Archive for the ‘Video Technology’ Category

Weekly News Roundup (12 December 2010)

Sunday, December 12th, 2010

Another pretty quiet week, but with the NPD US November video games sales figures being leaked out in a timely fashion, I was able to get the analysis up. The big surprises were how well the Xbox 360 did (up 68% from the same time last year!), and how poorly the Wii *didn’t* do (up 1% from last year, much better than the usual 30+% decline in previous months). The PS3 continues the trend in recent months of year-on-year declines, which is mostly due to the post Slim/price cut bump from last year, but it’s still somewhat of a concern that the PS3 didn’t even manage to sell half as many units in November as the Wii. And with Kinect being a bigger hit than Move, and with Blu-ray players being dirt cheap these days, Sony may have to re-evaluate pricing to spur sales. Speaking of Kinect, I managed to buy one this week. I haven’t had much time to play with it yet (especially on the PC), but I can see the potential and the appeal (for casual gamers in particular), although the space requirement thing is kind of annoying. Let’s get started with the news roundup.

CopyrightIn copyright news, more bad news for the US Copyright Group, as they had to drop 97% of the unnamed defendants in their “Far Cry” lawsuit.

The judge in the case ruled that due to jurisdiction reasons, most of the defendants had to be removed from the case, and so now, only 140 remain. The USCG has previously said that this wouldn’t hurt their business, as they had always planned to do it this way, but with having to respect jurisdiction and having to file multiple lawsuits all over the place, the USCG’s business case may have been damaged. These mass lawsuits rely on defendants paying up quickly, and so all these extra court procedures may very well be expenses that eventually make these lawsuits unprofitable.

The Drudge Report

The Drudge Report is the latest victim of Righthaven's mass lawsuits

The other famous mass copyright lawsuit law firm at the moment is Righthaven, doing the exact same thing but for posted newspaper articles. Even though they’ve had even less success than USCG, and have had to backtrack a few times when they sued the wrong high profile target, they’re not giving up and have instead picked an even larger target this time – The Drudge Report. Righthaven is suing Matt Drudge and both drudgereport.com and DrudgeReportArchives.com for using images owned by The Denver Post, the latest newspaper to join the Righthaven stables. Righthaven is demanding Matt Drudge hand over these two domain names to them so the serious copyright abuse (of using one single image owned by The Denver Post) can be stopped post haste. According to my own estimates, the drudge.com domain name is worth about $7.8m alone (just the domain name, not the content), so I guess that’s how much Righthaven thinks a single image is worth. Of course, picking on such a high profile target has its own problems, and although it will get Righthaven in the news, it could also backfire if the Drudge Report mount a legal defence instead of just paying the settlement fee, which appears to be the case.

But still, $7.8m for a single image may seem like a lot even when you compare that to the insane damage amounts being handed out for MP3 downloads. The most famous MP3 download case of all, you know the one, has had some development this week too, with Jammie Thomas-Rassett’s lawyers asking the damages, of $62,500 per song, to be reduced to $0 per song. Yep, I can really see the RIAA agreeing to this latest demand. But Thomas-Rassett’s lawyers do have a point in saying that the RIAA has not proved the financial damage being done by their client’s actions, but with the current copyright laws and statutory damages, the RIAA does not need to prove actual damages,which I think is really unfair. I can see the value of statutory and punitive damages in commercial copyright cases, in which sometimes it is difficult to proof actual damages, but when you’re suing students, single mothers and other net users, I just don’t think it is appropriate. And judges don’t think it’s appropriate either, which is why the Thomas-Rassett case is still unresolved in terms of damages. The thing is, if the RIAA is trying to use this case to scare off other downloaders, it’s not exactly working is it? And I think the laws needs to be updated so that a fairer punishment can be handed out. $50 per song, for a song that costs $0.99 to download (but one must also consider uploads in cases such as these), should be more than enough. It certainly shouldn’t be $62,500, and such large amounts should remain for commercial cases only, such as when a TV network broadcasts a song without permission.

Eircom

Eircom has made a deal with the devil, to offer free music streaming for spying on customer downloads

The RIAA’s answer to this is three-strikes, or something like it. Strategically, it makes sense to keep pursuing Thomas-Rassett, keep on getting awarded huge damages, and they too can use it as example of how the current copyright laws do not work. But the change they want will be to their own benefit, so that it would make it easier to sue and suspend downloaders, and lawmakers may just make this dream a reality via Three-Strikes. But before the music industry seeks government cooperation, they’ll do a bit of ISP threatening to get them to adopt Three-Strikes “willingly”, and it appears this strategy is working, at least in Ireland. Eircom has agreed to the Irish music industry’s demand for Three-Strikes, and will begin to ban users from their network after spying on their downloading activities and detecting anything the music industry finds offensive. And to stop the mass exodus of users to other ISPs that don’t spy on their paying customers, Eircom and the music industry has come up with some sweetners, such as unlimited music streaming and cheaper music downloads. Of course, if they really believe that music streaming and discounted music downloads can help people move on from piracy, they should have just offered this, without three-strikes, in the first place.

I’ve talked a lot of nonsense in the copyright section of the WNR in the last couple of years (yes, it really has been that long!). But I think if I had to sum up my opinion on web anti-piracy, it would this: be pragmatic! It’s clear that the technological solutions, namely DRM, has failed. Whether it’s Blu-ray releases like Avatar that come with “enhanced” anti-piracy solutions, or the latest Ubisoft game – the only disruption these new DRM measures usually cause is to legitimate buyers, with pirates still easily able to pirate the content (and without the pesky annoyances brought on by DRM, and so pirates are actually getting a better product thanks to the use of DRM by publishers). One news I found interesting this week was that pirates have found a way to pirate 3D movie screenings at the cinemas, using a special lens on video cameras. If pirates are going to this length to pirate a movie, I just don’t think there are any technical solution to piracy, nothing that can’t be bypassed, hacked or simply ignored.

The legal solutions, like the mass lawsuits or Three-Strikes either have no intention in stopping piracy (only to monetize it), or will only push people towards piracy solutions that cannot be tracked, and that means they don’t work either. So why not be pragmatic, and seek a real solution, instead of band-aids or measures that will only give the industry a false sense of security, and at the same time, cause massive collateral damage in terms of consumer and civil rights.

But the industry is obsessed with doing things the wrong way, and with all the powers granted to them by governments, they are getting more and more belligerent. The MPAA’s latest demand is for Universities to crack down on students downloading movies, or face the possibility of losing federal funding, following the RIAA’s footsteps in making similar threats. But they could only make this threat if they can back up their threat, and unfortunately, they can, via the Higher Education Opportunity Act of 2008. So the RIAA/MPAA have gone to a lot of trouble, a lot of money spent on lobbying, to get the act passed, and this act forces Universities to divert funding away from education, and towards deploying anti-piracy tech, and what has it all achieved? This is what I mean about being pragmatic, because I don’t think this “solution” solves any problems. College students downloading movies may be stopped (or maybe they’ll just use their own personal Internet accounts to do so), but how much money has that made for the RIAA/MPAA? Will these students, many of whom have trouble paying their tuition fees, all suddenly stop downloading pirated content and start paying for everything? And all of this “result” after millions and millions of dollars, was it worth it? And is it really worth it to endanger the education of tomorrow’s workforce so that the RIAA/MPAA can chalk up another “theoretical” victory, which gains them little, if any, actual benefit? It is really worth it?

And to round off the copyright news, LimeWire is shutting down again, but this time, it’s the legal part of LimeWire. It was originally set up to appease the music industry and to transition LimeWire to a legal service, but it looks like it failed to achieve either of its objectives. The service will shut on at the end of the year.

High Definition

In HD/3D news, not much going on really. I suppose I should cover the fact that Blu-ray has just had its best Black Friday sales yet.

Blu-ray Sales Percentage - Year-on-Year Comparison (As of 29 Nov 2010)

Blu-ray sales growth has slowed this year, but this Black Friday (last entry in graph) was a good one for the HD format

$83 million dollars worth of Blu-ray movies were purchased during the Black Friday sales week. This in itself is not a record, and “only” represented a 20% increase on last year’s Black Friday results, but what was more impressive was the market share, which traditionally favours DVDs during this period (due to aggressive discounting). This year, Blu-ray’s market share was 16.82%, an improvement on last year’s 12.33%. It seems that the aggressive Blu-ray pricing has had an effect.

The next few weeks will generally favour Blu-ray as well, so while Blu-ray growth has slowed a bit, it is at least growing, which cannot be said of DVDs. The economy, Blu-ray, and downloads are all taking market share away from DVDs, so its decline isn’t too surprising either.

And on a personal note, the Blu-ray’s I picked up during Amazon’s Black Friday sales arrived this week. This is why I prefer to shop from Amazon: not only did they upgrade shipping from standard to express at no charge (the item arrived from the US to Australia in only 4 days, and one of those days was a customs delay), they didn’t even make a fuss about it – I only found on when they sent me the “dispatched” email with the shipping details and tracking option, which is normally not available with standard shipping. This contrasts to an experience I had with an Australian online store this week. I purchased Kinect Sports from Big W as part of their online sales at the end of November. My credit card charged immediately. But having not heard anything about the order, and with their online order tracking system down, I emailed customer service. I only received a response a day later, and was told that in fact, my order had not gone through due to an IT problem, and that instead of resolving this and sending out my item, they had simply cancelled it. My credit card has yet to be refunded! And the worst part is that I could have picked this title up for even cheaper just a few days after my original order, but I chose to stick with Big W since I thought, wrongly, that my order had already been processed and dispatched. Was I angry? Well, put it this way, it’s unlikely that I would shop at Big W ever again, online or in store. Not if I have a choice.

Not much to say in gaming, nothing that I haven’t already covered in the NPD analysis anyway, so I’ll skip it for this edition. Although I will add that the NPD analysis focuses on US sales only, and the global picture, especially in Japan, is actually very different, with the PS3 outperforming the Xbox 360 and the Wii quite consistently. Global sales wise, the PS3 has nearly caught up, or has already caught up, to Xbox 360 sales, whereas in the US, the Xbox 360 still has a 1.6:1 advantage over the PS3. But if Kinect is the next big thing, or really just the next Wii, then even global sales may start to reflect the Xbox 360 dominance, because finally, we have a console that can do almost any kind of games – from the hard core, to the casual. The only thing it doesn’t do is Blu-ray, but with standalones so cheap these days, the PS3’s advantage in this area is diminishing, especially since multi-platform games aren’t really taking advantage of the space offered by Blu-ray, and the PS3 version is often worse than the Xbox 360 version, due to the more difficult time devs have with PS3 development.

And this “PS3 is harder to develop for” isn’t just a myth, or can be attributed to lazy programmers. I’ve heard this personally, and constantly, from people working in the industry, and it seems the main issue is the whole hardware architecture of the PS3, which will always makes it more difficult to develop for than the Xbox 360 – even doing the same things on the PS3 takes a lot longer than on the Xbox 360, and so while developers may be able to do more with the PS3, time constraints means that they end up doing less (or just the minimum required to get the game running at the desired FPS). It seems Microsoft, being primarily a software company, did a lot of work to ensure the Xbox 360 was easier to programme for, while Sony, being primarily a hardware company, made a superior piece of kit. So it’s no surprise, really.

Okay, no more writing. Head hurt. Want Fallout gaming. NOW! See you next week.

Weekly News Roundup (14 November 2010)

Sunday, November 14th, 2010

I’ve been playing a lot of Fallout New Vegas recently, which isn’t very surprising for those who remember how fond I was of Fallout 3. And as a result, the quality of this issue of WNR may not be up to the usual high standards (haha), as I’m a bit distracted thinking about the best way to earn the caps needed to get the implants that I want (long story). FNV seems a much bigger game than Fallout 3, but this isn’t always a good thing, since it feels a bit less cohesive, as a game, to me. And it also means a lot more bugs, and I’m not talking about the radioactive kind.

And with so many distractions, I’ve only managed to find a few pieces of news before I got bored and started yet another 4 hour FNV session. So let’s get through this week’s news quickly so I can get back to figuring out the best way to get to the peak of Black Mountain.

Copyright

In copyright news this week, it always surprised me that it didn’t happen sooner, but the FBI has finally gotten involved with the global anti-copyright protest launched by 4chan/Anonymous, otherwise known as Operation Payback (is a bitch).

Fallout 3

The FBI is investigating the devastation caused by 4chan's Low Orbit Ion Cannon

The FBI has started investigating the denial of service attacks aimed at anyone associated with the pro-copyright lobby, from the RIAA/MPAA to copyright law firms. Despite making headline news several weeks ago, the FBI has only just gotten involved (or rather, they’ve only made their involvement known this week). But who do you arrest though? The whole point of the Low Orbit Ion Cannon is that anyone can join in the attack, anonymously. Will they go after 4chan? Or some of the individuals that joined in on the action using their own private, and more deadly, DDoS resources? Anyway, as I said earlier, this doesn’t surprise me at all. In fact, the first thing I thought of after reading about Operation Payback was what the FBI response was going to be, because as we all know, the FBI has practically become the private security force of the entertainment/pro-copyright lobby, having many times prioritized copyright operations over other more serious crimes.

The FBI aren’t the only law enforcement organisation to be overworked with copyright cases these days. The police departments of University towns may be completely overwhelmed if Universities start to follow the example set by Georgia’s Valdosta State University, by reporting any and all P2P usage to the police as suspected piracy activity (or at least threatening to do so). Note that I said “any and all” P2P usage, including legal usage, which the University appears unable to distinguish from the illegitimate kind. So Comp Science students downloading that latest Linux ISO (every “legal P2P” discussion has to feature the much talked about “Linux ISO”, doesn’t it?), might be disciplined by the University and have the incident reported to the police. This comes after the US government decided to link education funding to the ability of colleges and Universities to stop piracy (and to be fair to the current government, this was some left over legislation from the previous one). Putting education at risk to help out a multi-billion dollar industry in stopping acts that typically don’t cause them any harm anyway, is exactly the type of screwed-up pro-copyright legislation you would expect these days. And with funding at risk, how far will these colleges and Universities have to go in order to fulfil their federal obligations? Random computer searches? iPod inventory inspections? Full body cavity search for illegal MP3s?

The MPAA is fulfilling its duties to the US government this week by handing over a letter containing a list of “bad places”, websites that could offer illegal content, and regions in which these websites operate out of. For those interested, the list of “bad countries” include Canada, Germany, the Netherlands, South Korea and of course, the most evil-doing country in the world, Sweden, home of The Pirate Bay. The websites listed also included cyber-locker website, RapidShare. Not to be outdone, the RIAA came up with their own, even more broad, list of bad places, which included China’s most popular search engine, Baidu. The Baidu listing is interesting, because it fulfils the requirement to single out China as a bad bad country, which is always a popular political move, and also it gives notice to the likes of Google that they need to continue to cooperate or face being added to the naughty list too. VKontakte, Russia’s answer to Facebook, with Myspace/YouTube rolled into one service, was also placed on the RIAA’s list, perhaps as a warning to Facebok and YouTube as well. Both the MPAA and RIAA made it clear that their list was by no means an exhaustive list of all the Internet’s bad spots (a list like that would be like twenty thousand pages), but I have a suggestion for them that could save them a lot of time and reduce the list to just one entry. All they need to do is to simply write down “The Internet” as their list of “bad places”, and be done with it – we all know they want to. And then the US government can do their bureaucratic duties, and get “The Internet” banned, and receive their just reward of +15 Karma, 500 Caps and 800 XP and receive the “Idolized” reputation with the MPAA/RIAA. Must. Resist. Urge. To. Play. Fallout. New. Vegas…

One website that didn’t make the list this year was LimeWire, having been recently closed down. But despite the ban on the software, enterprising pirates have continued on and released a pirated version of LimeWire Pro, called LimeWire Pirate Edition, so that LimeWire can live on forever in infamy. The LimeWire people are not too pleased at this development, which could cause them more legal trouble, especially if it is found that they are connected to this “leak” IN some way, something they are strongly denying. But all this just proves that for all the effort gone into making the legal case, all the hours of billing by lawyers on both sides, and the years of investigative work done on the case, the result is that piracy continues unhindered once more. While I’m still not convinced who actually came up with the phrase “innovate or die”, but whomever did was a hundred percent correct, and instead of trying to stop piracy by fighting it head on, perhaps innovation is the key. Litigation certainly doesn’t seem to be working.

Fallout New Vegas Steam Achievements

Steam Achievements, such as for games like Fallout New Vegas, adds to the gameplay experience

And I know this probably goes into the gaming section, but the point I wanted to make falls right here in the copyright section. A lot of retailers have begun to complain about how publishers are “encouraged” by Steam to add Steam related features to their games, even if the games themselves are being sold through other channels, including services that are competitors to Steam. You can sort of see their point, since every game like this they sell, they are actually promoting their competitor and accelerating their own demise, which is why some retailers have indicated their desire to boycott games that feature Steam. You can see why Steam is doing it as well, to grow their business, to get people hooked on their free add-on service so that they will buy games directly from Steam the next time.

So what does this have to do with copyright? Well, the way Steam has revolutionized digital delivery for PC/Mac games, despite using a healthy dose of DRM, perhaps shows the way, the only way, in which DRM can be used. With lower pricing (especially during sales), and add-on features like achievements and multi-player modes, and not having to insert the original DVD, people seem accept that the price for all this is a little bit of fairly non intrusive DRM. Now, if this kind of innovation can be extended to the movie and music, perhaps creating exclusive online content (much better than your typical BD-live crap), creating a healthy online community for music/movie lovers to share the passion, and at the same time, lower prices for digital download or streaming version of movies (and perhaps even free streaming of music, with options to purchase), all of this could help combat piracy by providing innovative features that people can’t get with the pirated versions.

High Definition

Moving on to HD news. Microsoft has taken advantage of Apple’s reluctance to support Blu-ray and produced a promotional video to highlight this point.

Fallout New Vegas: Novac

Yet another gratuitous Fallout New Vegas reference ...

The video basically shows how Windows 7 supports Blu-ray and Macs do not (I shall skip a more detailed description of the video, since you can watch it for yourself, and also I didn’t think it was particularly witty or clever to be honest). As for the claim, yes, it is correct that you can watch Blu-ray movies in Windows 7 whereas you cannot easily do so on a Mac, but Windows 7 doesn’t offer native Blu-ray playback support at all, not out of the box anyway. But hardly anyone watches Blu-ray on their computer, mainly because it doesn’t look that much better on a small screen (especially the laptop screen demonstrated in the video) than your typical DVD, and the less said about the laptop speaker produced sound, the better. If they want a better selling point, why not produce a video showing Fallout New Vegas working in Windows and highlight the fact that the game isn’t even available on a Mac? And that the game needs a fairly powerful GPU, and options are very much limited on a Mac even if you use Bootcamp? Just make sure you don’t mention the way the game crashes every 20 minutes, although that’s not really Microsoft’s fault (Bethesda Softworks, for all their brilliance, really need to invest a bit more into beta testing).

You see what I did there, how I’m basically turning every issue into one about Fallout? Is it a deliberate attempt at humour, or am I subconsciously still thinking about playing FNV?

No need to ponder the reasons, since this fairly short WNR is at an end, and that means Fallout time! So until next week, have a great one, hope you get lucky at the Ultra-Luxe, may your locker/mailbox/metal box scavenging bring you a vast amount of valuable goods and/or caps, and watch out for the Deathclaws (which are a real PITA in FNV).

I need help.

Weekly News Roundup (10 October 2010)

Sunday, October 10th, 2010

Welcome to the 10/10/10 edition of the WNR. I’m always weary when writing dates, since different regions use different ordering and it’s easy to confuse the day, month and year completely (which is why I always use the full name for the Month, and the year in four digits – as per the title of this post), so it’s good that, for one day of this year, I can throw caution to the wind and write the date anyway I want without any consequences. And to think, we only have two more years left of this, before we have to wait another another 89 years (think about it).

From my intro, you may have concluded that this was yet another quiet news week, hence the need to write gibberish. But there’s actually a few things to go through, not much, but a few. So the gibberish was merely coincidental, and regular readers would surely have gotten used to the gibberish by now. So let’s get started.

Copyright

Starting with copyright news, we’ll start with what was very late news last week, in that the controversial ACTA has reached a basic agreement, and there has been more analysis since then about the new draft (final draft?) of this agreement.

TorrentFreak reckons that the new ACTA draft now tries shoves much less crap down our throats than what is was earlier, so I guess that’s good news. Ah, I remember like it was yesterday when I first heard of the ACTA, about how custom officials were going to search through my iPod looking for pirated songs, that ISPs were going to be forced to monitor all of our Internet usage just in case we do something the RIAA/MPAA don’t want us to do, and that the island of Manhattan was going to be closed and fenced off like a giant prison, with all the caught copyright infringers sent there to fend for themselves (this last part may not be true). It seems that the current version of the ACTA is very much a watered down version compared to previous drafts, and I guess that’s one positive of global politics, is that things rarely get done when so many countries are involved. Hurray for petty political bickering.

Hadopi Logo

French Three-Strikes is up and running, with the first users receiving notification this week

But even without a global treaty forcing countries to take copyright control seriously by building giant island prisons, some countries are taking action anyway. France is a pioneer in this field. The country that gave us the French Revolution, has now been sold to the highest corporate bidder, in this case, the joint bid from the music and movie industries, and France’s Three-Strikes revolution has started. In case you’ve been living in a cave, or have had your Internet disconnected because you pirated one episode too many of Desperate Housewives (in which case, you would already know all about Three-Strikes, so skip the next half a sentence or so), the Three-Strikes systems give copyright infringers three chances to clean up their act before their Internet is disconnected. The first of the strikes has been sent out by HADOPI, and so the experiment begins. Will piracy stop? Or will people simply start using sources of pirated content that HADOPI can’t monitor? And if the piracy rate drops, will the music and movie (and software) industry make more money? Only time will tell, but I suspect the only real effect will be the increasing amounts of anger experienced by the Internet public.

Which explains why Operation Payback, 4chan/Anonymous’s global Internet attacks on those perceived to be on the wrong side of the great copyright crusade. I haven’t even kept track of all the organisations that Operation Payback has targeted, I think their most recent target was in Spain, but as they “group” has proclaimed, the attacks will continue until they’re less angry, and things like Three-Strikes won’t really help in this respect.

Getting caught in the cross-hairs in all of this is fair use. There are many reasons why copyright should be respected, and there are also many situations where protecting the public interest is more important than protecting “potential” profits for copyright holders. The Library of Congress’ National Recording Preservation Board has made a passionate plea for changes to the copyright law so cultural preservation, particularly for audio recordings, isn’t being hampered by copyright holders too protective over their content. Due to the various laws and amendments made to the copyright act, giving copyright holders ever increasing power and time to hold on to their content, many recordings made early last century are in danger of failing to be preserved because copyright holders aren’t releasing content that clearly has no commercial value any more. Some recorded vaudeville performance, for example, are destined to be lost forever as greedy copyright holders refuse to release recordings to the public domain, despite there being no market for such content since the 1930’s. It’s easy to forget that copyright laws were invented to protect the public interest, as much as the rightsholders, which is why copyright do expires, so content can fall into public domain and be preserved forever. DRM, another invention of copyright holders, may be even more harmful than any laws that exist. It’s very much unlikely any DRM protected content can be decoded in some distant future. We don’t even have to imagine that far to see how dangerous DRM can be, people who purchased content from one of the many failed online music stores that used DRM will know exactly how hard it is to recover their purchases, even after just a couple of years. Luckily, most DRM measures are fairly ineffective, and so easily breakable, but that won’t always be the case.

Killers Movie Poster

Hollywood may be making less money on bad movies than ever before, due to the Internet and online piracy

So with the copyright crusade taking many victims, what exactly are the rightsholders trying to achieve? This week, we had MPAA execs come out and explain their reasoning for fighting piracy. Apparently, even the MPAA is aware that piracy cannot be eliminated, saying that “Piracy has always been and will always be with us”. You see, the MPAA’s aim is only to reduce it so much so that they “can make enough revenue in a legitimate market to recoup expenses and continue to make new movies”. You see, behind the record profits, movie studios appear to be struggling to bring out movies, because it’s hard to even recoup expenses at times. The proof is right here if we look hard enough, I mean there hasn’t been a Saw movie since 2009, and who is to say six Saw films is really enough? Of course, movies like Inception are the “Exceptions”, it’s a real struggle for a lot of movies to make back the money that went into making them. You see the reason is that, simply, most of the movies that Hollywood produces are, how do I put it, crap! In the past, when people couldn’t just download crappy movies, they actually had to pay for a ticket before walking out in disgust twenty minutes in, and this meant a lot more movies were able to “recoup expenses” and so allow studios to  “continue to make new movies”. And before people knew how to rip DVDs (that whole six month before people discovered you could break DVD’s ineffectual CSS copy protection by simply breathing in its general direction), they may get tempted by the cover and buy the crappy movies, whereas now they can simply download it and delete it twenty minutes through in disgust, and hence provide no income at all to struggling studios, who are now forced to having to actually make good movies that people will want to pay to see, like The Dark Knight, Avatar and Inception. But Chris Nolan is only one guy, and who know when James Cameron will make another movie. So it’s no surprise really that Uwe Boll’s Far Cry was one for the first movies to get into the sue-for-settlement game, is it?

There must have been something in the water last week, because yet another victim of the piracy trade also came out to suggest that, maybe, piracy isn’t the only reason for lost profits. Nintendo’s CEO refused to blame piracy for lost Wii, DS sales, believing that good games will still sell regardless of piracy. Interesting. So people pay for good stuff, and pirate the not so good stuff? Who would have thunk it! The reality is that people who can’t afford to buy will probably pirate, in which case no profit has been lost a result. There’s only probably a very small minority that will always pirate, even if they can afford to pay. And so I think most of the revenue losses come from the fact that people are not buying things that are not worth the money being paid, and with so much good stuff out there competing for our hard earned dollar (even if it is worth less and less every day, if you’re earning the US kind), buyers are a lot more picky. And piracy, rightly or wrongly, allows many to “sample” goods without having to feel cheated by paying for the full sticker price, and in most cases, the goods are as they suspected, not worth the money being asked for it. But producers will argue that without people buying the poor quality junk, then these purchases can’t subsidize the cost of producing good quality stuff, and that’s true. So some kind of balance has to be reached where perhaps producers can make the junk cheap enough to tempt us to go against our better judgement, while keeping the good stuff cheap enough so that not too many people fall into the “can’t afford it, so must pirate it” category.

And an update on everyone’s favourite newspaper copyright lawyers, Republican Senate candidate Sharron Angle is ready to settle her Righthaven lawsuit which alleged that she posted some newspaper’s articles without permission somewhere. It’s a shame, I was hoping for a real legal battle, but I guess in the middle of an election campaign, that was never likely to happen.

High Definition

In 3D/HD news, Iron Man 2 was released a short while ago and the figures suggest that it will be one of the best selling titles on Blu-ray ever, which is exactly what the format needed after a sluggish few weeks recently – the stats will be posted on Tuesday at the usual place.

Toshiba 20GLI 20" Glasses Free 3D TV

Toshiba's 20" Glasses-Free 3D TV is expensive at $3000

For 3D lovers, there was some exciting news this week as Toshiba released its first glasses-free 3D TVs. If you’ve read my earlier blog post/FAQ about 3D, you shouldn’t be too surprised about glasses-free 3D TVs, but as I mentioned before, there are a lot of drawbacks to this technology currently. For example, the Toshiba 3D TVs only allow 3D effects from nine fixed viewing positions – if none of these positions matches your sitting positions, then you can forget about the 3D effect. Now, new versions of the same technology is enabling greater number of viewing angles, I think I read somewhere one even offers 64 viewing positions, but for me, it’s not so much finding a sweet spot, as staying there for the whole duration of the movie (and making sure you don’t move your head too much). Of course for some, that may still be a better compromise than wearing dorky glasses.

Another problem, which the Toshiba releases make clear, is the cost of the technology. 3D effects rely on each eye seeing something different to trick our brains into thinking we’re looking at something in 3D. Glasses work by quickly shuttering the LCD so that we’re only seeing out of one eye at any one time (it’s synced to the TV so that each eye is seeing that they’re supposed to be seeing – all of this is done very quickly so we don’t notice that we’re really only seeing out of one eye), but the image we see out of each eye will be the full resolution of the TV. However, with these glasses-free TVs, it relies on barriers that block out different pixels on the TV depending on the angle of your vision (with each eye seeing something different, because of the different viewing angles). This blocking of pixels means that each eye is not seeing the full resolution of the TV, and so in order to created an HD image, more pixels are needed than what is normally required. For the larger Toshiba 20″ 3D TV, four times the number of pixels of a 1080p TV was needed to create only a 720p picture (essentially, the panel is a 2160p one, if my maths is correct), and this is why this small TV costs nearly $3000. Not only is the panel expensive to produce, the processor needed to manage this many pixels also needs to be powerful (Toshiba uses their Cell technology, the same processors that power the PS3).

But you see the problem now though. If it ever becomes cheap enough to produce 2160p TVs to make  these 720p  glasses-free 3D TVs affordable, then people will start to want 2160p 3D (or at the very least, 1080p 3D), which would already be possible then with 3D glasses. This, plus the viewing angle problem, means that there’s still a lot of development needed for this technology. Although the smaller 12″ model would definitely make a very cool digital photo frame.

Gaming

And half way lodged between movies and gaming, PS3’s Netflix will go disc free this month, with the PS3 Netflix app soon to be available meaning users of Netflix no longer has to insert the what must now be very worn Blu-ray disc into their PS3s to access Netflix’s streaming service (as CrunchGear noted, it’s extremely ironic that an online streaming service still required a disc to work).

And for those with money to burn in this economy, you can now pay Best Buy to upgrade your PS3’s firmware. For $30, Best Buy’s Geek Squad will press left on the PS3 controller until the “Settings” icon is highlighted, go down to “System Updates” option and press “X” for you. I know the US dollar worth less than the paper its printed on these days, but $30 is still $30. Yes, a firmware update is a bit more complicated than just pressing a bunch of buttons  (but not much though), since you do need the PS3 to be connected online first, but I suppose people that want PS3s will probably know how to do that already. In any case, those buying PS3s as gifts for others may not know what the deal is, and so may pay for this just to have peace of mind, and I think that’s probably the demographic Best Guy is going for. It is funny though reading through the list of “benefits” you get for your $30 – I mean, you’d be crazy to not want the “system runs smoother” functionality. Joking aside though, if PS3 firmware updates are breaking the Blu-ray drive as some have claimed (or launched a class action lawsuit for), then maybe paying $30 isn’t such a bad idea if Best Buy covers the cost of whatever happens due to a bad update (ie. the $150 Sony charges to fix the PS3 if something did go wrong).

Alright then, that’s it for this week.  I have it on good authority that, yes, there will be new events occurring  next week in which an article will be written and published to inform the general public, and thus creating something called “news”. And I shall do my best not to skip over the really important ones due to sheer incompetence and/or laziness. Have a good one.

Weekly News Roundup (3 October 2010)

Sunday, October 3rd, 2010

There’s a surprising amount of news to get through, most of them coming in the last few days, while previous week’s news stories continue to provide the goods, which just goes to show that it’s rather foolish to be overconfident in dealing with the Internet masses, because a train doesn’t run you over when it’s late, and coffee doesn’t turn into acid over time (see Andrew Crossley remarks regarding Operation Payback, if you don’t get the reference).

Copyright

We’ll start with the repercussions of Operation Payback, which should occupy a fair bit of the copyright section this week (and promises to occupy more of it in the following weeks, until Anonymous’ anger subsides, if it subsides).

The leaked ACS:Law emails are still providing a wealth of information on how one of the most notorious copyright settlement firms operate. There was at first the details about just how much money have been made so far, and how much money is expected to be earned as more and more people fall foul of the settlement notices. As I noted last week, the entire business is motivated by money, which isn’t necessary wrong, except there’s very little emphasis on stopping piracy, apart from the side effects of these types of lawsuits. You get the feeling that if it was possible to somehow encourage piracy, so this little business can continue for a while longer, then some of the less reputable law firms may just do this. After all, if it’s all about the money, then it will all end when people stop pirating stuff.

And as if to further proof the point I made above (or maybe the more likely explanation is that I made the point above so I can segue nicely into a new paragraph … but I’m not that clever!), not only do certain law firms care little for actually stopping piracy, they themselves are engaging in it for their own commercial gain, which is way worse than people who can’t afford to buy movies downloading pirated copies. Again, uncovered from ACS:Law’s email archives, is a little incident involving another law firm, Tilly, Bailey and Irvine, which sought help from ACS:Law in regards to starting their own copyright settlement business. But instead of taking mailing templates and creating their own unique ones based on the ones provided, Tilly, Bailey and Irvine decided it would be easier to just use the templates without license. Geeze, it’s easy to get caught in this piracy things isn’t it? ACS:Law’s Andrew Crossley, which has overnight become one of the most famous, or is that infamous, people in the Internet world, wasn’t happy at TBI’s actions, and I guess it was pretty silly for TBI to commit acts of copyright infringement against a copyright law firm.

What was more interesting though was that TBI ceased their copyright settlement operations after discovering the negative side of all that money – the bad publicity. This is nothing news, as the father of copyright settlement law firms in the UK, Davenport Lyons, also quit from the game for the same reasons. TBI mentioned that the extra resources needed to deal with the bad publicity took them by surprise a bit, even though it really shouldn’t. This could point to a way to fight off the copyright settlement vultures, because while not all care about bad publicity, some do and public pressure can be effective. Most of these law firms practice traditional law as well, and if their copyright settlement stuff is hurting their other business, then that may make them think twice.

Cornered! Poster

Cornered! is the latest movie the USCG is suing downloaders for

Which may be why the law firm Dunlap, Grubb, & Weaver created the US Copyright Group, as to separate their copyright settlement stuff from the rest of their work. It’s not really working though, not if you consider the bomb threat they received this week, which luckily turned out to be a false alarm. With the economy the way it is, people don’t need a mass mailing telling them to pay up hundreds and thousands of dollars for a movie that costs less than ten, and it’s understandable some people may just go too far. Also, the irony of their association with the movie The Hurt Locker, could point to just a prank. But this isn’t stopping the USCG, as they filed more Doe lawsuits this week, for two more movies. Low Orbit Ion Cannons and bomb threats can’t stop the USCG, although some judges can, and this week, the USCG had to deal with a small setback in one of their ‘Hurt Locker’ lawsuits. The reason is not important, it was a jurisdiction problem, but it does show that the court is not always on the USCG’s side, and that the growing public anger may in fact make judges examine the USCG’s case (or lack of one) a bit more carefully in the future.

Back to Operation Payback for a moment, it is still very much going on, with many more firms and organisations being targeted, including one here in Australia (the AFACT). The effectiveness of the LOIC as a DDoS tool is debatable, since it’s apparently easy block, but the successful attacks so far have been from sympathizing groups and individuals, it appears. The ACS:Law email leak is still so far the crowning achievement of the operation, although it very much happened by accident. If we can put aside the debate about the legality of such protest actions, the message is clear though. People don’t like the way they’ve been treated in this copyright crusade. and they’re speaking out. They no longer want to be just labelled a “criminal” and treated, by governments and groups like the MPAA/RIAA, as if their concerns are not legitimate. And even criminals have rights, rights that our governments have been too eager to give away to protect the interests of the rich and powerful entertainment lobby. There are real reasons why piracy is rampant, and it may not even have anything to do with pirated goods being cheap or free. If we believe the copyright holder’s argument that they are losing money to piracy, then it means that people who can afford to pay are not, and are deciding to choose something that’s illegal and dangerous instead. But then if the reality is that the people downloading are the ones that can’t afford to pay, then what is actually lost by the copyright holders? And if it’s because pirated content is easier to get hold of then paid for content, then who is to blame for this? Pirates for making things too easy, or copyright holders who makes things too hard for consumers? If there is to be a debate on copyright, these are the issues that need to be examined. And maybe, just maybe, a solution can be found.

Democractic Underground Logo

Progressive political forum Democractic Underground has been hit with a Righthaven lawsuit

And now back to the lawsuits. The newspaper copyright trolling continues with Righthaven hitting a fairly large target this time. Left wing political forum Democratic Underground has been hit by such a lawsuit, when supposedly one of their users posted an article from one of the newspapers that Righthaven represents. But if Righthaven was expecting a prompt payment of the settlement fee, then they may need to think again when suing an Internet, political savvy opponent, which has since brought the EFF to help out with their defence and counter-suit. Democratic Underground, as a forum, should have protection under the DMCA’s safe harbor provision because they do have strict rules in regards to copyright, but I suspect they will go beyond this technical defence and question the very nature of these types of lawsuits when it comes to preventing freedom of speech, which is exactly what a political forum provides. But the DMCA is actually an issue, because normally, the newspaper in question can request an article to be removed by filling a simple DMCA notice, but obviously, there’s no profit in that. With the rate ads are paying (ie. not much), one can argue that newspapers are not losing much at all when people copy their articles verbatim (but usually with a link to the original article), but the positive effects of having their work publicized and if the link to the original article has been posted, the positive effects in terms of search engines, which bring in more people to their website, should all be considered. Which is why before Righthaven, newspapers often requested full articles to be removed, but were happy with excerpts and definitely happy with links to the original article. But the settlement fees earned means that it’s much more profitable to sue, than to reason. In any case, I expect Democratic Underground to put up one hell of a fight, with assistance from the EFF, and if I was Righthaven, I would regret very much regret picking such a target instead of some poor blogger.

The EFF has had a minor victory this week too, forcing the proposed Combating Online Infringement and Counterfeits Act to be delayed in the Senate, after they organized 87 prominent Internet engineers and pioneers to write an open letter attacking the act. Apparently, what the government is proposing, in order to help out their music and movie studio buddies, may actually break the entire Internet. Which is just exactly what you would expect from them really, and I mean both sides of politics, and like puppy dogs, they’re all competing with each other to earn the attention of their masters. If there was some place where they could fire a nuke at, to stop online piracy, they would have done it already, it’s what I’m getting at. So while the US Senate was busy doing what it does best, which is to do nothing, the controversial ACTA treaty reached a significant milestone with a basic agreement being reached, which may force the Senate’s hands (not that they need any forcing).

And The Pirate Bay appeals trial started this week too, after delays over accusation of bias. Well, when before you even start the trial, the judges have already had accusations of bias aimed at them, and none of them recused themselves, then that’s not really a good start, and I don’t expect any positive result. But on the other hand, any negative result probably won’t affect TPB’s operations anyway, so what’s the point really.

And from the same people that wanted phone ring-tones to be considered a form of public performance, the ASCAP which represents composers and publishers, has tried to get a court to say that a download is also a public performance, despite downloads not making any noise apart from the “ding” when it completes (depending on your browser/settings). The court denied their “ring-tone” arguments, and they denied their download arguments too. If I was a member of the ASCAP, I would be embarrassed at their actions, going out and making an ass of themselves in court. The ASSCAP perhaps? If they get their way, pretty much, even humming a tune would be a public performance, and eventually, even thinking about a song may be mean having to pay royalties.

High Definition

Moving onto 3D/HD news. The news this week was that Blu-ray penetration has reached 17%. There has been some pretty poor stats recently for Blu-ray sales in the US at least, but I’m not surprised at this figure at all.

Blu-ray Growth Rate (up to September 19, 2010)

Blu-ray's growth rate has slowed recently due to lack of hit releases

But whether this 17% can be turned into 80/90%, or whatever DVDs have, that’s another question. Without top new releases, Blu-ray hasn’t been growing as fast as previously, but with the best titles coming thick and fast in the next few month, that could change. I’m still mostly confused as to the intentions of studios when it comes to Blu-ray. Do they want it to completely replace DVDs, and then suffer the same problem as DVDs in terms of ever dropping revenues (until Purple-Ray or whatever next comes out), or are they positioning Blu-ray as a complementing format to DVDs, one that is sold at a premium to slow down the decline of movie prices? With current pricing, it seems studios want Blu-ray to completely replace DVDs (for example, the Iron Man Blu-ray+DVD combo can be had for less than the two disc DVD set at some places, or only a couple of dollars more elsewhere), because the premium is shrinking to the point where it doesn’t exist for many titles. On the other hand, not all titles are being released on Blu-ray, so it seems studios are not that keen on Blu-ray totally replacing DVDs.

3D Blu-ray will probably up the pricing a bit, or at least that’s what studios hope will happen. But in time, it too will drop in price to the point where 3D editions will be included with the standard 2D release. So it seems to me that getting people to pay more for the same stuff isn’t a long term solution, but perhaps getting people to buy more for less per item may be the way to go.

Or you can just charge $30 per movie and hope someone is stupid enough to pay for it. That’s Hollywood’s new plan, after they got the FCC to agree to break analogue outputs, so they can release movies faster to the home, before it’s available on Blu-ray/DVD. It’s basically another release window, this time delivered without a disc, but most likely heavily DRM infested. And it appears to be for a single viewing only. I talked about solutions to the piracy problem further up in this WNR, but if this is the solution (analogue DRM + stupidly high pricing + more DRM), then they really need to stop coming up with them. You can see how they think this might work too – $30 is less than what a family pays to watch the movie at the cinemas, but more than what they would pay for the Blu-ray/DVD. Or they can just download it for free, without the DRM too. You see where the problem is?

Gaming

And finally in gaming, Nintendo thinks it may have found the solution to the piracy problem on the DS – the upcoming 3DS will have new anti-piracy updates that happen automatically in the background, any time the DS is connected online.

While I believe the innovations offered by the 3DS, that is the glass free 3D screen, will be enough to ensure it sells extremely well when it is released early next year, I don’t really think the anti-piracy features will really stop piracy. I’m sure some hacker somewhere is already salivating at the prospect of disabling the 3DS’s automatic updates, and open up the portable console to mass piracy like that experienced by the DS.

Gaming on the iPhone

Smartphones like the iPhone is becoming a threat to portable game consoles like the Nintendo DS

But even despite the piracy, the DS sells quite a few games, and it’s a good earner for Nintendo. It’s just not as a good earner as the piracy stats suggests. But I think Nintendo’s biggest problem isn’t flash carts, but smart phones. While DS games are mostly still longer, phone games are becoming more sophisticated, and sometimes, people only want to play a short game. And certainly, the price is more appealing. And the range of games, especially on the iPhone, makes the DS range of games look pitiful by comparison, and all the big game studios have already signed up to produce games for the iPhone (and soon to Android I think), not to mention the many indie game producers. So what Nintendo needs is to open up an apps space for the DS, one that allows indie producers to have a go as well, so homebrew doesn’t have to be confined to illegal flash carts. An online marketplace with cheap games will help keep things fresh, and I think Nintendo will be surprised how much more people spend when they’re only paying a buck or two for games – most likely more sales than if games were prices at ten times this price. Micro-transactions are the future.

That’s all I’m going to write this week. I suspect next week will be quite boring as the Internet media rehash most of the interesting stories from this week over and over again. Look at me, I’m already making excuses …

Weekly News Roundup (19 September 2010)

Sunday, September 19th, 2010

And so another week is upon us. Not much news this week though, but there was one big breaking story, which we’ll get to soon enough. The PlayStation Move has been released since I last posted, and there’s a bit more on that in the gaming section, although I do plan on writing a short little comparison between the Move and Kinect, or rather, why a direct comparison between the two motion gaming accessories is a bit silly, and that one doesn’t necessarily have to lose in order for the other to win (unfortunately, the Wii loses in either scenario).

Copyright

In copyright news, the big news of the week I alluded to earlier is that HDCP, the copy protection scheme we’ve all learned to love, is dead.

HDMI Cable

HDCP, as found in the HDMI standard, is cracked

It was short lived, we hardly knew thee, but HDCP copy protection has been cracked, with the master key posted on Twitter of all places. People at first were sceptical, but a few days later, we had confirmation from Intel, the company that developed HDCP, that, yes, the posted key was in fact the legitimate master key. So what does the master key do? Well, it the way HDCP works, it allows legitimate source keys (keys for things like Blu-ray players) and sink keys (keys for receiving devices, mainly TVs and monitors) to be generated, and therefore it means that there is no way now to tell the difference between authorised devices, and unauthorised ones, thus killing HDCP as a viable DRM scheme. Well some articles screamed that “Blu-ray copy protection has been killed”, it isn’t quite that simple. Yes, Blu-ray players rely on HDMI and therefore HDCP copy protection, but the disc itself is still protected by several other layers of DRM, including AACS. However, it will now be possible to intercept the HDMI output and get access to the raw digital stream to make copies of the movie, although that will require a bit of hardware ingenuity, although something could be done in software too. Those around when DVD ripping first came onto the scene will remember Power Ripper, the tool that used PowerDVD’s screen capture tool to rip DVDs, frame by frame. Since then, many DRM schemes have protected this sort of ripping by disabling screen capture or encrypting the path from software to screen. But with HDCP out of the way, this kind of ripping may be possible again (and this time, since HDMI carries audio too, the whole stream can be riped). Of course the question is why would anyone want to do this when there are much easier ways to rip Blu-ray movies? But there are also other applications other than ripping, such as allowing movies to still be played via HDMI even when the TV’s HDCP chip has died.

But the most important aspect of this leak of the master key is that it confirms once again relying on technical measures to prevent piracy is an extremely naive strategy. There are people that crack HDCP for fun, and it doesn’t matter if it takes a month, or 5 years, they have the time! Now, Intel has hinted that since the technical protection is all but gone, they may rely on legal protection to keep HDCP viable. After all, it’s worked for DVD’s CSS, which has been cracked since 1999 and yet it’s still widely in use today, largely thanks to the legal protection it, and any DRM scheme (no matter how weak), offers (thanks to the DMCA). But even legal protection won’t stop people doing things that annoys rightsholders, once the technical barriers have been removed. So HDCP will still be around, and all your TVs and Blu-ray players will use it, but once again, you have to ask, what’s the point? Having some crappy DRM in there makes lawsuits simpler, but copyright infringement is copyright infringement, it doesn’t really matter to the court if DRM has been broken once, a hundred times, or that DRM didn’t exist at all. And when the DRM negatively impacts on legitimate customer’s user experience, then one should wonder if this is a fair deal, that legitimate customers have to pay dearly just to give rightsholders a false sense of security (but I guess a false sense of it is better than nothing, which is why companies are still paying a lot of money to license DVD’s CSS).

Technical, legal ways to fight piracy has obviously failed, and continues to demonstrate how it fails every single day, whether it’s HDCP, or France’s Three-Strikes, or multi-million dollar settlements being thrown out of court for being unconstitutional. The common sense approach would then to be to find another way to fight piracy, perhaps a way where rightsholders can get loyal customers to join their battle, no, not by paying out rewards for dobbing your friends and family, but by making sure that paying customers want to stay paying customers because they are treated right. So right that even those that aren’t paying would start to envy those that are paying, and would do so if they could afford it. Whether this means making the whole experience so much easier than going out and obtaining the pirated version, or if it means more exclusive content and experiences that cannot be pirated, or even just making the price so reasonable that, it makes it not worthwhile to pursue pirated content. I firmly believe such a solution is possible, and in the end, everyone will benefit.

4chan Anonymous

4chan DDoS attacks AiPlex and the MPAA, giving (AiPlex at least) a taste of their own medicine

Or you can just launch DDoS attacks on BitTorrent websites. But if you use less than ethical and possibly illegal tactics, then don’t be surprised if the response is of a similar nature. Last week, I mentioned the story of an Indian based anti-piracy firm, AiPlex, who appeared to have owned up to launching DDoS attacks on BitTorrent website. So this week, a group from 4chan, called Anonymous, have decided that the right response is to DDoS AiPlex’s website. And attack they did, bringing the entire website down for hours. And not only that, they decided to attack the MPAA website too, also bringing it down for several hours. Both websites appear to be back up again this afternoon, after having changed IP addresses, but it’s unknown at this point if the attacks will continue (both sites appear to be slowing down again, which could signal the start of a new attack, or just that I have a crappy Internet connection). Now, I don’t think many people will condone DDoS and similar attacks, but that’s exactly why people were shocked to discover that AiPlex had resorted to such actions in the first place.

Over to the UK, Internet users over there will soon have to pay to be spied on by their ISPs, so the profits of record companies and other rightsholders can be protected. The government has announced that ISPs will have to foot 25% of the cost of anti-piracy operations, with the rest of the 75% being the rightsholder’s responsibility. You would think that rightsholders, you know the multi-billion dollar music and movie industries, would be happy with this arrangement, but they’re not. They had wanted ISPs to foot all of the bill, to even pay for the investigation part of the operation, and so wanted to contribute nothing in order to gain all the benefits. I should be surprised, but I’m not, because these are industries that are out there blaming everyone else for problems of their own creation (by that I mean not moving quickly enough to satisfy user needs, so the users found something better, cheaper).

High Definition

Let’s move onto 3D/HD news. The good news is that the PS3 should be able to play 3D Blu-ray movies by this time next week, as apparently the “delayed” 3D Blu-ray firmware is now going to launch on time, on September 21st.

There’s very little detail about the exact implementation, so there’s all sorts of rumours on 3D Blu-ray being a bit more limited on the PS3 than compared to dedicated 3D Blu-ray players. One of the rumours suggest that when 3D is being played, BD-J/Java based menus can’t work at the same time. I find this highly unlikely though, since the PS3 has to still be the most powerful Blu-ray player out there (how many other Blu-ray players can do 1080p 3D rendering?). Another earlier rumour suggests that due to the older version HDMI on the PS3, especially the fat one, that 3D Blu-ray will not be full 1080p. This sounds more likely, but I think Sony has already refuted this suggestion. Anyway, we’ll know more in a few day’s time.

But while the update means the number of 3D Blu-ray players around the world has just jumped up quite a bit instantly, the number of 3D Blu-ray movies, on the other hand, is still barely above double digits. One problem many have noticed is that most of the movies released are tied to hardware, usually 3D TVs, and most are not available for general sale. Sometimes like 60% of the movies released or announced for release so far are this types of exclusives, including the big one, Avatar. And some say this will kill off the 3D Blu-ray format before it begins. I’m not sure I agree. Yes, the exclusive releases are an annoyance, it means many 3D Blu-ray owners, like myself, have access to a very limited number of movies (for me, I only have just the one). However, this is just the effect of the hardware-before-content model that 3D Blu-ray has adopted. And this causes the lack of content means manufacturers are even more protective of whatever content they can get their hands on, so they can make it an exclusive and sell more TVs. The alternative is to have content-before-hardware, but producing a 3D Blu-ray movie is quite costly possibly, as opposed to adding 3D to TVs, which isn’t costing manufacturers much at all (and in fact, they’re making more per TV because of the premium attached to 3D sets). In any case, Warner has just announced they will release 6 more 3D Blu-ray movies to general release for this holidays, including the “faux 3D” Clash of the Titans. Sony have also announced Open Season on 3D Blu-ray as well. But all eyes are on when Avatar is going to get a general release on 3D Blu-ray, and that will be the title to take the format to mainstream, I think.

Gaming

And finally in gaming, the PlayStation Move is out and I thought I should briefly talk about it. Most people are wondering if Move will beat Kinect or the opposite, but really, the battle people should be looking at is whether Move can hurt the Wii, and I think it will.

PS Move Gun

One annoying thing about still using motion controllers is all the accessories you need to buy for it, no matter how cool they look

The similarities between the Move and the Wii makes the Move both harder to market, and easier. Easier because people already know what it’s all about, harder because many thinks it’s just a Wii clone. However, those that have played it (not me though) will almost always say one things: it’s very very accurate. That doesn’t sound as sexy as Kinect’s “look Ma, no controllers” advantage, but super accuracy can give motion gaming a whole new dimension. For traditional gaming, accuracy already makes a huge difference (think controller versus keyboard/mouse for FPS games). With motion gaming, accuracy will draw users more into the action, without them wondering why their real world movement of the controller isn’t being translated into the virtual world. And accuracy means the Move controller can be used for games that are more simulations than just random waving of the wand. And of course, accuracy makes for better player, and allows for more complicated games that require more intricate movement. Now whether this makes for better games, I’m not totally convinced yet, but the potential is there. And by being similar the Wii, but better, the Move positions itself as a potential Wii killer.

Kinect is a totally different animal. It’s a lot riskier, but if it succeeds, then Microsoft will have a truly unique product that offers something completely different to the Wii and Move. And this difference could either make or break Kinect, but I’m already seeing lots of signs where people generally tend to think of Kinect are more innovative, more fun, and these are two very critical factors in determining what’s the must have item for this holiday season. And not having to buy controllers, and the endless list of accessories for them (from steering wheels, to guns, to tennis racquets …), might be a plus for some.

And as I mentioned before, I might just write a blog comparing the two new motion control systems, and also whether the Wii is doomed.

But that’s the news for this week. A bad week for DRM, which in my book, means a good week. I wonder which DRM will get broken next week!