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Final Cut Pro

A professional digital video editor with support for DV and native HDV to fully uncompressed HD
Author/Publisher:
Language: English
Ease of use: Not Rated
Latest Version: 10.3 (details)
OS Support: Mac OS
License: Commercial, $USD999.00
Last Updated:
Page Viewed: 30764 times

Links:

Download: Official Product Page   Official Product Page

Description:View the official product page for Final Cut Pro



Screenshots & Images:

Main Screen
Main Screen

Description:

The first choice for professional editors everywhere, Final Cut Pro 5 delivers powerful and precise editing tools that work with virtually any format, from DV and native HDV to fully uncompressed HD. With a real-time multistream effects architecture, multicam editing tools, advanced color correction and intuitive integration with other Apple professional video and audio applications, Final Cut Pro gives you more creative options and technical control than ever before.

Edit Anything:
With native support for virtually any video format all in one application, Final Cut Pro 5 lets you edit everything from DV and SD to to DVCPRO HD and uncompressed high-definition video. Work with new formats like native HDV (long-GOP MPEG-2) and 50-Mbps IMX.

Tapeless Workflow
Capture and output video frames accurately using professional decks, or go tapeless with built-in Panasonic P2 media support. View and browse P2 devices, then transfer the files you need directly into the Final Cut Pro 5 Browser.

Multicam Editing
Simultaneously view and cut from multiple sources in real time, thanks to new multicam editing for DV, SD and HD. Group up to 128 sources together into multi-clips, then add or subtract cameras at any time for maximum flexibility. Switch from shot to shot, with or without effects, and auto-assemble sequences based on time-of-day timecode.

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Categories:

Supported File Formats:

Input Files: DV, DVB
Output Files: AVI, DV, DVD, MPG

OS Compatibility:

Mac OS

Revision History:

Version 10.3
  • Release Date: Oct 28, 2016
  • What's New in Version 10.3
    New Interface
    • Redesigned dark interface puts the focus on your video
    • Configure window layouts into custom workspaces for tasks like organizing and color grading
    • Fill a second display with the timeline or hide the timeline completely
    • Expand the Inspector to full-screen height

    Magnetic Timeline 2
    • Color coding of clips based on roles — such as dialogue, music, and effects — lets you understand your project at a glance
    • Create, assign, and customize the colors of roles to identify different types of audio and video clips
    • Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
    • Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
    • Show Audio Lanes button in the Timeline Index displays a structured timeline layout with dedicated spaces for each audio role
    • Add audio effects and keyframe audio volume changes to an entire role within a Compound Clip
    • iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
    • Create and manage a unique set of roles for each Final Cut Pro library

    Wide Color
    • Images are now viewable in wide color on supported Mac computers and external displays
    • Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
    • Configure color spaces for both libraries and projects
    • Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wider color
    • Range check overlay in the viewer highlights areas out of the standard RGB range
    • Video scopes display wide color in real time

    More Video Formats
    • MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
    • MXF master file export uses audio roles to configure industry-standard channel layouts
    • Support for Canon Log2/Cinema Gamut and Panasonic V-Log
    • Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
    • Playback support for Panasonic AVC-Intra LT
    • Export AVC-Intra files

    Additional Features
    • Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
    • Remove Effects and Remove Attributes commands let you delete specific effects from clips
    • SMB 3 network support enables library access on network-attached storage devices
    • Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
    • Copy and paste timecode to speed up numerical entry from text documents
    • Consolidate custom Motion projects into individual Final Cut Pro libraries
    • Option for continuous playback of clips in the Browser
    • Search custom metadata in the Browser and Timeline
    • Search Timeline Index for Auditions, Compound clips, Multicam clips, and Synchronized clips
    • Ability to roll trim on adjacent anchored clips
    • Larger Media and Content browsers provide more space for viewing photo libraries, sound effects, music, titles, and generators
    • Skim and select ranges of audio files in the Music and Sound Effects browser
    • Use a Thunderbolt cable for direct A/V output to an external display, without the need for a separate I/O device
    • XML 1.6 supports role-based audio components for Magnetic Timeline 2
    • Enhanced XML support lets you import projects and clips into existing events
    • Ability to drag and drop clips, projects, and events as XML with supported applications
View complete revision history

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