are coming anyway, it might be a case of killing two birds with the same stone.

Netflix

Netflix within 6 months of breaking 50 million user barrier

A disc based approach to 4K is still the best way to go for now, in my opinion. That’s not to say that streaming based 4K, which was a highlight of CES, doesn’t have its place. It’s certainly where Netflix thinks subscriber growth will come from in the future, although they seem to be doing quite alright even without 4K. A new shareholder report revealed Netflix’s total subscriber figure rose by 10% in the last three months of 2013 alone, with the company now having 44 million subscribers. I would gather the attention that original programming has garnered, via award nominations and wins, has contributed heavily to the growth figures. Despite the high cost of production of these shows, the investment appears to be well worth it, with net profit for the company up dramatically as well during the last quarter.

Netflix also commented on the recent Net Neutrality ruling. Netflix probably has the most to lose from the ruling, and the company is calling on ISPs to act responsibility. Netflix says ISPs should adopt a voluntary code of conduct on the matter, although they also believe that no ISP is stupid enough (in my words, not theirs) to do anything too “draconian” (their words, not mine). If ISPs start to get too “aggressive”, Netflix still wants the government to intervene via new regulations. You can read the shareholder report here.

Shameless plug time: Click here to sign up to Netflix, get a month long free trial and help me make a few bucks!

Gaming

As promised last week, we take a slightly more detailed look at the NPD results for December in this week’s WNR, now that more numbers have been made available. As mentioned in the last issue, the Xbox One was the best selling non-portable console for the month (the best selling console being the DS, which sold over a million units). The PS4 was not that far behind though.

Xbox One Forza 5

The Xbox One was the most popular console in the US for December

With 908,000 units sold compared to the PS4’s 860,000, the Xbox One did well to follow up on November’s 909,000 units sold – that’s 1.8 million in about five or six weeks of sales, which is not bad at all. Globally, the PS4 still has a comfortable sales lead though.

If we count the Wii U as a next-gen console, then its 480,000 units sold means it is in a distant third place against the the two powerhouses from Microsoft and Sony. 480,000 is still the Wii U’s best month ever, but Nintendo would have expected more sales, particularly with the company’s consoles having a history of being a popular gift idea in holidays past.

Data provided by Microsoft also showed that the Xbox 360 sold 643,000 units, far ahead of the PS3’s 299,000. The PS3’s low number can be explained by the smaller difference in pricing between it and Sony’s next-gen offering compared to the Microsoft offerings (the Xbox 360 was available for cheaper than the PS3, and competes with Microsoft’s own Xbox One, which is $100 more expensive than the PS4). It seems PS4 sales may be cannibalizing PS3 sales in a more dramatic way than the Xbox One is doing to the Xbox 360.

Regardless, sales of both of the older consoles seems to have more than halved compared to just a year ago, which is making game publishers worried about the continued viability of both platforms, according to analyst Michael Pachter. This is why Wedbush Securities’s Pachter believes a price cut could be coming for both the Xbox 360 and PS3 in February, a move pushed through by publishers concerned that holidays 2014 could be one where the Xbox 360 and PS3 are no longer relevant.

The good news, Pachter says, is that both Microsoft and Sony can afford a price cut due to the ever decreasing cost of manufacturing.

I think a price cut could be a good thing, but I don’t know if publishers are so concerned as to start “threatening” Sony and Microsoft for a price cut. There are already a hundred something million PS3s and Xbox 360s being owned by people right now, and I don’t see how adding a couple of extra million via a price cut will help the situation all that much. Besides, if people are abandoning their PS3/360 for a PS4/XB1, then that’s a good thing isn’t it? PS4/XB1 games will be more expensive, and so publishers should be able to make more money (assuming production costs are similar).

Surprisingly, here in Australia, prices have already started dropping (I say surprisingly because we seem to overpay for everything here). The lowest Xbox 360 price I’ve seen is $USD 130, $USD 165 for the PS3. So there’s definitely room for US pricing to drop.

And while there’s plenty of room left to write, I think I’ll end the WNR right here for this week. Have a great one, and talk to you again soon.

Weekly News Roundup (12 January 2014)

Sunday, January 12th, 2014

And we’re back. News wise, that is. With CES happening this week, there’s a lot of interesting stuff floating around, and that makes my job a lot easier than trying to write up the latest non-story about how some intern at The Ellen Show might be leaking screeners to torrent sites. That’s for next week!

Let’s go.

Copyright

There was a peek into the mindset of the MPAA this week as The Hollywood Reporter published an interview with the MPAA’s top lawyer Steven Fabrizio, in which everything from SOPA to Hotfile was touched upon.

My take from the interview is that the MPAA seems to think it’s everyone else’s responsibility to do more on the piracy problem, yet it is the MPAA’s efforts that have led the way for the successes enjoyed by legal services such as Netflix. The government can do more, Fabrizio says, and not just the US government but “all governments around the world”. Google should do more too, because “they have a great responsibility to do more” and that’s because Google apparently “benefits tremendously” by providing search engines access to pirated content. Other industries must also do more and “adopt meaningful and voluntary reforms”.

IsoHunt Logo

Did the MPAA’s victory over sites like isoHunt help legitimate services like Netflix?

So why should everyone else help out the home entertainment industry, and in particular, the movie industry? It’s the jobs, stupid. And the MPAA creates them and adds $$$ to the economy. Of course, other industries also creates jobs and $$$, and if the MPAA gets their way, it may mean less jobs and $$$ for the others. Google’s revenue alone is half of the movie industry’s entire worldwide revenue, I believe.

As for the MPAA’s victories being the legal foundation for the success of legal services, the question I would ask is: what victories? Granted, the music industry has had its successes, but could you really say that Spotify wouldn’t exist today if the RIAA hadn’t won against Napster? If anything, it’s the music industry itself that Spotify had to fight and win, and continues to fight today, to gain its success. But perhaps the paper victories over Napster and LimeWire was what gave the industry the false sense of security that allowed them to take more risks in licensing content to Spotify and others. So I guess there is a point here.

High Definition

Samsung 4K TV

Samsung betting on both discs and streaming for 4K

There might be a third Blu-ray video format joining standard Blu-ray and Blu-ray 3D later this year. Blu-ray 4K could be here by the end of the year, at least according to Samsung, who already has a four-layer 125GB disc ready to use, along with the players needed to play it. The only stumbling block now is the choice of video codec, which given the VP9 vs HEVC tussle I mentioned in the WNR last week, could become a complicated thing.

On the other end, and also backed by Samsung, Netflix thinks that disc formats are a “yesterday’s solution” to the problem of 4K content distribution, having just announced at the CES that Netflix 4K streaming will be available immediately on new 4K/UltraHD TVs from Sony, LG and Samsung, among others. These new TVs comes with a dedicated HEVC decoder chip, but beyond House of Cards in 4K, there’s not a lot of 4K content on Netflix at the moment. Plus, you’ll also need a 16 Mbps web connection, which is out of reach for many people.

So I think discs will have a place in the post 4K world. It also means new TVs and new (4K enabled) Blu-ray players that people will “have to” upgrade to, which is good news for the consumer electronics industry.

Gaming

Sometimes it’s nice to be an early adopter. Most of the time, it’s not. And that’s what some PS4 owners have come to realise, when their new $400 machine fails to do what $50 ones, and Sony’s old console, can do flawlessly. PS4 owners are reporting various Blu-ray playback problems, when the same discs works perfectly fine in other Blu-ray players, including the PS3. Affected titles include Despicable Me 2, Fast & Furious 6 and Sony’s own The Amazing Spider-Man.

Symptoms include freezing during playback, or a black screen when the disc first loads.

It’s very likely these problems will be fixed eventually via software patches, but for me, it’s more evidence that both the PS4 and Xbox One were rushed to market in an effort to compete with one other. Neither console looks completely ready for prime time, and it’s mostly in areas that have already been perfected in the previous gen. I think it’s just easier these days to release a (relatively perfect) piece of hardware with beta software, and then patch it up afterwards (the Windows model). In the days when hardware wasn’t so easy to update (when most didn’t have an Internet connection, or a USB port), I’m sure more effort was taken to ensure the software was also near perfect prior to release.

Wii U

With PS4 and Xbox One short of stock, Wii U stock remains plenty this holiday season. Photo credits: levelsave.com

Regardless of the issues with either console, gamers don’t seem to mind too much. Sony announced at the CES that 4.2 million PS4s have been sold worldwide in the 6 and a bit weeks of 2013, beating the Xbox One’s 3 million. The PS4’s lower price tag seems to be paying dividends for Sony, while Microsoft has struggled so far to justify the value of Kinect, which is included in the price tag. Until there are more compelling reasons for using Kinect, other than the haphazard voice and motion control currently in place, gamers will choose the console that seems to be better for games. Which is the PS4 at the moment.

News of the 4.2 million PS4s sold in 2013 must make painful reading for Nintendo execs, as the number comes perilously close to the total number of Wii Us out there in the wild (which at last count was somewhere just north of 5 million). This is despite the Wii U having had more than a year’s head start, and it’s now inevitable that the PS4 will outsell the Wii U in the first few months of 2014, with the Xbox One doing the same a little bit later. The more people that join the next-gen by choosing a Microsoft or Sony console, the fewer the number of people that will desire a Wii U, and this has to be a big worry for Nintendo.

Perhaps another price cut is what is needed to keep the Wii U in the game. Poll: What do you think the right price should be?

This is probably a good place to end this WNR. See you next week.

Weekly News Roundup (5 January 2014)

Sunday, January 5th, 2014

Happy New Year and welcome to 2014! Another quiet week, for obvious and alcohol related reasons. Still a slow news week, but it’s starting to slowly trickle in as people shake off their NYE induced hangovers and contemplate the unwelcoming thought of a return to full time work.

Urgh … here we go again.

Copyright

iTunes 10

iTunes, Netflix, Spotify … just some of the digital services that helped the UK music industry records its first revenue growth five years

Who’d have thunk it? Giving consumers what they want actually helps you make more money. Providing partial proof that the piracy epidemic has more to do with unmet user demand than a sudden surge in the number of dirty stinking no-good thieves, the latest home entertainment results (for movies, music and gaming) proves that the digital transition is real and profitable. With physical sales declining by 6.8%, 7.6% and 2.9% for the movie, music and game sales in the UK, the rise in digital downloads and streaming has not only helped to offset these declines, but also helped the industry to post its first rise in revenue in over five years.

Music streaming was up 33.7%, with Spotify alone now accounting for 10% of all UK music revenue. Digital video downloads and streaming rose by 40.2%, and digital game sales exceeded physical sales for the first time ever after posting a 16.4% increase.

So while physical sales were still 56% of all sales, the shift to digital is clearly happening and happening quickly. Perhaps it didn’t happen quickly enough, hence the troubles of the last five years. All transitions are difficult, and it appears this one isn’t any different, with digital piracy now looking more and more like the effect to the cause of the industry as a whole not responding to the changing market quickly enough.

High Definition

Sony 4K TV with 4K Media Player

Sony’s 4K stuff, pictured here, may support Google’s VP9 as the 4K codec of choice, along with LG and Panasonic

Just when the WebM vs H.264 war was concluded by an act of “kindness” by Cisco, a new codec war has started between, well, pretty much the same people behind the previous one. Google is now pushing its WebM/VP9 codec for 4K streaming on YouTube, and has signed up an impressive list of hardware and software partners for the codec, including ARM, Intel, LG, Nvidia, Samsung, LG, Panasonic and Sony, the latter three will be demonstrating Google’s tech at CES (Google has clearly learned the lessons from its participation in the WebM vs H.264 tussle, with WebM’s lack of hardware support seen as a key factor in the industry’s hesitance to embrace the format). This then puts the open source VP9 head to head with HEVC, or H.265, which was recently selected by Netflix as its 4K codec of choice.

But unlike a disc based format war, this is one war that may never yield a winner. Or a loser. It’s not inconceivable for all of the previously listed companies to support both HEVC and VP9, and even Google/YouTube has signaled that they’re not ruling out HEVC for future 4K use. And were this to happen, then everyone can be happy-ish, with open-source advocates like Mozilla happily using VP9, while others may prefer HEVC.

And if it’s done right (ie. with hardware and software support available freely for both codecs), users will not even have to care, just like they don’t care that the Blu-ray standard includes two different video codecs, H.264 and VC-1.

That’s that for the week. Not much, but things are ramping up, especially with CES just around the corner. See you next week.

Weekly News Roundup (22 December 2013)

Sunday, December 22nd, 2013

With Christmas and New Years just around the corner, this may very well be the last full (-ish) WNR for 2013, as I don’t expect there to be a lot of news in the next week or so. Not that there was much this week, but there will be even less next week. A nice break before things get back to normal in January.

Here goes.

Copyright

The Pirate Bay Cloud Hosting

The Pirate Bay’s look for a more permanent home may rely on BitTorrent

So that’s three more domain names off of the list for The Pirate Bay, as the torrent search engine went on a South Atlantic and South American trip to find a new home, before settling for good old Sweden. The Ascension Island proved to be no more hospitable for the Pirate Bay than Peru or Guyana, as domain seizures quickly followed in all three places.

The Pirate Bay’s latest sojourn started when its .SX domain named was seized by Dutch authorities at the behest of anti-piracy agency BREIN. With the .SE domain name threatened with a similar fate since April, TPB wasted no time in trying to find a new friendly port, but to no avail. For now, TPB is back in Sweden’s SE domain name, which won’t be seized until a court order forces it to be.

It’s obvious that TPB’s current domain strategy isn’t working, although it may not need one as urgently if its BitTorrent based PirateBrowser is ever released, and things like web hosting and domains names all become decentralized.

High Definition

Sony’s changed tact of focusing less on the multimedia aspect of their flagship gaming console, and more on gaming, seems to be paying dividends for them in terms of sales. But for those like me that had their PS3 as a hub for their home entertainment needs, the PS4’s missing media features has been a bit of a disappointment. And the disappointment continues as one of the first professional disc performance benchmarks has the PS4 failing to tick many of the required boxes in terms of video performance, to the point where it’s a poorer Blu-ray player than most standalones. And the PS3!

PS4 with controller and PS Eye

PS4 may be a great game console, but it’s only an average Blu-ray player

The PS4’s lousy deinterlacer is to blame, further compounded by the lack of 1080i output. The lack of 2:2 cadence detection for PAL films also means that it’s not a very good DVD player either, at least for those in PAL regions (like most of Europe, Asia and here in Australia). It’s probably not something that anyone other than eagle-eyed home theater nerds will notice, but for $400, and considering the close relationship between Sony and Blu-ray, as well as the PS3’s disc playing pedigree, it’s still disappointing. A lot of the problem may be fixed via software at a later time, but this is not like the PS3 when it was first launched and when Blu-ray was still a new format – this is something Sony should have gotten right the first time round.

At least it’s more tolerable, at least in my opinion, than the Xbox One’s 50Hz bug (where 50Hz content is converted, poorly to 60Hz). If there’s one thing I cannot stand it’s judder. And it’s harder to forgive Microsoft for this problem, considering their marketing of the Xbox One as an “all-in-one” media powerhouse. Had Microsoft actually did what their marketing said, and released a perfect Blu-ray/DVD player with Blu-ray 3D support out of the box, it would have been a great selling point for those that do actually want an all-in-one machine. But right now, neither systems are worthy of a recommendation purely based on their media capabilities, great game consoles they may be.

——

DVD vs Blu-ray vs 4K

Netflix plan to use HEVC to reduce the bandwidth requirement of 4K content

I think I’ve mentioned here before that H.265, or HEVC, seems to be the perfect fit for online based 4K content delivery. HEVC was made for 4K, and this may actually be literally true. It seems to be the codec, absent a huge jump in progress for super fast broadband rollout around the world, that the Internet needs right now to help ease video data induced net congestion. So no surprises then that Netflix is considering HEVC for their 4K streaming launch in 2014.

And even if you’re not interesting in 4K, Netflix says that once the HEVC codec matures, it’s conceivable that all of Netflix’s existing content, even those in standard def, will be delivered via HEVC in the future. This could mean Super HD streams that require less bandwidth, and still manage to maintain or improve upon their current quality. The only problem in the way of total HEVC adoption could be the processing power of older devices, not great enough to handle the increasing demand of HEVC decoding, which is estimated at between two and three times that of your typical H.264 AVC decoder.

That’s it for this WNR. Merry Christmas and Happy Holidays from everyone here at Digital Digest.

Weekly News Roundup (1 December 2013)

Sunday, December 1st, 2013

Happy belated Thanksgiving. We don’t have Thanksgiving here in Australia – it’s just another Thursday for us, but as someone who has a lot of US-centric interests, it’s hard not to get caught up. Then there’s Black Friday as well. I haven’t done much shopping, if any, online this year. Traditionally, I would buy a bunch of Blu-rays at this time, but I’ve reduced my need to buy Blu-rays as a result of Netflix and Hulu Plus. This means I’m also less inclined to wait until a big sale to save a few bucks – I’m willing to pay more for the fewer discs that I deem to be collection worthy, and I actually end up watching more and spending less thanks to this system and Netflix/Hulu.

Being a public holiday in the US, news is pretty sporadic, and even if it wasn’t, I wouldn’t want to waste your time by writing a whole bunch of stuff you’re probably too drunk to read anyway.

Copyright

You know it’s a slow week when you start going through someone else’s tax filings for news. To be fair, when that someone is the MPAA, even a tax filing can contain a bevy of interesting information. Such as the fact that MPAA members, the major movie studios, have upped their contribution to the MPAA for unspecified reason. That chairman Chris Dodd is paid handsomely for his political connections, at a (relatively cheap) $3.3 million per year.

There’s also a list of groups that the MPAA have issued grants to, most of then surprisingly have helped the MPAA in someway in the past, either via a study that backs one of their many assertions, or a friendly word or two in the media. Also unsurprising was the political donations the film industry’s lobby group made in 2012, to a wide spectrum of left, center and right political groups, from left-wing bleeding hearts, to Tea Party and anti-tax groups. Much like Wall Street, the politically neutrality maintained by these industry lobby groups is what makes them so powerful in Washington, with very good friends on both side of the aisle (and in the White House). That Dodd himself was a Democratic politician doesn’t really mean a thing, nor does the view regarding Hollywood’s progressive lean (which applies more to the people who work in the industry, rather than the corporate interests that govern it).

Spotify Logo

Radio doesn’t make artists a lot of money directly, so why is Spotify under attack for basically doing the same thing, but with less ads?

From the movie industry to the music industry. Musician Moby, who recently released his new album for free on BitTorrent (and included all the stems too for those interested in remixing their own stuff), has been talking about piracy, Spotify and BitTorrent, and he has some interesting things to say.

I don’t want to go over the entire interview here (you can read it here instead), but basically, Moby says that creating good music is key to getting new fans, which is then key to making money in the music business. So even if new fans are created because people have downloaded his songs illegally, Moby says that’s alright, because they will spend money down the line, whether it’s through song purchases, merchandising or even concerts. Another interesting point that Moby makes in regards to people who are not happy with Spotify’s revenue model. Moby says that the same people are complaining are the ones overjoyed at their songs being played on the Radio, even though this is just as unprofitable. In other words, Spotify is a promotional tool, like radio, and artists shouldn’t be too disheartened just because they’re not making mega-bucks from it.

High Definition

Gravity (Film) Wallpaper

Gravity is designed to be watched on a big screen in the best quality possible – piracy is not a real competitor, at least not where revenue is concerned

I finally got around to watching Gravity at the cinemas last week. That’s another thing I’ve been doing more of thanks to Netflix and the money I’ve saved from buying less Blu-rays. People can argue about the “apparent” simplistic nature of the storyline, but it was entertaining, it was well made, it broke new ground technologically and it’s the kind of film that only the cinema does justice (although I’ll definitely get it on Blu-ray as well). Anyone who loves watching movies, I think will agree that, unless you’ve go a kick-ass home theater system, there is no substitute for going to the movies, for films like this.

But the main reason I wanted to talk about Gravity is because of the new trailer I’ve just uploaded for it here. It’s not just any old trailer though, this one is a 2K one (2048×858). It won’t play on the PS3 and Xbox 360 (I know, I’ve tried), but it should work on your PC. The next small step/giant leap for our trailers section would be to make some 4K and HEVC trailers available for you all, so stay tuned.

Gaming

This is starting to get a little ridiculous. If there was one thing that both the PS3 and Xbox 360 did well (with the PS3 being better) was their media capabilities. It’s not just Netflix and other apps, but just the ability to play a whole bunch of different types of media, either digital or on disc, that made these consoles the heart of your home entertainment set up. The last thing I would have expected with the so called next-gen consoles was for them to start going backwards in this area. But go backwards they did.

The PS4 can’t play CDs, MP3s and no longer works as a DLNA client. The Xbox One can’t play MP3s natively, but does at least allow them to be played via your home network. Neither supports Blu-ray 3D, which is not a huge loss, although still a surprising omission, for both Sony (them being the founding fathers of Blu-ray) and Microsoft (what with them trying to convince us of the Xbox One’s “all-in-one” credentials).

Xbox One

Xbox One can’t read BD-R/BD-REs. A new anti-piracy measure?

So I guess I shouldn’t be surprised at the news of the Xbox One not being able to read recordable Blu-ray discs – it fits into the theme of this generation so far in terms of media compatibility. Apparently, this has been done deliberately on the software level, possibly as a way to prevent piracy (not just movies, but also, and probably more importantly, of game discs).

The Microsoft support pages even goes as far as saying that only mastered DVDs will play, although many have since confirmed that DVD recordables do work (for now at least).

While this one definitely smells of heavy handed copy protection, the other omissions may be less about restricting user rights. To me, they feel like the result of a rushed launch, with Sony and Microsoft wanting to at least not lose to each other when it comes to the timing of the launches. The news that TV-integration on the Xbox One doesn’t work well in PAL/50Hz  regions, due to the system being designed to work with US 60Hz signals, seems to confirm my suspicions that the console wasn’t quite ready for prime time.

So if you’re not in a hurry, I’d suggest you wait a couple of months at least, until both consoles have ironed their bugs and added back the necessary features, before committing.

That’s it for the week. See you again in seven.