Archive for the ‘Electronics’ Category

Weekly News Roundup (7 November 2010)

Sunday, November 7th, 2010

Well, we’ve reached November, the final set, the last quarter, the penultimate inning, the last ten minutes before the start of injury time, and many other sports terms that I have absolutely no idea about. And despite getting near the end of 2010, we still haven’t made contact, and with all the world’s problems today, an alien intervention may not be the worst thing ever, although hopefully not the kind of intervention that recent movies are predicting. The news are a bit more plentiful this week, but by no means a busy week in terms of copyright, HD/3D or gaming, I think mostly due to other more important events taking place in the US at least. But there are still a few things to talk about, so let’s get started.

Copyright

Starting with copyright news, and trying to find some connection to the big news of the week, we have this story about the effect of the the US midterm election results on the issue of copyright, particularly Internet copyright.

John Boehner

The US House of Representatives may have changed hands, but don't expect any changes (not good ones anyway) in respect to digital copyright laws

The conclusion? Probably business as usual. A lot of people are unhappy that the developments in the last two years in terms of Internet copyright has been very much biased towards the content owners, big business, and so some naturally blame the people in power, the Democrats. But I think that’s partially unfair, because if you look at the pro-copyright bills that’s been brought up in Congress, you will find that these bills always receive bi-partisan support. It’s about the only thing in D.C. that the two major parties can agree on, and that to me, is a very sad state of affairs indeed. And with the Republican’s generally pro-business ideology, things will probably get worse in the next two years, not better. But it is also fair to blame Democrats too. If you allow me to go slightly off topic and talk politics for a minute, then I think the blame for the pro-copyright bias is still very much on Democrats, even though both parties support the pro-business, anti-consumer and anti-privacy agendas of the RIAA and MPAA. The reason I blame the Democrats is simply this: they should know better.

I’m not surprised Republicans will eventually support three-strikes, or make it easier for corporations to sue individuals, or otherwise go out of their way to help big business – it’s what their politics are about. However, being the left leaning party, the Democrats ought to stand for principles such as privacy, freedom of speech, and as progressives, they should embrace the Internet and support innovation (they certainly did during the  election campaign that saw Obama and the Democrats use the Internet to great effect in terms of campaigning). The last thing they should be doing is to cosy up to big business, to help them suppress innovation, the way they have done in the last two years. It’s not their M.O, or at least it shouldn’t be. Now I do realise that Hollywood and the Democrats have a great relationship traditionally, but that’s mainly the people who work in Hollywood, the left leaning actors and actresses, and their support of the more progressive aspects of Democrat’s policies. The relationship should definitely not automatically extend to the people who own Hollywood, the multi-national conglomerates like Sony or 20th Fox and the groups that represent them, like the MPAA. For these companies and groups, their sole aim is to protect their ageing business model, even if it comes at the expense of the hard working people in the industry (the writer strike being a prime example). If Obama and the Democrats want to have a serious chance to get back some of the things they lost last Tuesday in two year’s time, they need to go back to their roots, to support policies that their core supports, or at least stand for something. And maybe even that would not be enough, but maybe it will help promote some positive change, or at least put up some kind of fight for those that rely on them to be their voice in government. It’s about principles, stupid.

Cinema Audiences Being Watched

You *are* being watched ... privacy protection loses yet again to piracy protection

One of the principles I mentioned earlier is privacy, which in this day and age, becomes somewhat incompatible with the business goals for big business. In an ‘1984-esque’ development, a new technology has been developed in the UK that allows complex system to watch the watchers (of cinema, that is). Instead of going to the cinemas with your family, having overpaid for everything, the last thing people expect will be that they become some kind of lab experiment, where their every emotions are recorded so that big business can find better ways to get you to pay for stuff. While ‘1984’ was very much about the authoritarian governments, but corporations are just as dangerous, because they now have enough power and money to directly influence governments, if not control them outright. So something like this, which many will object to (if they knew about it), would probably still get the nod in the US because the lobbyist will ensure they get enough support in government to nullify opposition. And because the same system can be used to prevent piracy, then that becomes the perfect Trojan Horse to make it all nice and legal. Terrorists support torrent downloading or something, and so if you’re against spying on cinema-goers, then you’re supporting terrorism. And do you really want to be labelled as a terrorist supporter when you’re up for re-election in a year or two?

But while this technology has been developed in the UK, the newly elected UK government (well, new as in since May), may in fact be changing directions in terms of digital copyright law. Or not. The previous so called left leaning, progressive Labour government, who got UK into two wars against the wishes of the people and general progressive principles (it’s that word again!), was also very pro big business in its support for controversial copyright laws, including the planned introduction of a three-strikes, and widespread spying of people to prevent them from downloading too many MP3s. The more left leaning coalition part of the current government, who are in a coalition with the conservatives (their politics is probably more progressive than the Democrats, by US standards, according to some UK friends), are probably responsible for the review of copyright laws, which will look at things like fair use. Reversing the previous government’s “achievements” may also have played a part in the decision. But I suspect the review will come, some fair use provisions will be added, but it won’t make the laws any better than what’s already law in the US. In fact, the Prime Minister has already signalled that they will be doing the review by looking at the US laws. It may very well be a case of the blind leading (or in this case, following) the blind.

And sorry to get back to politics again, but I must say that the current screwed up state of things is very much to do with us, the electorate, than any government or lobbyist. We allow our freedoms to be curbed in the name of helping big business because we simply do not care enough. Perhaps there are too many other more serious problems to consider, but I would have expected more discontent at government action to give corporations the power to spy on our Internet usage. Yes, the Operation Payback from 4chan/Anonymous is something, but I think in the end, it could backfire and alienate the mainstream. Because many of them, probably most of them don’t download things illegally, and they may even support harsher sanctions against downloaders, pirates, who have been demonized by the RIAA/MPAA through advertising (“They support terrorism and organised crime and are no better than common thieves!”). But it’s the rights of everyone that will be affected when ISPs can legally spy on your downloads (and it won’t end there either). When they came for the pirates, I didn’t speak up because I wasn’t a pirated … etc. Okay, that may be a bit dramatic, but big business have been trying to erode our rights, as citizens and consumers, for years now, but they’ve never faced so much apathy. The EFF and the ACLU can only do so much, if we don’t voice out discontent, in a mainstream fashion.

Jammie Thomas-Rasset

Bad news for Jammie Thomas-Rasset again, another seven figure damage award against her this week for sharing 24 songs

And to present further proof of the struggle we face, not just against big business, but also against our fellow citizens in terms of fighting for fairer copyright laws, a jury (or her peers, apparently) has rewarded Capitol records, a subsidiary of a multi-billion dollar company, $1.5 million against the most famous music pirate of all time, Jammie Thomas-Rasset. This is the third time damages have been awarded against the Native American mother of four, $222,000 originally, then $1.92 million and this week, $1.5 million. Now I understand juries are under instruction to award certain amount of damages based on the law, but if one jury can award “only” $222,000, why would other juries give out seven figure awards? Is there no sympathy for someone who has done something that millions of other American have done, and are doing, every day? It says something when usually the pro-business judges (and they are pro-business, because the copyright laws are pro-business, and judges must make judgements based on the law, however biased it is) are the ones coming out against such extravagant damages being awarded. By giving record labels and movie studios what they want, these juries of our peers are just giving these corporations the ammunition they need to make it legal for them to sacrifice everyone’s privacy for their bottom line, because anything is better than seven figure damages being awarded against individuals, right?

And it’s decisions like this that have emboldened certain law firms in their mass-litigation attempts, the latest and greatest way to make money off of this is to sue for porn downloads, with more than 7000 being sued in the latest case. And there will come a time when there are so many lawsuits, that people will say enough it enough, but then the industry will put forward a better alternative, and that will be the three-strikes, “we spy on you for our own gains”, method. And many freedom loving citizens will eat it up because they will say it’s better than being sued, and since they haven’t done anything illegal on the Internet, it won’t affect them. Except  it will, one day, when they will be spied upon for anything and everything. Because if one corporations can spy on you for their own gains, then another corporations should be allowed to do the same, and then surely it makes sense for governments to spy on you for the nobler aim of law and order too. And it’s ironic that in the end, it may be other corporations that stand up to this in a more meaningful manner than the general public, because what’s good for one industry may very well come at the expense of another, just like three-strikes takes money away from the Internet industry and gives it to the entertainment industry. And this is why we have the good news that UK ISP, BT, have put a stop to at least one law firm’s mass-litigation attempts by deleting subscriber usage histories, histories that the law firm in question, Gallant Macmillan, needed to proceed with their case. And even the recent UK copyright review, mentioned above, was recommended in an indirect way by the owners of Google, who say that the UK’s unfair copyright laws meant that a company like Facebook, Google or YouTube can never have been created in that country. Copyright is hurting innovation, and companies that rely on innovation, even if they’re faceless mega-corporations, will put up a fight for their own self interest. It’s time, that ordinary people like you and me, also put up a fight ourselves, for our own self interest.

High Definition

Moving on to happier pasture, in HD/3D news. I’ve noticed a trend recently whereby studios are releasing more and more Blu-ray exclusives, especially for classic titles (such as Sound of Music, Psycho, The Rocky Horror Picture Show, Apocalypse Now, to name a few).

The Sound of Music Limited Edition Blu-ray Set

Blu-ray exclusive releases of classics, and premium sets, are popular

This is good news for Blu-ray, as it signals studios may be shifting away from DVD altogether. And it’s also good news that these classics are selling well on Blu-ray too, meaning there is definitely a market out there for people who want to watch their favourites classics with audio/video quality that hasn’t before been possible on a home video format. Certainly, a lot of people have home theater set-ups that beat the quality available at the best cinemas at the time these classics were first released, and it’s a real pleasure to be able to enjoy quality movies this way, in the comfort of your own home. If you want an argument for Blu-ray, then this is the best one. Which makes the Lord of the Rings Blu-ray disaster even more disappointing.

Moving on to something completely different, some have already accused Google TV of being fragment on release. I don’t want to go into too much detail on the arguments for and against this, since I’ve already covered it in my forum post, but as someone who has done a little bit of Android development, I have to agree that fragmentation is a big issue, and that the way Google are doing things, it’s making fragmentation a real problem. The freedom that Google gives manufacturers may not be worth whatever benefits that it provides in the short term (more varied range of devices).

But a closed system, like Apple’s, have their own unique set of problems. The latest involved the VLC app for iOS, which may very well be withdrawn from the Apps market due to the issue of copyright. But unlike most copyright disputes, this time, it’s almost the other way around. Instead of arguing that Apple have stolen their copyright, the creators of  VLC are arguing that Apple is imposing too many copyright restrictions on their open source media player. The issue is complicated by the fact that the app wasn’t produced by the creators of VLC, but by a third party (they’re allowed to do it because VLC is open source). But Apple’s apps are limited in that, even for the free ones, they come with licenses that prohibits their sharing (to 5 devices only), which is totally against the open source principle to which the people behind VLC not only believes, but is also bound by law to respect. And this isn’t the first time some open source based app has faced this issue with Apple, with Apple’s previous actions being to remove the app, rather than change their somewhat draconian copyright/DRM attitude. And it will probably be the same with the VLC app, so for those that want it, you should download it ASAP, before it disappears, if it hasn’t already.

Gaming

And finally in gaming, Kinect has been released and it’s doing very well, at least according the Amazon sales charts (currently the 2nd best seller, just behind Call of Duty: Black Ops).

And with two more Kinect titles in the top 10 (Kinect Sport at 5th and Dance Central at 6th), and the Kinect bundle at 8th, it looks to be a very good holiday period for Microsoft (the top selling CoD: Black Ops is also the Xbox 360 version, btw).

Microsoft Kinect

Kinect could be a big success, if it overcomes hurdles such as space requirements and the fact that people look really stupid playing it

Kinect is not perfect. Not even close. And Sony’s Move appears to have many advantages over it (like being more much, much more accurate, and easier to integrate into hardcore games). But what sells well is less about perfection (the Wii wasn’t perfect, neither are top selling devices like the iPhone). It’s more about hype, potential, being different to everything else on the market, and Kinect beats the Move in all of these aspects. Sony producing just a more accurate (and of course, better) version of the Wii, in my opinion, will not work as well as they will hope. And if you just look at the way the PS3 is designed, especially the XMB user interface, it just doesn’t scream “casual gaming”, as much as Microsoft’s cute avatars (stolen shamelessly from Nintendo, but hey, whatever works, right?). And the casual gaming market, is where the big money may be had, especially if you include the new generation of casual, Facebook and mobile phone, gamers.

Of course, for Kinect to be a success, it has to at the very least work adequately. That’s where it may fail, if the requirements for a relatively big space is too much for most families, or that the lack of accuracy makes gaming too random (although it seems to not have worked against the Wii’s initial success), or that it just doesn’t have the right games to take advantage (the most likely scenario for failure). But unlike the Nintendo Wii, Microsoft have always had a great range of third-party titles that take full advantage of the console. And Microsoft will have to rely on these companies to make compelling Kinect games, and avoid Shovelware that characterizes most third-party Wii titles. If publishers take Kinect seriously, Kinect can be a very exciting platform.

And on that note, it’s time to end this week’s WNR. Hope you’ve enjoyed this one a bit better than the absolutely horrible last one, and here’s hoping the next one will be even better (don’t bet on it though).

Weekly News Roundup (17 October 2010)

Sunday, October 17th, 2010

Let’s start this relatively quiet week with some bad news. It is very likely I will have to cease updating a long running feature here. Sorry to stop all of you from leaping for joy at the demise of the WNR, I’m sorry to say that’s not what I’m posting about. Instead, it’s the NPD US video game sales analysis, in its 38th monthly edition already, but it looks like 39th may very well never arrive. You see, NPD is no longer releasing hardware and software unit sales numbers, and this makes writing an analysis very difficult. Luckily, there may be some data leaks by manufacturers, publishers and other analysts with access to the NPD numbers, and when that happens, an analysis may still be posted. So far for this first month, there does seem to be some leaks, so the 39th NPD analysis may very well be posted early next week.

Anyway, let’s start going over the news in this, as previously mentioned, relatively quiet week.

Copyright

In copyright news, the Irish High Court has dealt a blow to the music industry’s attempts to shift responsibility of online piracy unto ISPs.

The court ruled that provider UPC was not responsible for what users do on its network, as Ireland had not yet implemented the EU directive on copyright. The next step for the music industry is to cry to the government and get them to help stop the nasty ISPs from hurting their billion dollar profits, and I’m sure they’ll find a sympathetic ear. As I’ve mentioned a billion times before, I don’t get the argument of the record and movie industries. If ISP should be made responsible for subscriber downloads, then why not the phone company, as most downloads are still done via good old phone lines and exchanges. What about the companies that maintain the routers and switches for the Internet – illegal traffic has to pass through their hardware eventually, so why not make them responsible too? So it’s only the websites that host torrent files (which don’t directly link to pirated content), the users who upload and download, and ISPs that the music/movie industries hold responsible (maybe Google and other search engines as well), but everybody else gets a free pass? Will hard-drive makers get sued too because they keep on making bigger hard-drives that are used to store pirated files? Where does the buck stop?

This is a question they can never answer, because the industry is passing on responsibility of fighting piracy to others, even though they are the only ones to benefit from any action taken. Governments can be lobbied take some of the responsibility, but other private companies are not just going to sit by idly and let the music/movie industries get away with it. And if the government, via new laws, make ISPs responsible, then what they are effectively doing is subsidizing the very profitable music and movie industries by taking money out of the Internet industry, just because one industry has a better lobbying organisation than the other. But I believe the saviour of the music/movie industry, if they need saving at all, will lie in the Internet domain, and so there’s more reason for them all to work together, giving users more innovative solutions, as opposed to working against each other while fighting the futile fight against piracy, while consumers are the ones hurt by all of this (either the lack of innovation, or financial and legal consequences, even for those that don’t pirate music and movies). But that’s just me.

Media Copyright Group Website

Media Copyright Group is being sued by US Copyright Group for Trademark Infringement

And speaking of companies not working together for the common good, more evidence this week that copyright law firms don’t really respect copyright, as they steal (or allege others of stealing) from each other. The US Copyright Group is suing the Media Copyright Group for stealing their name, even though they have different names. This is after the USCG was caught earlier in the year stealing another copyright law firm’s website design, and even earlier when UK copyright law firm ACS:Law accused of another UK copyright law firm of stealing their mailing templates. But I’m not surprised that these firms are suing for each other, or that some of them don’t respect copyright. Because first of all, and just like the Scorpion and the Frog fable, it’s in their nature to sue anyone and anything. And second of all, they don’t respect copyright because their work means that they don’t need to respect copyright, because it’s all about the money. In fact, these law firms would have no business if piracy was stopped tomorrow, so it’s actually in their interest for piracy to continue. Is it going too far to even suggest that these firms are making money off piracy? Well, all I know is that when home users download a torrent, and subsequently upload portions of it while they’re downloading, they’re not making a profit from the operations, other than saving the money of purchasing the content. Some torrent website may make some money through advertising, but overall, online piracy is one “industry” that’s not really about making a profit – unlike the industries that has sprouted up to combat it.

But if money is to be made from piracy or anti-piracy, then Google wants a piece of it too. Instead of giving in to movie studio demands to take responsibility for sites in its vast index (by this principle, Google may very well be responsible for all the world’s ills at the moment thanks to all the websites it indexes. Except for News Corp sites. So that’s one less evil Google is responsible for, I guess), it has suggested, shock horror, that studios may need to pay a little bit of money to reduce piracy and improve the studio’s bottom line. I’m sure the studios are outraged at the suggestion that they would have to pay for actions that benefit only themselves. Crying to Congress about it may be their only hope!

An update on The Pirate Bay appeals case, it has now concluded and a decision is expected on November 26th. I have deliberately avoided covering this trial because I suspect there is only one outcome, and that the original verdict will be upheld. Or maybe I was just too lazy to keep track of it, I don’t know.

High Definition

Not much happening in HD/3D land, except that Iron Man 2’s stats came out, and while it was impressive, it did not really outsell the likes of Avatar.

Iron Man 2 Blu-ray/DVD Combo

Iron Man 2 sold more copies on Blu-ray than on DVD, well sort of

What the Blu-ray version did manage to do was to get more than 50% of the market share, not the first time this has happened, but the first time for such a high profile release during the first week of release. In other words, when Iron Man 2 became available at retail outlets, most people purchased the Blu-ray or Blu-ray/DVD combo version, as opposed to the DVD only version. While this may suggest that Blu-ray has now replaced DVDs as the dominant format, there are a couple of caveats to this stat. First of all, overall Blu-ray market share is still only around 10% to 15% (it was up to 18% for Iron Man 2 week), mainly because not all titles are release yet on Blu-ray, but largely because people are being very selective when buying Blu-ray editions, as opposed to DVD editions. It’s all about the expected picture/audio quality I suppose.

Another important thing to note is that with the current pricing, it’s very bad value to buy any of the DVD-only editions, especially if one plans to upgrade to Blu-ray any time in the next couple of years. The reason for this is that the Blu-ray single disc version of Iron Man 2 was only priced a single dollar more than the equivalent DVD-only edition. The Blu-ray/DVD combo was even better value, at only $2 more than the 2-disc DVD edition. Now, even if I didn’t have a Blu-ray player, if the pricing differential was so insubstantial, I would never buy the DVD only editions. For $2 more, I can future proof my movie collection right now, and although I miss out temporarily on the extra features on the second DVD if I didn’t have a Blu-ray player, in return, I get two copies of the same movie, as opposed to just one. At the end of the day, even if I didn’t have a Blu-ray player, I still get to enjoy the movie on DVD and I will know that when I get a Blu-ray player, I won’t have to re-buy the movie. Of course, I think what has happened is that people were buying the single disc DVD version, as opposed to the combo version, which works out to be around $8 in savings. Still, when the two disc DVD edition costs more than the cheapest Blu-ray version ($5 more), if this doesn’t convince people to go and get a Blu-ray player, then I don’t know what will. The consumers that aren’t convinced will be difficult to convert into the Blu-ray cult, I think.

But Inception will be released in December, and I think that’s will be the title to beat for 2010.

Sony has announced its range of Google TV supporting TVs and Blu-ray players. It’s basically the tried and failed Internet TV platform, but now with a Google twist to make everything just a bit easier to use. Add the eventual support for the Android marketplace, and it can even become a surprisingly capable gaming platform for simple casual games. This convergence thing, that people, including me, were talking about years and years before, seems to be happening right in front of our eyes. Is a Sony TV with Google TV really just a TV, or a computer that can access the Internet, or a PVR that can record TV shows, or a games console? It only does everything, I suppose … oops, wrong company’s slogan.

Gaming

And finally in gaming, as mentioned above, the lack of NPD stats make the NPD stats analysis feature a bit more difficult to write. But I have some experience in writing much about nothing, so maybe I’ll manage.

But for September’s figures, I think I will still be able to come up with an analysis because of some of the leaked numbers, which suggests the Xbox 360 won the month easily again, while both the Wii and PS3 were actually down compared to a year ago, 45 and 37 percent respectively. The PS3 numbers might surprise a few people, since it has seen huge year-on-year growth recently, but as I mentioned in the last few NPD posts, we’re finally comparing apples with apples, or rather, slims with slims (whereas before, we were comparing the low priced slims with the high priced fats) – and as I have been trying to explain, the recent PS3 sales figures aren’t that impressive at all when you take this into account, and September’s figure prove this point.

Halo Reach

Halo Reach has become one of only three games to sell over 3 million copies in the first release month

The other interesting fact was that Halo Reach sold more than 3.3 million copies, only the third title ever to sell more than 3 million copies in the first month (in the US) – the other two are Modern Warfare 2, and the previous major Halo game, Halo 3. No specific figures were available for the Move, but the accessories sector grew compared to last year, the only one to do so, and this means the Move bundle probably sold well, but not well enough to have dragged the PS3 console sales any higher.

Anyway, I better stop writing before this turns into a fully fledged NPD analysis.

In other gaming news, Sony has a new way to combat the use of the PS Jailbreak device – new games, such as the new Medal of Honor, will come with firmware updates that disable the device, and if you want to play these games, you are forced to install the firmware. A typically heavy handed action by Sony, but it will probably work. Until someone pirates a hacked version of MoH that won’t require the new firmware, that is.

And that’s it for this week. Not a lot of news as I mentioned, but hopefully enough to tide you over until next week. So until then …

Weekly News Roundup (10 October 2010)

Sunday, October 10th, 2010

Welcome to the 10/10/10 edition of the WNR. I’m always weary when writing dates, since different regions use different ordering and it’s easy to confuse the day, month and year completely (which is why I always use the full name for the Month, and the year in four digits – as per the title of this post), so it’s good that, for one day of this year, I can throw caution to the wind and write the date anyway I want without any consequences. And to think, we only have two more years left of this, before we have to wait another another 89 years (think about it).

From my intro, you may have concluded that this was yet another quiet news week, hence the need to write gibberish. But there’s actually a few things to go through, not much, but a few. So the gibberish was merely coincidental, and regular readers would surely have gotten used to the gibberish by now. So let’s get started.

Copyright

Starting with copyright news, we’ll start with what was very late news last week, in that the controversial ACTA has reached a basic agreement, and there has been more analysis since then about the new draft (final draft?) of this agreement.

TorrentFreak reckons that the new ACTA draft now tries shoves much less crap down our throats than what is was earlier, so I guess that’s good news. Ah, I remember like it was yesterday when I first heard of the ACTA, about how custom officials were going to search through my iPod looking for pirated songs, that ISPs were going to be forced to monitor all of our Internet usage just in case we do something the RIAA/MPAA don’t want us to do, and that the island of Manhattan was going to be closed and fenced off like a giant prison, with all the caught copyright infringers sent there to fend for themselves (this last part may not be true). It seems that the current version of the ACTA is very much a watered down version compared to previous drafts, and I guess that’s one positive of global politics, is that things rarely get done when so many countries are involved. Hurray for petty political bickering.

Hadopi Logo

French Three-Strikes is up and running, with the first users receiving notification this week

But even without a global treaty forcing countries to take copyright control seriously by building giant island prisons, some countries are taking action anyway. France is a pioneer in this field. The country that gave us the French Revolution, has now been sold to the highest corporate bidder, in this case, the joint bid from the music and movie industries, and France’s Three-Strikes revolution has started. In case you’ve been living in a cave, or have had your Internet disconnected because you pirated one episode too many of Desperate Housewives (in which case, you would already know all about Three-Strikes, so skip the next half a sentence or so), the Three-Strikes systems give copyright infringers three chances to clean up their act before their Internet is disconnected. The first of the strikes has been sent out by HADOPI, and so the experiment begins. Will piracy stop? Or will people simply start using sources of pirated content that HADOPI can’t monitor? And if the piracy rate drops, will the music and movie (and software) industry make more money? Only time will tell, but I suspect the only real effect will be the increasing amounts of anger experienced by the Internet public.

Which explains why Operation Payback, 4chan/Anonymous’s global Internet attacks on those perceived to be on the wrong side of the great copyright crusade. I haven’t even kept track of all the organisations that Operation Payback has targeted, I think their most recent target was in Spain, but as they “group” has proclaimed, the attacks will continue until they’re less angry, and things like Three-Strikes won’t really help in this respect.

Getting caught in the cross-hairs in all of this is fair use. There are many reasons why copyright should be respected, and there are also many situations where protecting the public interest is more important than protecting “potential” profits for copyright holders. The Library of Congress’ National Recording Preservation Board has made a passionate plea for changes to the copyright law so cultural preservation, particularly for audio recordings, isn’t being hampered by copyright holders too protective over their content. Due to the various laws and amendments made to the copyright act, giving copyright holders ever increasing power and time to hold on to their content, many recordings made early last century are in danger of failing to be preserved because copyright holders aren’t releasing content that clearly has no commercial value any more. Some recorded vaudeville performance, for example, are destined to be lost forever as greedy copyright holders refuse to release recordings to the public domain, despite there being no market for such content since the 1930’s. It’s easy to forget that copyright laws were invented to protect the public interest, as much as the rightsholders, which is why copyright do expires, so content can fall into public domain and be preserved forever. DRM, another invention of copyright holders, may be even more harmful than any laws that exist. It’s very much unlikely any DRM protected content can be decoded in some distant future. We don’t even have to imagine that far to see how dangerous DRM can be, people who purchased content from one of the many failed online music stores that used DRM will know exactly how hard it is to recover their purchases, even after just a couple of years. Luckily, most DRM measures are fairly ineffective, and so easily breakable, but that won’t always be the case.

Killers Movie Poster

Hollywood may be making less money on bad movies than ever before, due to the Internet and online piracy

So with the copyright crusade taking many victims, what exactly are the rightsholders trying to achieve? This week, we had MPAA execs come out and explain their reasoning for fighting piracy. Apparently, even the MPAA is aware that piracy cannot be eliminated, saying that “Piracy has always been and will always be with us”. You see, the MPAA’s aim is only to reduce it so much so that they “can make enough revenue in a legitimate market to recoup expenses and continue to make new movies”. You see, behind the record profits, movie studios appear to be struggling to bring out movies, because it’s hard to even recoup expenses at times. The proof is right here if we look hard enough, I mean there hasn’t been a Saw movie since 2009, and who is to say six Saw films is really enough? Of course, movies like Inception are the “Exceptions”, it’s a real struggle for a lot of movies to make back the money that went into making them. You see the reason is that, simply, most of the movies that Hollywood produces are, how do I put it, crap! In the past, when people couldn’t just download crappy movies, they actually had to pay for a ticket before walking out in disgust twenty minutes in, and this meant a lot more movies were able to “recoup expenses” and so allow studios to  “continue to make new movies”. And before people knew how to rip DVDs (that whole six month before people discovered you could break DVD’s ineffectual CSS copy protection by simply breathing in its general direction), they may get tempted by the cover and buy the crappy movies, whereas now they can simply download it and delete it twenty minutes through in disgust, and hence provide no income at all to struggling studios, who are now forced to having to actually make good movies that people will want to pay to see, like The Dark Knight, Avatar and Inception. But Chris Nolan is only one guy, and who know when James Cameron will make another movie. So it’s no surprise really that Uwe Boll’s Far Cry was one for the first movies to get into the sue-for-settlement game, is it?

There must have been something in the water last week, because yet another victim of the piracy trade also came out to suggest that, maybe, piracy isn’t the only reason for lost profits. Nintendo’s CEO refused to blame piracy for lost Wii, DS sales, believing that good games will still sell regardless of piracy. Interesting. So people pay for good stuff, and pirate the not so good stuff? Who would have thunk it! The reality is that people who can’t afford to buy will probably pirate, in which case no profit has been lost a result. There’s only probably a very small minority that will always pirate, even if they can afford to pay. And so I think most of the revenue losses come from the fact that people are not buying things that are not worth the money being paid, and with so much good stuff out there competing for our hard earned dollar (even if it is worth less and less every day, if you’re earning the US kind), buyers are a lot more picky. And piracy, rightly or wrongly, allows many to “sample” goods without having to feel cheated by paying for the full sticker price, and in most cases, the goods are as they suspected, not worth the money being asked for it. But producers will argue that without people buying the poor quality junk, then these purchases can’t subsidize the cost of producing good quality stuff, and that’s true. So some kind of balance has to be reached where perhaps producers can make the junk cheap enough to tempt us to go against our better judgement, while keeping the good stuff cheap enough so that not too many people fall into the “can’t afford it, so must pirate it” category.

And an update on everyone’s favourite newspaper copyright lawyers, Republican Senate candidate Sharron Angle is ready to settle her Righthaven lawsuit which alleged that she posted some newspaper’s articles without permission somewhere. It’s a shame, I was hoping for a real legal battle, but I guess in the middle of an election campaign, that was never likely to happen.

High Definition

In 3D/HD news, Iron Man 2 was released a short while ago and the figures suggest that it will be one of the best selling titles on Blu-ray ever, which is exactly what the format needed after a sluggish few weeks recently – the stats will be posted on Tuesday at the usual place.

Toshiba 20GLI 20" Glasses Free 3D TV

Toshiba's 20" Glasses-Free 3D TV is expensive at $3000

For 3D lovers, there was some exciting news this week as Toshiba released its first glasses-free 3D TVs. If you’ve read my earlier blog post/FAQ about 3D, you shouldn’t be too surprised about glasses-free 3D TVs, but as I mentioned before, there are a lot of drawbacks to this technology currently. For example, the Toshiba 3D TVs only allow 3D effects from nine fixed viewing positions – if none of these positions matches your sitting positions, then you can forget about the 3D effect. Now, new versions of the same technology is enabling greater number of viewing angles, I think I read somewhere one even offers 64 viewing positions, but for me, it’s not so much finding a sweet spot, as staying there for the whole duration of the movie (and making sure you don’t move your head too much). Of course for some, that may still be a better compromise than wearing dorky glasses.

Another problem, which the Toshiba releases make clear, is the cost of the technology. 3D effects rely on each eye seeing something different to trick our brains into thinking we’re looking at something in 3D. Glasses work by quickly shuttering the LCD so that we’re only seeing out of one eye at any one time (it’s synced to the TV so that each eye is seeing that they’re supposed to be seeing – all of this is done very quickly so we don’t notice that we’re really only seeing out of one eye), but the image we see out of each eye will be the full resolution of the TV. However, with these glasses-free TVs, it relies on barriers that block out different pixels on the TV depending on the angle of your vision (with each eye seeing something different, because of the different viewing angles). This blocking of pixels means that each eye is not seeing the full resolution of the TV, and so in order to created an HD image, more pixels are needed than what is normally required. For the larger Toshiba 20″ 3D TV, four times the number of pixels of a 1080p TV was needed to create only a 720p picture (essentially, the panel is a 2160p one, if my maths is correct), and this is why this small TV costs nearly $3000. Not only is the panel expensive to produce, the processor needed to manage this many pixels also needs to be powerful (Toshiba uses their Cell technology, the same processors that power the PS3).

But you see the problem now though. If it ever becomes cheap enough to produce 2160p TVs to make  these 720p  glasses-free 3D TVs affordable, then people will start to want 2160p 3D (or at the very least, 1080p 3D), which would already be possible then with 3D glasses. This, plus the viewing angle problem, means that there’s still a lot of development needed for this technology. Although the smaller 12″ model would definitely make a very cool digital photo frame.

Gaming

And half way lodged between movies and gaming, PS3’s Netflix will go disc free this month, with the PS3 Netflix app soon to be available meaning users of Netflix no longer has to insert the what must now be very worn Blu-ray disc into their PS3s to access Netflix’s streaming service (as CrunchGear noted, it’s extremely ironic that an online streaming service still required a disc to work).

And for those with money to burn in this economy, you can now pay Best Buy to upgrade your PS3’s firmware. For $30, Best Buy’s Geek Squad will press left on the PS3 controller until the “Settings” icon is highlighted, go down to “System Updates” option and press “X” for you. I know the US dollar worth less than the paper its printed on these days, but $30 is still $30. Yes, a firmware update is a bit more complicated than just pressing a bunch of buttons  (but not much though), since you do need the PS3 to be connected online first, but I suppose people that want PS3s will probably know how to do that already. In any case, those buying PS3s as gifts for others may not know what the deal is, and so may pay for this just to have peace of mind, and I think that’s probably the demographic Best Guy is going for. It is funny though reading through the list of “benefits” you get for your $30 – I mean, you’d be crazy to not want the “system runs smoother” functionality. Joking aside though, if PS3 firmware updates are breaking the Blu-ray drive as some have claimed (or launched a class action lawsuit for), then maybe paying $30 isn’t such a bad idea if Best Buy covers the cost of whatever happens due to a bad update (ie. the $150 Sony charges to fix the PS3 if something did go wrong).

Alright then, that’s it for this week.  I have it on good authority that, yes, there will be new events occurring  next week in which an article will be written and published to inform the general public, and thus creating something called “news”. And I shall do my best not to skip over the really important ones due to sheer incompetence and/or laziness. Have a good one.

Weekly News Roundup (26 September 2010)

Sunday, September 26th, 2010

We’re nearly in the final quarter of the year. 2010 seems to have gone by quickly, hasn’t it? I’ve actually avoided trying to use the “time has gone by quickly hasn’t it” line for most of this year, but since we’re nearly in the final stretch, and I’ve run out of things to say for this intro, so I thought, why not?

Despite my lack of material for the intro, there’s actually quite a bit of news this week, so let’s get started.

Copyright

We’ll start with what was a very busy week for copyright related news. It seems genuine war has broken out, in cyberspace at least, with 4chan/Anonymous’ cyber attacks continuing against targets of opportunity in Operation Payback.

Low Orbit Ion Cannon

The Low Orbit Ion Cannon strikes again. And again. And again.

Since the initial attacks on AiPlex (the company that was the straw that finally broke the camel’s back, when they admitted to attacking BitTorrent websites with DDoS attacks) and the MPAA, has since expanded to the RIAA and UK law firm ACS:Law (infamous for being one of the first law firms to take advantage of  “suing for pre-trial settlement”). It’s unknown how long Operation Payback will last, and how many other targets are part of the attack (you would think the server admins of the US Copyright Group’s website should be very much on edge at the moment). Now there is the legal issue to consider, in that these DDoS attacks may be breaking laws all over the place. But then as one commentator pointed out, many kinds of protests break laws, but when people are pushed so far, then there will always be some kind of reactions. And besides, AiPlex started it first, many will feel. The fact is that corporations, governments and law firms have colluded with each other to take away our rights and to target all of us and label us all criminals, and so the reactions was always coming. And it appears that the attack isn’t only coming from 4chan’s Low Orbit Ion Cannon (LOIC), but that others with access to their own botnets are joining in the attack, and actually contributing more to the attacks than the easily blockable LOIC attacks.

But one unexpected result from Operation Payback came from when ACS:Law relocated their website to a new server to get out from under the attack. The website admins that made the move may have inadvertently left the backup files, used to make the move, on a publicly accessible part of the server, and it wasn’t long before it was downloaded, and distributed, ironically, on the BitTorrent network (first uploaded to The Pirate Bay). Amongst the passwords, source code, were ACS:Law’s email archives, a goldmine of behind of the scenes information on a law firm’s relentless quest to sue downloaders and recoup large amounts of money (and also some personal emails). It has been an absolute disaster for ACS:Law. I haven’t personally gone through all the emails, but this is about the worst thing that could happen for ACS:Law, as all of their dirty little secrets are revealed to the world. From the bragging about just how much money has been made (“May go for a Lambo or Ferrari”, as posted by owner Andrew Crossley when boasting about improved finances), to emails that try to convince copyright holders to sign up by promising big piles of cash at the end of the pre-trial settlement rainbow, to how it is decided when to drop a claim (against 70 year old pensioners) or whether to proceed to the next step (based on “action points”, that chart the progress of a claim). Many websites are still going through the mountain of information and I’m sure more will be uncovered. Website TorrentFreak’s conclusion is that all of the emails seems to be talking about money, none actually about stopping or reducing piracy, and that’s exactly why people take offence at the actions of law firms like ACS:Law and USCG, because for them, this is all about the money. Being a law firm though, I wonder what actions ACS:Law will take to get these very sensitive emails taken down, but so many people have downloaded it now, it will be impossible to stop the spread of information.

XXX Copyrights

I'm still not entirely convinced XXX Copyrights isn't some kind of spoof website

A lot of ACS:Law’s actions were against people downloading pirated porn, like one email which alleged that a married man had downloaded pirated gay porn, which caused untold distress to family members no doubt. The reason these law firms go after these kinds of downloads is because they’re so embarrassing, that nobody wants to fight them, especially in court, although thanks to legal advice freely available online, many are putting up more of a fight than before. In any case, suing for porn still remains more lucrative than suing for mainstream music or movie downloads. And a new firm in the US been created that target only pirated porn. The company, name XXX Copyrights, has already filed 7 lawsuits with more than 5000 individuals probably being named (so far, just John Does). The only thing that surprises me about this development is that it took so long for someone to do exactly this. With the US being such a litigious society, I am actually quite disappointed that this “brilliant” idea originated in Europe. Hang your heads in shame,  Ambulance Chasers of America.

But with porn lawsuits proving to be a good earner, Righthaven’s pursuit of penniless bloggers seems all a bit pointless. And it’s proving more difficult than going after music and movie downloaders too, because the bloggers that copy newspaper articles are not doing so for profit or personal gain, and it seems the courts are a little bit more reluctant to provide summary judgements. There’s also the issue, as argued by blogger Jan Klerks, that newspapers encourage its online readers to share and link to the original article, and so there may be an implied license being granted to bloggers who seek to repost the article, but complete with a link back to the original article. Judge Navarro, presiding over the case, seems to agree that at the very least, these are valid arguments that should be examined in a full trial, and Righthaven’s task of extracting pre-trial settlement fees has just gotten a bit harder because of the Judge’s decision.

We’ll come back to the US in a minute, but let’s first cross the Atlantic and to France, Europe, where citizens will soon start to receive the very first strike of their three-strikes. The government agency responsible for handling three-strikes, Hadopi, will soon start sending out the first warning letters, if it hasn’t done so already. We know this because it has already requested subscriber information from several ISPs, and many have already replied. And once the letters go out, and this whole three-strikes business becomes more real to a lot of people, perhaps there will be some kind of change in people’s attitudes towards movie piracy. Or at least that’s what the government hopes will happen. I’m sure it has originally wanted just the threat of three-strikes to be enough to strike enough fear into people to drop the piracy rate, but the rate actually went up after the introduction of the law, as people moved off BitTorrent and onto other sources of pirated content that Hadopi may have difficulty tracking. And I suspect this latest development will just push more people into services that Hadopi can’t get to, and that’s a bad development for those serious about protecting copyright online.

Wikileaks Logo

Governments may use the ACTA to shut down websites like Wikileaks

But back to the Americas, this time to Mexico, where a group fighting the controversial ACTA treaty has had a meeting with the Mexican government to talk about the treaty negotiations, a meeting which was attended by the MPAA as well. What was strange though was one question the MPAA put forward, in which they asked whether the ACTA would allow “damaging” websites like Wikileaks to be shut down. It was a strange question, but one can only imagine the MPAA asked it because it has plans to shut down quite a few “damaging” websites, including no doubt The Pirate Bay. If the ACTA actually allows government to silence critical voices like Wikileaks, then I really fear for the future of democracy and free speech, and perhaps again highlights how biased copyright laws have become, that government can use it as an excuse to silence dissent.

But even without the ACTA, the government are doing plenty to help out the MPAA. The new proposed “Combating Online Infringement and Counterfeits Act”, introduced in a bi-partisan manner in the US senate, gives law enforcement even more power to combat online piracy. The specifics of the act isn’t important, but it’s just the idea that combating online copyright has now become the responsibility of the Justice Department (aren’t they already quite busy with, like, real crimes and stuff?), as opposed to being the responsibility of copyright holders, turning what is normally a civil matter into a criminal one. It’s basically using tax payer funds to protect the business interests of billion dollar corporations, while disguising the effort as “protecting American jobs”. Every industry provides jobs, even the online piracy industry, so why should music labels and Hollywood get special protection? And before you blame any political party, both of them are quite vocal in their support of these corporations, so we, as the people, as pretty much voiceless. Which is why the Low Orbit Ion Cannon has to do what it has to do …

And more victory for YouTube as it won a case in Spain which mirrors the Viacom judgement handed to them earlier in the year. So copyright holders will have to work a bit harder and actually go after the people who uploaded unauthorised clips, as opposed to the nice, big target of YouTube/Google. Nobody say anti-piracy was easy.

High Definition

Let’s move onto 3D/HD news. The big news for the week was that the PS3 3D Blu-ray firmware has been released, and suddenly, many many more people now have a Blu-ray player capable of playing 3D movies, if and when they are ever released en mass.

So how does the PS3 perform as a 3D Blu-ray player? It does pretty well, but there are some limitations. The biggest one is that you won’t be able to play a 3D Blu-ray movie and also output Dolby TrueHD and DTS HD-MA audio in bitstream mode. The reason is that because the PS3’s HDMI port is not version 1.4, it has to do some software trickery to enabled the output of frame packed 3D content, and this trickery basically means bitstreaming is out. Of course, those with PS3 Fats, like me, don’t have bitstreaming anyway, so nothing lost there. But apparently, the silver lining in this means 3D can work through HDMI 1.3 equipment, such as HDMI splitters and receivers, but I can’t confirm or deny whether this is the case or not.

The other limitation is that when you press the “triangle” button to bring up the PS3 playback options, 3D is disabled/flattened. Standalone 3D Blu-ray players don’t suffer from this, and their overlay menus are sometimes in 3D as well. It’s kind of annoying, but just how many times do people bring up the playback options during playback is debatable.

Otherwise, 3D Blu-ray output is as good as any standalone 3D Blu-ray player, and response times as as quick as ever on the PS3, and I never believed those stories which said the PS3’s powerful cell processor couldn’t handle 3D Blu-ray (and yet the low powered standalones could?).

PS3 Controller

The PS3 3.50 firmware disables support for unlicensed, third party controllers

But 3.50 is apparently more than just about 3D Blu-ray, but not in a good way. The firmware update disables the majority of third party, unauthorized controllers and USB devices, and apparently introduces a few issues with playing back non 3D Blu-ray titles such as Sunshine.

Not much happening in gaming this week, so I’ll skip it. Although I will mention Sony’s attack on Microsoft for having only one genre of exclusive games, most likely a dig at yet another hit on the Xbox 360, Halo Reach, being yet another shooter. But I think Microsoft will probably be the first to agree with Sony’s assessment, since they’re trying to expand their range of experiences with games like Alan Wake, and of course, the whole Kinect platform. Meanwhile, Sony is spending a lot of efforts promoting the Move as a great way to play, you guessed it, shooters.

In any case, Halo Reach will ensure Microsoft wins September again as the most popular console (in the US at least), taking a lot of thunder away from the launch of Move. And this is before Kinect is even close to release, in early November. Although some of the claims being made by Microsoft (and its employees), such as comparing Kinect to the iPad or pulling a random large number out of the air when talking about potential sales, are a bit over the top, if not downright strange.

Anyhoo, that’s the week. Have a good one, and watch out of the LOIC.

Weekly News Roundup (19 September 2010)

Sunday, September 19th, 2010

And so another week is upon us. Not much news this week though, but there was one big breaking story, which we’ll get to soon enough. The PlayStation Move has been released since I last posted, and there’s a bit more on that in the gaming section, although I do plan on writing a short little comparison between the Move and Kinect, or rather, why a direct comparison between the two motion gaming accessories is a bit silly, and that one doesn’t necessarily have to lose in order for the other to win (unfortunately, the Wii loses in either scenario).

Copyright

In copyright news, the big news of the week I alluded to earlier is that HDCP, the copy protection scheme we’ve all learned to love, is dead.

HDMI Cable

HDCP, as found in the HDMI standard, is cracked

It was short lived, we hardly knew thee, but HDCP copy protection has been cracked, with the master key posted on Twitter of all places. People at first were sceptical, but a few days later, we had confirmation from Intel, the company that developed HDCP, that, yes, the posted key was in fact the legitimate master key. So what does the master key do? Well, it the way HDCP works, it allows legitimate source keys (keys for things like Blu-ray players) and sink keys (keys for receiving devices, mainly TVs and monitors) to be generated, and therefore it means that there is no way now to tell the difference between authorised devices, and unauthorised ones, thus killing HDCP as a viable DRM scheme. Well some articles screamed that “Blu-ray copy protection has been killed”, it isn’t quite that simple. Yes, Blu-ray players rely on HDMI and therefore HDCP copy protection, but the disc itself is still protected by several other layers of DRM, including AACS. However, it will now be possible to intercept the HDMI output and get access to the raw digital stream to make copies of the movie, although that will require a bit of hardware ingenuity, although something could be done in software too. Those around when DVD ripping first came onto the scene will remember Power Ripper, the tool that used PowerDVD’s screen capture tool to rip DVDs, frame by frame. Since then, many DRM schemes have protected this sort of ripping by disabling screen capture or encrypting the path from software to screen. But with HDCP out of the way, this kind of ripping may be possible again (and this time, since HDMI carries audio too, the whole stream can be riped). Of course the question is why would anyone want to do this when there are much easier ways to rip Blu-ray movies? But there are also other applications other than ripping, such as allowing movies to still be played via HDMI even when the TV’s HDCP chip has died.

But the most important aspect of this leak of the master key is that it confirms once again relying on technical measures to prevent piracy is an extremely naive strategy. There are people that crack HDCP for fun, and it doesn’t matter if it takes a month, or 5 years, they have the time! Now, Intel has hinted that since the technical protection is all but gone, they may rely on legal protection to keep HDCP viable. After all, it’s worked for DVD’s CSS, which has been cracked since 1999 and yet it’s still widely in use today, largely thanks to the legal protection it, and any DRM scheme (no matter how weak), offers (thanks to the DMCA). But even legal protection won’t stop people doing things that annoys rightsholders, once the technical barriers have been removed. So HDCP will still be around, and all your TVs and Blu-ray players will use it, but once again, you have to ask, what’s the point? Having some crappy DRM in there makes lawsuits simpler, but copyright infringement is copyright infringement, it doesn’t really matter to the court if DRM has been broken once, a hundred times, or that DRM didn’t exist at all. And when the DRM negatively impacts on legitimate customer’s user experience, then one should wonder if this is a fair deal, that legitimate customers have to pay dearly just to give rightsholders a false sense of security (but I guess a false sense of it is better than nothing, which is why companies are still paying a lot of money to license DVD’s CSS).

Technical, legal ways to fight piracy has obviously failed, and continues to demonstrate how it fails every single day, whether it’s HDCP, or France’s Three-Strikes, or multi-million dollar settlements being thrown out of court for being unconstitutional. The common sense approach would then to be to find another way to fight piracy, perhaps a way where rightsholders can get loyal customers to join their battle, no, not by paying out rewards for dobbing your friends and family, but by making sure that paying customers want to stay paying customers because they are treated right. So right that even those that aren’t paying would start to envy those that are paying, and would do so if they could afford it. Whether this means making the whole experience so much easier than going out and obtaining the pirated version, or if it means more exclusive content and experiences that cannot be pirated, or even just making the price so reasonable that, it makes it not worthwhile to pursue pirated content. I firmly believe such a solution is possible, and in the end, everyone will benefit.

4chan Anonymous

4chan DDoS attacks AiPlex and the MPAA, giving (AiPlex at least) a taste of their own medicine

Or you can just launch DDoS attacks on BitTorrent websites. But if you use less than ethical and possibly illegal tactics, then don’t be surprised if the response is of a similar nature. Last week, I mentioned the story of an Indian based anti-piracy firm, AiPlex, who appeared to have owned up to launching DDoS attacks on BitTorrent website. So this week, a group from 4chan, called Anonymous, have decided that the right response is to DDoS AiPlex’s website. And attack they did, bringing the entire website down for hours. And not only that, they decided to attack the MPAA website too, also bringing it down for several hours. Both websites appear to be back up again this afternoon, after having changed IP addresses, but it’s unknown at this point if the attacks will continue (both sites appear to be slowing down again, which could signal the start of a new attack, or just that I have a crappy Internet connection). Now, I don’t think many people will condone DDoS and similar attacks, but that’s exactly why people were shocked to discover that AiPlex had resorted to such actions in the first place.

Over to the UK, Internet users over there will soon have to pay to be spied on by their ISPs, so the profits of record companies and other rightsholders can be protected. The government has announced that ISPs will have to foot 25% of the cost of anti-piracy operations, with the rest of the 75% being the rightsholder’s responsibility. You would think that rightsholders, you know the multi-billion dollar music and movie industries, would be happy with this arrangement, but they’re not. They had wanted ISPs to foot all of the bill, to even pay for the investigation part of the operation, and so wanted to contribute nothing in order to gain all the benefits. I should be surprised, but I’m not, because these are industries that are out there blaming everyone else for problems of their own creation (by that I mean not moving quickly enough to satisfy user needs, so the users found something better, cheaper).

High Definition

Let’s move onto 3D/HD news. The good news is that the PS3 should be able to play 3D Blu-ray movies by this time next week, as apparently the “delayed” 3D Blu-ray firmware is now going to launch on time, on September 21st.

There’s very little detail about the exact implementation, so there’s all sorts of rumours on 3D Blu-ray being a bit more limited on the PS3 than compared to dedicated 3D Blu-ray players. One of the rumours suggest that when 3D is being played, BD-J/Java based menus can’t work at the same time. I find this highly unlikely though, since the PS3 has to still be the most powerful Blu-ray player out there (how many other Blu-ray players can do 1080p 3D rendering?). Another earlier rumour suggests that due to the older version HDMI on the PS3, especially the fat one, that 3D Blu-ray will not be full 1080p. This sounds more likely, but I think Sony has already refuted this suggestion. Anyway, we’ll know more in a few day’s time.

But while the update means the number of 3D Blu-ray players around the world has just jumped up quite a bit instantly, the number of 3D Blu-ray movies, on the other hand, is still barely above double digits. One problem many have noticed is that most of the movies released are tied to hardware, usually 3D TVs, and most are not available for general sale. Sometimes like 60% of the movies released or announced for release so far are this types of exclusives, including the big one, Avatar. And some say this will kill off the 3D Blu-ray format before it begins. I’m not sure I agree. Yes, the exclusive releases are an annoyance, it means many 3D Blu-ray owners, like myself, have access to a very limited number of movies (for me, I only have just the one). However, this is just the effect of the hardware-before-content model that 3D Blu-ray has adopted. And this causes the lack of content means manufacturers are even more protective of whatever content they can get their hands on, so they can make it an exclusive and sell more TVs. The alternative is to have content-before-hardware, but producing a 3D Blu-ray movie is quite costly possibly, as opposed to adding 3D to TVs, which isn’t costing manufacturers much at all (and in fact, they’re making more per TV because of the premium attached to 3D sets). In any case, Warner has just announced they will release 6 more 3D Blu-ray movies to general release for this holidays, including the “faux 3D” Clash of the Titans. Sony have also announced Open Season on 3D Blu-ray as well. But all eyes are on when Avatar is going to get a general release on 3D Blu-ray, and that will be the title to take the format to mainstream, I think.

Gaming

And finally in gaming, the PlayStation Move is out and I thought I should briefly talk about it. Most people are wondering if Move will beat Kinect or the opposite, but really, the battle people should be looking at is whether Move can hurt the Wii, and I think it will.

PS Move Gun

One annoying thing about still using motion controllers is all the accessories you need to buy for it, no matter how cool they look

The similarities between the Move and the Wii makes the Move both harder to market, and easier. Easier because people already know what it’s all about, harder because many thinks it’s just a Wii clone. However, those that have played it (not me though) will almost always say one things: it’s very very accurate. That doesn’t sound as sexy as Kinect’s “look Ma, no controllers” advantage, but super accuracy can give motion gaming a whole new dimension. For traditional gaming, accuracy already makes a huge difference (think controller versus keyboard/mouse for FPS games). With motion gaming, accuracy will draw users more into the action, without them wondering why their real world movement of the controller isn’t being translated into the virtual world. And accuracy means the Move controller can be used for games that are more simulations than just random waving of the wand. And of course, accuracy makes for better player, and allows for more complicated games that require more intricate movement. Now whether this makes for better games, I’m not totally convinced yet, but the potential is there. And by being similar the Wii, but better, the Move positions itself as a potential Wii killer.

Kinect is a totally different animal. It’s a lot riskier, but if it succeeds, then Microsoft will have a truly unique product that offers something completely different to the Wii and Move. And this difference could either make or break Kinect, but I’m already seeing lots of signs where people generally tend to think of Kinect are more innovative, more fun, and these are two very critical factors in determining what’s the must have item for this holiday season. And not having to buy controllers, and the endless list of accessories for them (from steering wheels, to guns, to tennis racquets …), might be a plus for some.

And as I mentioned before, I might just write a blog comparing the two new motion control systems, and also whether the Wii is doomed.

But that’s the news for this week. A bad week for DRM, which in my book, means a good week. I wonder which DRM will get broken next week!