Archive for February, 2017

Weekly News Roundup (February 26, 2017)

Sunday, February 26th, 2017

Welcome to another edition of the WNR. As there’s no Valentine’s Day this week, we actually have a bit of news to go through. Just a bit though, not too much.

So without further ado, let’s get at it!

Copyright

It’s been coming, and with the government putting on so much pressure (after itself receiving pressure from rights-holders), Google and Bing have signed up to a “voluntary” code of ethics that will see pirate search results demoted in the UK.

Google Auto-complete BitTorrent

Google (and Bing) upping their game when it comes to piracy demotions in the UK

But wait a second, you ask, doesn’t Google already do this? They do, but apparently under the new agreement, things will be “intensified”, whatever that means. The one thing that isn’t included in the agreement is de-listing, the process of completely removing all references to a site from Google/Bing. Although with sufficient demotion, results may be shifted to page 2 and beyond, and the amount of traffic that will filter through will be insignificant.

But piracy sites, especially the big ones, already argue that the traffic they get from Google (let alone Bing) is already fairly insignificant, and most of their traffic is direct traffic, that is people typing the domain name directly into their browser. Of course, with site blocking also being implemented in the UK, rights-holders are also seeking to affect direct traffic for anyone not using a VPN or a proxy.

So there might yet be some success in reducing access to piracy sites, and that will lead to a reduction in pirated downloads. But will this actually help the film and music industry in any perceivable way, especially when it comes to the bottom line? Don’t bet on it!

So while piracy may be on the decline in the UK, the number of pirated content may be on the rise in the U.S., thanks ironically, to an over-enthusiastic anti-piracy firm. A Brazilian based anti-piracy outfit has filed more than 45 million URL take-down requests to Google for a MP3 site that receives almost no traffic, and where most of the pages on the site were created by the same Brazilian anti-piracy outfit in the first place.

Google DMCA Stats

There’s a new way for rights-holders to find new pages to remove on Google – by creating your own piracy pages!

So basically Brazilian anti-piracy outfit APDIF decided to lob song related search terms at MP3Toys’ search page. The search page dynamically generates content based on the search term, which means it’s APDIF’s efforts that actually creates the page and its contents. APDIF then submits the page to Google for removal, even though it was never indexed by Google in the first place (and didn’t even exist before APDIF made it exist). Repeat at least 45 million times.

Also, it has a Schrodinger’s Cat feel to it, doesn’t it? Schrodinger’s Piracy Page?

I also suspect someone has been charging rights-holders on a “per piracy page found and removed” basis, and found a way to easily make an endless amount of money.

Speaking of making money, it appears that when it comes to Japanese comics, sometimes piracy can help to increase revenue. The research found that piracy does hurt sales when it came to on-going comic books, but for completed sets, piracy can actually help to promote these sets and increase sales. Who would have thought?

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Righto, that’s it for this week. Sorry it’s a bit bland in that it was all copyright news, but what can you do? See you next week!

Weekly News Roundup (February 19, 2017)

Sunday, February 19th, 2017

Hello on this chilly morning from Melbourne. Hope the past week has been a good one for you!

Not much news this week, in that there really wasn’t too much news worthy stories to discuss. So I spent most of it working on other projects and also (finally) finishing up the Blu-ray: The State of Play post for 2016.

Star Wars Episode VII - The Force Awakens Blu-ray

Could a single title be responsible for Blu-ray’s mini-revival in 2016?

While you can read the report for what I think happened to Blu-ray (and DVD, and Ultra HD Blu-ray) in 2016, for 2017 so far though, things don’t look very good for Blu-ray and disc sales in general. It could be the relative lack of quality in the new releases so far, but Blu-ray revenue is down an average of 27% compared to the same weeks last year.

There’s no doubt that ‘Star Wars: The Force Awakens’ had a big hand in boosting Blu-ray sales in 2016 – it’s third on the list of all-time consumer spendings on Blu-ray, and could go even higher given time to catch up to ‘Frozen’ and ‘Avatar’. It also broke all sorts of sales records in overseas markets. But it wasn’t released until April, and so January and February should be fairly comparable between this and last year (although I guess you could say that the popularity of ‘Minions’ was still giving a helping hand to Blu-ray sales back in early 2016, and there’s no such comparable title this time around).

Time will tell if this is just a blip, caused by the lack of good releases, or something a bit more serious.

Well since there’s not much news, which should change next week, there’s not much point in going on and on except to say, see you next week!

Blu-ray: The State of Play – 2016

Thursday, February 16th, 2017

Welcome to another edition of our annual Blu-ray sales analysis, where we look at how Blu-ray has performed over the last year.

The data used in this analysis derives from our weekly updates, based on figures released by Home Media Magazine. Some of the historical figures you’ll see have also been adjusted, due to slight tweaking of the metrics used by HMM to create these sets of data, although the changes have been very subtle and does not change the bigger picture in any way.

Last year, we concluded that “peak Blu-ray” had been reached in 2013, and that the format’s fortunes were on the decline ever since. 2016 is a particular interesting year to examine because of the introduction of a new Blu-ray format – Ultra HD Blu-ray.

Can these new fancy 4K discs reverse Blu-ray’s fortunes? Read on to find out!

Blu-ray Market Share

As has been the case with all of our “Blu-ray: The State of Play” reports in the past, we start with the ever wider Blu-ray Market Share graph. Blu-ray market share represents weekly Blu-ray sales as a percentage of total packaged disc sales. So a Blu-ray market share of 45% means that 45% of all disc packages sold in that week contained a Blu-ray disc (inversely, this also means that 55% of disc packages sold only contained the DVD version of the content). With the way sales figures are reported, any edition that includes a Blu-ray version of the film is counted as a Blu-ray package (even if the package also contains a DVD version of the film). Ultra HD Blu-ray sales are also counted in the Blu-ray column. In the graph below, we also point out some of the more obvious milestone releases. 2016’s major releases, at least those that had a significant impact on Blu-ray market share for the week that they were released, were Star Wars: Episode VII – The Force Awakens, DeadpoolZootopia, Batman v Superman: Dawn of JusticeCaptain America: Civil WarStar Trek: BeyondFinding Dory, and Suicide Squad.

 

Blu-ray Market Share – 2008 to 2016 – Click to see larger version

Blu-ray Market Share – 2008 to 2016 – Click to see larger version

Note that because Blu-ray market share is proportional to DVD market share, any drop in DVD sales will also result in a higher Blu-ray market share, even if Blu-ray sales are steady. With DVD on a steady decline, Blu-ray market share will continue to rise as long as it’s own sales decline is slower than that of DVD’s.

Below is the same data condensed and with a trend line added. You might notice a huge peak in the graph during the earlier part of 2016 – this can be explained simply by the fact that Star Wars: The Force Awakens was released that week. I mentioned in last year’s report that the new Star Wars movie could break market share records, and it indeed did, by a considerable margin as you can see from the graph below.

Blu-ray Market Share – 2008 to 2016

Blu-ray Market Share – 2008 to 2016

Blu-ray Revenue

For actual revenue, unfortunately, no records were broken as you can see from the graph below. Apart from the smaller peak for The Force Awakens, the other peak, the one that you see almost every year at the same time, is for the important Black Friday/Cyber Monday week, and the pre-Christmas sales period. 2016’s peaks are somewhat higher than 2015’s, but the record remains with 2013 (and may always be the case). 2013 being the peak Blu-ray year, at least when it comes to revenue, remains a likely fact for the foreseeable future – it’s not so much that disc sales were so much higher, but that discs costs less per unit than they did in 2013 – so more sales could still mean less revenue, overall, which seems to be the case.

Blu-ray Revenue Growth – 2010 to 2016

Blu-ray Revenue Growth – 2010 to 2016

2015 vs 2016 Comparison

So let’s take a closer look at how 2016 did compared to 2015, starting with Blu-ray market share as shown in the graph below. Unlike in 2015, the big releases came mostly in the first half of the year, as you can see from the series of peaks early on (with ‘The Force Awaken’ being the biggest peak, followed by ‘Deadpool’, ‘Zootopia’, and ‘Batman v Superman: Dawn of Justice’).

Blu-ray Sales Market Share: 2014 vs 2015 Comparison

Blu-ray Sales Market Share: 2015 vs 2016 Comparison

Revenue wise, the differences between 2015 and 2016 were less visible. The start of the year wasn’t particularly impressive, but things start to pick up around March, and then after the big releases start to come in. Overall, 2016 looks to be a better year than 2015.

Blu-ray Sales Revenue: 2015 vs 2016 Comparison

Blu-ray Sales Revenue: 2015 vs 2016 Comparison

We can get a clearer picture by looking at the raw numbers. Out of the 53 reporting weeks in 2016, 29 of them was better than the same week in 2015, with 24 being worse. This compares well to 2015, when 31 of them had a weekly revenue worse than the same week in 2014. The quality of releases may be the bigger driving factor, but it’s hard to ignore the effect of the Ultra HD Blu-ray format, first introduced in early March. If we look at the time period before the introduction of Ultra HD Blu-ray, 6 out of the 11 weeks (55%) were worse than the same weeks in 2015. After, only 19 out of 43 were worse off (44%). If you need further evidence that suggests Ultra HD is having a role in Blu-ray sales, then all you need to do is to follow our weekly sales reports, where you’ll find almost all new major releases now come with Ultra HD editions, some of these editions sell quite well. It’s not only replacing 3D sales, which have severely declined due to lack of consumer interest and the lack of new 3D releases, it also seems to be doing much better than 3D at the same stage of its development (and much better than the original Blu-ray format, during the same period).

But again, just the fact that The Force Awakens was released a couple of weeks after Ultra HD’s launch and continued to chart for most of 2016 could have been enough to help make things better for Blu-ray in 2016. The other major releases, in particular new properties ‘Deadpool’ and ‘Zootopia’, may also have contributed to the better results in 2016.

Whether it’s the Force, or the 4K, either or both helped Blu-ray revenue reverse course for the year and post the first year on year increase since 2014. Total Blu-ray revenue for 2015 was $2.07 billion, compared to $2.095 billion in 2016, a growth of 1.22%.

Conclusion

To sum up:

  • Blu-ray market share grew, but it may largely be due to the decline in DVD than any rise in Blu-ray sales
  • Star Wars: The Force Awakens was the title to beat in 2016 (and possibly the best selling Blu-ray ever)
  • Blu-ray revenue reverses declines from previous two years and posts a small gain, possibly due to the better caliber of releases in 2016 as well as the introduction of Ultra HD Blu-ray.

These results still seem to confirm that 2013 was the peak for Blu-ray sales, but there seems to be a “Rey” of hope for Blu-ray, maybe thanks to Ultra HD Blu-ray. Although with that said, the first few weeks of 2017 have not been good ones for Blu-ray sales, and so perhaps the caliber of releases, as opposed to the newness of the format or the clarity of the picture, is a bigger factor when it comes to sales.

Weekly News Roundup (February 12, 2017)

Sunday, February 12th, 2017

Valentine’s Day is just around the corner. For those lucky enough to have a special someone that deserve special treatment on the day, I hope you’ve already got plans in motion, bookings made (or it’s going to be crazy trying to book something on the day). For those that feel happy to be alone on the day, I hope you have a relaxing night with a good movie (I recommend ‘Gone Girl’).

As for the news this week, it’s nice and short again this week …

Copyright

The LEGO Batman Movie

Decision to delay hit movie could see massive piracy surge

Not nice and not short is the delay us Australians have to put up with if we want to watch The LEGO Batman Movie. At least if we want to watch it legally. In order to release the movie closer to our school holidays, media company Village Roadshow decided to delay the movie from its original February 10th release date to March 30th, some 48 days after the U.S. release. 42 other countries will get to watch the movie before it’s available in the country, despite the fact that a large part of the movie was actually made in Australia.

Consumer group CHOICE wants ordinary Aussies angered by the delay to voice their concerns to Village Roadshow, a media company whose co-founder Graham Burke has been a vocal advocate of tougher copyright laws. CHOICE says that instead of lobbying politicians to introduce laws that would grant “excessive website blocking powers” to rights-holders, the same rights-holders should take a good look at themselves to see if there are simple actions that they can take to prevent piracy.

Simple actions such as not making us wait 48 days for an eagerly anticipated movie, might be a good start!

Denuvo

Denuvo in the news lately for all the wrong reason

Speaking of simple actions, content protection company Denuvo really should have taken the simple actions to protect their own website, that most web admins would have done straight away when setting up a new website. Without disabling directory listings, and having sensitive files web viewable without any sort of protection, Denuvo’s website was made wide open and several sensitive files, including confidential emails. A list of game companies (and their email, phone numbers) that wanted Denuvo’s services were obtained from the emails, which also surprisingly included a request from Google for more information on the company’s security products.

It’s an embarrassing, but so far not too damaging, development for Denuvo, who have suffered some major setbacks recently in regards to their gaming DRM-but-not-a-DRM. The company is said to be rolling out a more secure version of its game protection engine following the record five day cracking of the protection for the game Resident Evil 7.

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And that’s about it for this nice and short week. See you in seven!

Weekly News Roundup (February 5, 2017)

Sunday, February 5th, 2017

How are you on this fine-ish Sunday? Hope the week’s been treating you well, but if not, hope things pick up again next week for ya. There’s a little bit of news of go through this week, so let’s get started shall we?

Copyright

It came, it saw, and it died with a whimper. The U.S. “six strikes” graduated response regime is dead, killed off by the very people that gave it life, the MPAA and RIAA (and top U.S. ISPs). There can only be two possible explanations as to why the copyright lobby, who lobbied and threatened ISPs so hard to get the scheme introduced, have now decided to kill it off. First, it must mean that piracy is dead, and that their little scheme worked and Internet users are now sufficiently educated (and scared) about piracy. Or, and perhaps this is slightly more plausible, that “six strikes” simply doesn’t work.

It probably didn’t work because finding an alternative downloading method, that that is not monitored by the regime, was easy. It also probably didn’t work out for the likes of the MPAA and RIAA because the high cost of going after pirates cannot be converted to increased revenue. In a perfect world where people have unlimited money and one where preventing piracy actually works, then yes, preventing piracy might increase sales. In reality, most pirates won’t spend money even if they’re denied the opportunity to pirate. Some may even spend less money if they’re unable to pirate, because they would have been denied the chance to discover new content.

So four years after it was first turned on, I can finally say what I’ve been waiting to say ever since the news broke about “six strikes” – told you so!

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Google Chrome

Is it time to look for a new browser?

Is it me or is Chrome getting more and more annoying these days? It’s still my browser of choice, and the browser of choice for many, but what was once a lightweight, fast and stable browser has been steadily getting more processor intensive, slow and buggy (it seems every new version breaks something that worked great before – and still no native option to prevent the accidental closing of multiple tabs).

And so the news that Chrome has made it impossible now to disabled plug-ins, and in particular the Widevine DRM plugin, isn’t all that surprising to me. It might be an intentional decision to force DRM on us, or it might be an intentional decision from the developer to remove an somewhat unused feature, I don’t know, but it’s not a good thing especially when the plug-in is already so controversial.

Regular readers will remember the big brouhaha over the introduction of Encrypted Media Extensions such as Widevine into the HTML5 specs, and how it signaled the creeping in of DRM into the once unburdened world wide web infrastructure. Others will remember a more recent story about Google’s implementation of EME, Widevine, having had a major flaw for the better of five years without anybody doing anything about it (thanks to the chilling effect of anti circumvention legislation, which prevents security research into security flaws in DRM systems).

But Hollywood will get what it wants in regards to this DRM (which is used by Netflix, among others), even though, just like with “six strikes”, it will probably turn out to be something that won’t work or they won’t need in another four years or so (or sooner).

Because all good DRM gets cracked eventually (while all bad DRM gets cracked sooner than you can say “this DRM has been cracked”), which appears to be happening with Denuvo. The anti-tampering system (so a DRM, not but a DRM) has been difficult to crack to the point where some thought it was uncrackable, appears to be cracking under the pressure from groups keen to test their skills on breaking this tough egg.

Resident Evil 7

Denuvo protected Resident Evil 7 from being cracked for only 5 days

But even the best efforts previously took the better of six weeks, by which time Denuvo would have proven it’s worth by protecting a game from piracy during the crucial launch period (when most of the sales occur, and when most of the piracy happens as well).

That is until recently, when Denuvo protected ‘Resident Evil 7: Biohazard’ was cracked in a record five days after release. It harkens back to the bad old days of zero day cracks and pre-release piracy for PC games, something that many had thought would never occur again thanks to Denuvo.

To be fair, Denuvo has never said that it was uncrackable, just that it was hard to crack. While protecting a game for five days isn’t all that useful, there are still plenty of other games that are receiving weeks if not months worth of protection.

But as to whether this enhanced protection leads to increased sales, or whether it actually harms the game’s marketing efforts by denying a whole of people from trying out the game, I really don’t know.

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OK folks, that’s it for now. I have tickets to The Book of Mormon this week, which just started playing here in Melbourne, and I’m really looking forward to being offended by everything that’s in the show. You would think I would get tired of being offended by things coming out of the U.S., especially in the last week here in Australia (bullying is not cool, especially when it’s done to our sensitive and precious Prime Minister).